A female Black-headed Grosbeak, watching the seed tray from the inside of the lilac tree. Click for full size.
© C. Ford. All rights reserved.
Eight artists have taken top prizes at Sealaska Heritage Institute’s eighth biennial Juried Art Show and Competition, and five young artists also placed in SHI’s new Youth Juried Art Exhibit.
Tsimshian artist David R. Boxley won the top two awards: Best of Show and Best of Formline for his piece Txaamsem.
“I have worked for a very long time to understand formline,” Boxley told the crowd at the ceremony. “I believe it is the most beautiful thing in the world.”
Tlingit artist Alison Bremner won second place for Best of Formline for her print Cat Lady:
The 2016 PIHRA races are off to an exciting start, and even more exciting, the finals will be taking place in Billings, Montana, which is close enough for us to go, so it looks like we’ll be taking a week in September. Maybe two, if we make wacipi earlier in September. From Lakota Country Times:
According to the PIHRA website “Indian relay is America’s oldest sport. It dates back over 400 years to when the horse was first re-introduced to the native cultures of the America’s. Lakota culture insists that this was in fact the second coming of the horse and its reintroduction and in fact the relationship to the plains cultures and the horse is perhaps much older than that is realized. Archeology seems to support that view.”
The PIHRA would add, “It appears that Indian relay developed independently amongst the Indian nations. Different cultures have different oral histories of its origins and most likely they are all true representations. To one tribe relay was used as war games, to another a relay to hunt the buffalo, to another a way to outrun the wild horses to enable their capture,” said the PIHRA.
The Modern version of the sport is currently experiencing a time of rapid growth and has over 50 teams currently vying for one of thirty spots in this year’s World Championships set to be held in Billings, MT on September, 22, 2016.
During the relay portion of the race Riders and Holders line up and await a starting gunshot. After the start riders leap on horses and race three laps exchanging horses after each lap. Fifteen horses and 20 warriors are on the track at the same time working for that seamless exchange. Each team consists of a rider, an Exchange Holder who holds the horse the rider mounts, a Mugger who catches the horse the rider jumps off, and a Back Holder who’s job it is to secure the extra horse during horse rotation.
The PIHRA requires team members to be dressed in tribal theme oriented regalia or traditional ribbon shirts while the rider’s regalia will display moccasins, breechcloths and/or leggings. All horses will be marked with traditional tribal war paint and decorations in colors determined by team tradition which may include medicine and feathers and any distinguishing personal symbol, mark and color.
There’s much more to read and see at Professional Indian Horse Racing Association. Check the schedules, if you’re going to be in the areas this year, grab a ticket.
The 2016 Remember the Removal Bike Ride cyclists rolled onto the Cherokee Nation Courthouse lawn Thursday, June 23 officially ending their 950-mile journey retracing the Trail of Tears.
Eight Cherokee Nation cyclists and seven Eastern Band of Cherokee Indian riders traveled seven states starting June 5 to honor their Cherokee ancestors who were forced to make the trek on foot more than 175 years ago. […] The cyclists started in New Echota, Georgia, and traveled over three weeks across Tennessee, Kentucky, Illinois, Missouri and Arkansas to arrive in Tahlequah, Oklahoma.
“This ride is an amazing journey. It’s vigorous and challenging, and I feel like we are taking away a family bond and a better sense of our tribe’s history, culture and ancestry,” said 2016 Remember the Removal cyclist and Cherokee Nation citizen Blayn Workman. “Because of this experience, I can also now tell others about what actually happened on the Trail of Tears. In school, you don’t learn about where they stopped along the trail or why they stopped or how many died, so now I can help further other people’s knowledge about the trail just as the ride helped further my knowledge.”
The cyclists visited various gravesites and historic landmarks significant to the history of the Trail of Tears, including Blythe Ferry in Tennessee, which was the last piece of Cherokee homeland the ancestors stood on before beginning the trek to Indian Territory. Riders visited Mantle Rock in Kentucky, which provided shelter to the ancestors as they waited for the Ohio River to thaw in order to cross safely, and also stopped to pray at Shellsford Cemetery in Tennessee, where Cherokees who died on the route are buried in unmarked graves.
The Cherokee Nation started the ride in 1984 as a leadership program and so that Cherokee youth would never forget the hardships of their Cherokee ancestors. Of the estimated 16,000 forced to make the journey to Indian Territory, approximately 4,000 died due to exposure, starvation and disease.
For the first time since the program began, participants received three hours of college credit from Northeastern State University after completion of the ride. Also, the U.S. National Park Service awarded a copy5,000 grant to the Remember the Removal Bike Ride for cyclists to promote the national parks along the trail.
