Lego Hell.

Mihai Marius Mihu has done a great job of creating Dante’s Nine Circles of Hell in Lego. Mihu did not immerse themselves in The Inferno for this project, limiting themselves to snippets about the circles, wanting their own take on it to dominate, and I think it’s a grand job. Lust is most impressive. I’m just going to post Gluttony here, because the red and black really attracted me, and you can have a wander through the other circles yourself, and also have a care if you curious sproggen trying to peek over your shoulder.

© Mihai Marius Mihu.

© Mihai Marius Mihu.

© Mihai Marius Mihu.

© Mihai Marius Mihu.

You can see all of Lego Hell here.

Heron.

A portrait of three herons, the one on the right holding an especially characteristic pose.

A portrait of three herons, the one on the right holding an especially characteristic pose.

Text Translation:

[Of the heron] It is called heron, ardea, as if from ardua, meaning ‘high’, because of its capacity to fly high in the sky; it fears rain and flies above the clouds to avoid experiencing the storms they bring. A heron taking wing shows a storm is coming. Many people call the heron Tantalus, after the king who betrayed the secrets of the gods. Rabanus says on this subject: ‘This bird can signify the souls of the elect, who fear the disorder of this world, lest they be caught up by chance in the storms of persecution stirred up by the Devil, and raise their minds, reaching above all worldly things to the tranquility of their home in heaven, where the countenance of God is forever to be seen.

Although the heron seeks its food in water, nevertheless it builds its nest in woodland, in tall trees, as the righteous man, whose sustenance is uncertain and transitory, places his hope in splendid and exalted things. The soul of man sustained by transitory things, rejoices in the eternal. The heron tries with its beak to prevent its nestlings from being seized by other birds. So the righteous man lashes with his tongue those who, to his knowledge, are evilly inclined to deceive the gullible. Some herons are white, some grey, but both colours can be taken in a good sense, if white signifies purity, grey, penitence.

Folio 53v – the goose, continued. [De ardea] ; Of the heron.

Goose.

Two aggressive geese in a roundel.

Two aggressive geese in a roundel.

Text Translation:

[Of the goose] The goose marks the watches of the night by its constant cry. No other creature picks up the scent of man as it does. It was because of its noise, that the Gauls were detected when they ascended the Capitol. Rabanus says in this context: ‘The goose can signify men who are prudent and look out for their own safety.’ There are two kinds of geese, domestic and wild. Wild geese fly high, in a an orderly fashion, signifying those who, far away from earthly things, preserve a rule of virtuous conduct. Domestic geese live together in villages, they cackle together all the time and rend each other with their beaks; they signify those who, although they like conventual life, nevertheless find time to gossip and slander.

All wild geese are grey in colour; I have not seen any that were of mixed colour or white. But among domestic geese, there are not only grey but variegated and white ones. Wild geese are the colour of ashes, that is to say, those who keep apart from this world wear the modest garb of penitence. But those who live in towns or villages wear clothes that are more beautiful in colour. The goose, more than any other animal, picks up the scent of a someone happening by, as the discerning man knows of other men by their good or bad reputation, even though they live far away. When, therefore, a goose picks up the scent of a man approaching, it cackles endlessly at night, as when a discerning brother sees in others the negligence that comes with ignorance, it is his duty to call attention to it.

The cackling of geese on the Capitol once helped the Romans, and in our chapter-house daily, when the discerning brother sees evidence of negligence, his warning voice serves to repel the old enemy, the Devil. The cackling of the goose saved the city of Rome from enemy attack; the warning voice of the discerning brother guards the life of his community from disruption by the wicked. Divine providence would not, perhaps, have revealed to us the characteristics of birds, if it had not wanted the knowledge to be of some benefit to us.

Folio 53r – the nightingale, continued. [De ansere]; Of the goose.

Sharp and Shiny.

From Charly: This is the knife I have given to my Mom for Christmas. Scary sharp – I could slice that tomato paper thin. Seems to hold edge well, it was already used since I made it and the edge was not touched up prior to photographing.

Measurements: Overall length ~26 cm, blade ~14 cm lenght, ~2 mm thick, blade grind convex with no secondary bevel.

Materials: handle scales chemically treated Elder wood (Sambucus nigra) coated with PU, blade N690 steel hardened at home in impromptu settings.

I hope to improve the design based on my mothers feedback and make more knives like this one in the future, it was fun. Beautiful! Click for full size.

© Charly, all rights reserved.

Nightingale.

Portrait of the nightingale.