The 2016 Remember the Removal Bike Ride included the following:
Amicia Craig, 24, Tahlequah
Stephanie Hammer, 24, Tahlequah
Nikki Lewis, 23, Tahlequah
Kelsey Girty, 21, Warner
Amber Anderson, 23, Warr Acres
Kylar Trumbla, 23, Proctor
Blayn Workman, 16, Muldrow
Glendon VanSandt, 16, Siloam Springs
Eastern Band of Cherokee Indians
Marisa Cabe, 49, Wolfetown, North Carolina
Cole Saunooke, 16, Yellowhill, North Carolina
Tom Hill, 57, Yellowhill, North Carolina
Tosh Welch, 38, Wolfetown, North Carolina
J.D. Arch, 49, Wolfetown, North Carolina
Jack Cooper, 15, Birdtown, North Carolina
Aaron Hogner, 31, Wolfetown, North Carolina
The Cherokee Nation also had Cherokee Nation citizens Stacy Leeds, Dean of Law at the University of Arkansas, ride as a historian, Vietnam veteran Sammy Houseberg ride as an ambassador and Kevin Jackson ride as a Cherokee Nation marshal and trainer.
The 2016 Remember the Removal Bike Ride is chronicled on Facebook.
ICTMN has the full story.
The Pentagon — the largest U.S. employer of transgender people — will announce the end of its ban on trans troops July 1, USA Today is reporting.
Transgender activists have long fought for the lifting of the ban, as many trans people — an estimated 15,500 — are already serving in the military. Most have not been open about their status, as they could face discharge. A few have come out and remained in the service, however.
“Top personnel officials plan to meet as early as Monday to finalize details of the plan, and Deputy Defense Secretary Bob Work could sign off on it by Wednesday,” USA Today reports. Defense Secretary Ash Carter would have to give final approval.
Finishing the work involved with lifting the ban will still take another year. Each branch of the military will have a year “to implement new policies affecting recruiting, housing and uniforms for transgender troops,” according to the paper.
The Advocate has the full story, and video. All I can say is it’s about godsdamn time.
After the June 12 massacre at Pulse nightclub in Orlando, Anderson posted a video in which he said there are “50 less pedophiles” in the world. Forty-nine people were killed in the mass shooting at the gay nightclub.
Anderson has been reaping the consequences of his words, and he is not happy about it.
“It’s war. You know what the filthy sodomites have done toward our church and us, and our friends and our fellow pastors that actually have the guts to say what needs to be said? Here’s what they’ve done in the last few weeks,” he told his congregation. “They got our PayPal account shut down so that we can’t take anymore online donations. We set up with another company, GivLet, they got that shut down. Qgiv, they got that shut down. BitPay, they got that shut down. They shut down our iTunes podcast. They shut down Brother Jimenez’s PayPal account. They shut down Brother Romero’s PayPal account… The landlord of Pastor Jimenez is saying, ‘hey we’re not going to renew your lease.’”
Anderson was clearly angry that these words have come back to haunt them.
“I mean these people are dedicated,” he said, about LGBT rights activists. “These people are researching, they’re finding out where we bank, they’re finding out who we do business with. They’re trying to get us shut down on all fronts, and you know what, let me tell you something, I’m sick of it.”
He then jumped up on his podium and started pointing at the audience.
“And you know what, if you’re not gonna back us up then get out of here, we don’t need your help,” he said, before launching into an invective-filled rant calling LGBT people “dogs.”
I guess that whole “reaping the whirlwind” business isn’t okay if it’s aimed at them. Full Story Here.
140 years ago, on June 25th, 1876, the Battle at the Greasy Grass was fought. Lakota, Dakota, Cheyenne, and Arapaho were camped at the Greasy Grass along side the Little Bighorn River. What was one of the few victories of Indians against the colonial military is historically described as a tragedy, the horrific slaughter of a noble man and great military leader. Poor Custer. Certainly, at the time, the battle at the Greasy Grass was depicted as a tragedy to be avenged, those animals (Indians) needing to be put down, and we were. It wasn’t long after Greasy Grass that much more effective arms were granted to the military, repeating rifles rather than single shot, etc. Crazy Horse was killed in captivity by soldiers. That was followed by the Massacre of Wounded Knee. The U.S. has held a grudge over the Greasy Grass for all these years. Everywhere, there are monuments littered of those who slaughtered countless Indians, including Custer, but there are no monuments to the valiant fighters of the Greasy Grass, of those who saved and protected so many lives, as there were six to eight thousand Indians gathered at the Greasy Grass.
Ruth Hopkins has an article at Last Real Indians, Fighting with Spirit, How Greasy Grass Was Won.
ICTMN has an article, The Battle of the Greasy Grass 140 Years Later: The Complete Story in 18 Drawings.
The Lakota Times (subscription only) notes that “The Battle of Greasy Grass/The Battle of Little Bighorn”will begin at 2 p.m. on June 25th. Admission for Learning Forums is $12 for adults, $10 for seniors, $9 for students, & half off for members (includes museum admission). The Journey Museum is located in Rapid City at 222 New York St, 2 blocks east of the Rushmore Plaza Civic Center right across from the Club for Boys.
A 2010 article from Smithsonian Magazine highlights the Battle at the Greasy Grass from the point of view of the victors, a rare case when the victors are Indians.
Happy Victory Day.