Portrait of the nightingale.

Text Translation:

Of the nightingale The nightingale is so called because it signals with its song the dawn of the new day; a light-bringer, lucenia, so to speak. It is an ever-watchful sentinel, warming its eggs in a hollow of its body, relieving the sleepless effort of the long night with the sweetness of its song. It seems to me that the main aim of the bird is to hatch its eggs and give life to its young with sweet music no less than with the warmth of its body. The poor but modest mother, her arm dragging the millstone around, that her children may not lack bread, imitates the nightingale, easing the misery of her poverty with a night-time song, and although she cannot imitate the sweetness of the bird, she matches it in her devotion to duty.

Folio 52v – the jay, continued. De lucinia; Of the nightingale.

2017: The 20 Most Powerless People in the Art World.

Ahmed Rabbani, “Untitled (Binoculars Pointing at the Moon)” (2016) is one of the works by present and former Guantanamo detainees that could be impacted. (image courtesy Art from Guantánsmo Bay exhibition).

Ahmed Rabbani, “Untitled (Binoculars Pointing at the Moon)” (2016) is one of the works by present and former Guantanamo detainees that could be impacted. (image courtesy Art from Guantánsmo Bay exhibition).

3. Guantánamo Inmates: We can’t imagine a more awful position for someone to be in, but the US government is adding to the humiliation of indefinite detentions without trial by deciding that Guantanamo inmates no longer own the art they create, and they will probably destroy it. Hard to see what good could come of this.

Hyperallergic has their list of the powerless up, and unsurprisingly, the bar just gets lower, as in the case of those people detained at Guantanamo. As always, some people maintain their position on the list of the powerless:

5. Female Artists: Most of the stories were anecdotal before, but now studies are reinforcing what we knew already, namely that art made by women sells for almost half their male counterparts. Analyzing auction data and experiments with thousands of respondents, researchers found that the perception of an artist’s gender consistently affects how their work is valued. Now that we have the data, how do we remedy this?

Click on over to Hyperallergic for the full rundown.

A Diverse Eye Chart.

Click for GIANT size.

Click for GIANT size.

This amazing eye chart was put together by George Mayerle, in 1907.

This fantastic eye chart — measuring 22 by 28 inches with a positive version on one side and negative on the other — is the work of German optometrist and American Optometric Association member George Mayerle, who was working in San Francisco at end of the nineteenth century, just when optometry was beginning to professionalise. The chart was a culmination of his many years of practice and, according to Mayerle, its distinctive international angle served also to reflect the diversity and immigration which lay at the heart of the city in which he worked. At the time it was advertised as “the only chart published that can be used by people of any nationality”. Stephen P. Rice, from the National Library of Medicine (who house this copy presented here), explains just how throughly thought through the different aspects of the chart were as regards the aim to be as inclusive as possible:

Running through the middle of the chart, the seven vertical panels test for acuity of vision with characters in the Roman alphabet (for English, German, and other European readers) and also in Japanese, Chinese, Russian, and Hebrew. A panel in the center replaces the alphabetic characters with symbols for children and adults who were illiterate or who could not read any of the other writing systems offered. Directly above the center panel is a version of the radiant dial that tests for astigmatism. On either side of that are lines that test the muscular strength of the eyes. Finally, across the bottom, boxes test for color vision, a feature intended especially (according to one advertisement) for those working on railroads and steamboats.

You can also see and download this wonderful chart here.  Via The Public Domain.

Jay.

Bibliothèque Municipale de Troyes, MS 177, Folio 154v. A multi-colored jay with a crest on its head.

Bibliothèque Municipale de Troyes, MS 177, Folio 154v. A multi-colored jay with a crest on its head.

Text Translation:

[Of the jay] Rabanus says of the jay: ‘The jay gets is name from its talkativeness, garrulitas; not, as some would have it, because jays fly in flocks, gregatim; clearly, they are named for the cry they give. It is a most talkative species of bird and makes an irritating noise, and can signify either the empty prattle of philosophers or the harmful wordiness of heretics.’ More can be said of the nature of the jay. For jays signify both gossips and gluttons. For those who devote themselves to gluttony take pleasure, after eating, in repeating gossip and in lending an ear to slander. The jay lives in the woods and flies chattering from one tree to another, as a talkative man ceaselessly tells others about his neighbours, even the shameful things he knows about them. When the jay sees someone pass, it chatters, and if it finds anyone hiding from the world, it does the same, just as a talkative man slanders not only worldly men but also those hidden whom a religious house conceals.

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