Jim Boyd, musician and Colville tribal chairman has walked on. Jim was well known for his music as a member of the bands XIT, Greywolf and Winterhawk, and for four songs in the iconic Indian Country classic movie Smoke Signals. Jim Boyd was also instrumental in the recent historic canoe journey and intertribal gathering, which has brought profound joy to so many people. Also instrumental in that effort was Virgil Seymour, who also walked on recently, another great loss to the Colville people.
Jim has walked on, but I will look to the stars, listen to his voice, and whisper thank you.
Native Music Icon and Colville Chairman Jim Boyd Walks On. Jim Boyd’s Passing the Second of Two Devastating Losses for Colvilles. ‘There are No Words’: Reviving Canoe Culture on the Upper Columbia River.
I chose fettuccine noodles for this recipe, rather than other forms of pasta. You’ll see at the end that they remind me of ribbons and show a bit more color than a spaghetti or linguine version, being wider and having more surface area. I also tried different sauces for the rainbow-colored pasta, and the trick is to use a clear sauce or dressing, because anything white or opaque, like alfredo sauce, ended up taking on some of the color that eventually migrates from the noodles. Also, choosing a chunky mozzarella cheese with black olives was deliberate, to help show a sharp contrast and make the noodles “pop” more; other cheeses would have dulled the appearance of the whole presentation and too many add-ins could also detract and change the color composition. I would, though, recommend slicing the olives because leaving them whole as I did here was mostly a pain in the neck when it came time to actually eat the dish with a fork…they looked good whole, but rolled around and avoided the fork in that form.
When testing the storage and transport of this dish, I’d recommend eating it within four hours of tossing it together. If you’re taking it to a potluck, cook and color the noodles at home but try to compose the salad on site. But, if you need to transport it composed, it should be fine and not mix too many of the colors when the noodles move and get jostled. I threw one set of noodles with dressing, olives, and cheese into a resealable bag and took it to my cabin with me. All of that movement didn’t change the presentation too much that first day, but on the second day a few of the colors were transferring between the different noodles and the white of the mozzarella chunks were graffiti-ed with stripes of color that made them look like confetti. So, while the recipe will last for days in the refrigerator and still taste good and look colorful, I’d recommend consuming it the same day you throw it all together. Carb-load for all of those Pride activities and have a wonderful time celebrating this community.
1 package fettuccine noodles
salt for water
liquid food coloring
1 cup Italian dressing (add more to taste)
mozzarella cheese (cut into chunks)
black olives (sliced is preferable)
6 quart-sized resealable bags
2 tablespoons water
Bring a pot of water to a full boil. Add salt and fettuccine to water and stir, fettuccine tries to stick together. Do not add olive oil to the water if you normally might, because the oil will affect the coloring process later on. Allow the noodles to cook anywhere from 7 minutes (as recommended on the package) to 16 minutes (which is my preference). Drain and run cold water on the noodles to cool and rinse away some of the starch.
Add 2 tablespoons of water to each of the six quart-sized resealable bags. Then, add the following for the six colors of the Pride flag:
Red: 20 drops coloring
Orange: 15 drops yellow coloring, 5 drops red coloring
Yellow: 20 drops yellow coloring
Green: 20 drops green coloring
Blue: 20 drops blue coloring
Purple: 15 drops red coloring, 5 drops blue coloring
Split the pasta into 6 sections and put a section of pasta into each bag, being sure to seal it securely. Then, mix the coloring and noodles together for a minute before setting each bag aside for 5 minutes or so.
Section by section, give each bag one last mix before dumping the pasta into a strainer in the sink. Run water on the pasta to rinse the color away, feel free to really agitate it with your hands…the fettuccine is pretty sturdy.
Remove pasta from the strainer and onto a paper towel. Blot with another paper towel to try to remove as much liquid as possible. If there’s still a lot of color bleeding off of it, put it back into the strainer to rinse longer.
Repeat with each color of pasta, being sure to rinse the strainer completely between colors.
For assembly, feel free to leave the noodles in their colored sections or mix them up as I did in the video. Either way, they’re playful and brilliant. Add things to the pasta, but in the case of all these colors, remember that less is more. Enjoy. And Happy Pride, friends.
…One of the (many) consequences of the CCA and Wertham’s ideology is the reenforcement that queer characters are somehow “adult” and “inappropriate” by default. “What about the children?!” bigoted pearl-clutchers ask.
Yes, what about the children — namely, the queer ones? Do they not deserve the representation — something curative in the face of adversity — that their straight and cis peers get every day on TV, film, and comics?
A great many (though not all) LGBTQ people realize that they’re queer at a young age. Maybe it’s through childhood crushes on fictional characters or an intrinsic knowing that they’re not the gender they’ve been assigned. Many who discover their identities later in life wish they had the language and representation to understand themselves at an earlier age.
Media needs more representation of young LGBTQ kids — Lumberjanes and Steven Universe and Boy in Pink Earmuffs can’t carry that burden alone. That’s why I argue that Jonathan Samuel Kent, current Superboy and ten-year-old child to Lois Lane and Clark Kent, should be queer.