Black Violin. Thanks to Giliell. Stereotypes.
Black Violin. Thanks to Giliell. Stereotypes.
The winners of the 16th Annual Native American Music Awards were announced earlier this month at the Seneca Allegany Resort & Casino Event Center in Salamanca, New York. Rapper and Black Eyed Peas member Taboo was inducted into the NAMA Hall of Fame while acclaimed Flutist Joseph FireCrow and Actor/Motivational Speaker/Writer/Artist Saginaw Grant received the Lifetime Achievement award and Living Legend award respectively. Comedy duo Williams and Ree, who were at the inaugural NAMA show in 1998, were voted Entertainers of the Year.
A highlight of the festivities hosted by Comedian/Actor Paul Rodriguez was a two-part tribute honoring John Trudell by two of his musical collaborators. Annie Humphrey performed DNA followed by Thana Redhawk with Ancestors Song featuring Trudell’s vocals.
A special appearance was made by the family of Joseph Flying Bye, who was nominated posthumously for his Putting The Moccasins Back On recording in the Best Historical/Linguistic Recording and Best Traditional Recording categories. His son, Allen and another ten family members drove from Standing Rock, North Dakota to the event. They received an overwhelming response of solidarity from the attendees supporting their opposition of the Dakota Access Pipeline. Seneca President Maurice John recently visited with Standing Rock Tribal Chairman David Archambault II and NAMA nominees contributed their songs to two free Water Is Life CD compilations to support the Standing Rock Sioux Community.
Twelve year-old hand drummer, Nizhoo Sullivan, the youngest NAMA nominee, was one of several Traditional performances that included Theresa Bear Fox and the Akwesasne Women Singers along with Joseph Fire Crow. Artist of the Year Shelley Morningsong sang and played the flute accompanied by her husband and musical partner Fabian Fontenelle resplendent in his regalia. Best Pop Recording winner Spencer Battiest and his brother Doc impressed the attendees with their renditions of a ballad and hip hop song.
Late singer/songwriter, Chairman of The Confederated Tribes of The Colville Reservation, and Native icon Jim Boyd won Record of the Year for his final recording, Bridge Creek Road. Boyd’s widow Shelly accepted the award accompanied by 15 members of his family including their children. The final performance of the night was a tribute performance to Chairman Boyd by Keith Secola with long-time Boyd drummer Alfonso Kolb, Annie Humphrey, and Sage Bond.
There’s much to check out: http://www.nativeamericanmusicawards.com/nama-16 Also, Women of Heart, who won Best Traditional Recording, have made their winning album free to download.
Via ICTMN.
You can drown in the passion of Sergei Polunin. The Creators Project has exclusive trailers from the recently opened movie, and Wow! is completely insufficient. There’s an excellent in-depth article, along with more trailers here.
The Creators Project has an in-depth article, and more trailers.
Neil Young’s song about what’s happening at Standing Rock! Thank you, Neil.
Young has campaigned against big oil for years, and he drives a car that runs on plant-based ethanol. Along with Willie Nelson and Lakota hip-hop artist Frank Waln, he performed at a concert to rally supporters opposing the XL Keystone Pipeline. Earlier in 2016 he provided the background music for the American Indian College Fund’s new advertising campaign.
When the Apache Stronghold movement traveled throughout the United States to oppose the degradation of sacred Oak Flat by the Resolution Copper Mine, Young welcomed the Apache to drum at one of his concerts in New Jersey before they rallied in Washington D.C. The iconic performer has also been actively engaged in First Nations’ battles. He donated the proceeds of select concerts on his Honor the Treaties Tour to the legal fund for the Athabasca Chipewyan’s struggle to halt the expansion of the Alberta Tar Sands.
Vincent Schilling’s full article is here. And please, heed Neil, and share the news!
I was reading this article at ICTMN, which linked to two new and growing movie services, Nativeflix and SkinsPlex. I was blown away, browsing, making lists of all the things I want to see. I hope both these young companies grow and grow and grow. While I’m in the group of people whose internet access doesn’t allow for much streaming or video watching, we can break that now and then, and I have the perfect places to do that now.
Give NativeFlix and SkinsPlex a visit, browse around, and if you are able, start watching, they both have great lineups! NativeFlix. SkinsPlex.
Check out our Pow Wow listings here.
Twitter: #ICTMNWeeklyPowWowPlanner
Leech Lake Labor Day Pow Wow, September 2–4
Leech Lake Veterans Grounds next to the Palace Casino on Palace Drive
Cass Lake, MN 56633
For more information: go to http://www.llojibwe.com/ or
https://www.facebook.com/Leech-Lake-Powwow-Committee-270735403027667/
Ashland Labor Day Pow Wow, September 2–5
Northern Cheyenne Reservation
Between Ashland & St. Labre off U.S. 212
Ashland, MT 59003
For more information: go to http://cheyennenation.com/Public%20Information.html
Totah Festival Pow Wow, September 3
Farmington Civic Center
200 West Arrington
Farmington, NM 87402
For more information: go to https://farmingtonnm.org/events/totah-festival-indian-market-pow-wow/ or
Giuliani. Again. Someone needs to get this man distracted into doing something else. Please.
Former New York City mayor Rudy Giuliani reacted angrily to pop star Beyoncé Knowles’ performance at Sunday night’s Mtv Video Music Awards, declaring that his anticrime policies have “saved more black lives” than any black performer.
Politico reported that the Republican mayor and longtime Donald Trump confidant appeared on Monday’s Fox and Friends to decry Knowles’ message and declare that he’s “saved more black lives” than any of the performers featured in the ceremony.
Knowles’ performance featured the group #MothersOfTheMovement — a group of women of color whose children have been killed by police — and stylized depictions of police violence.
“Her dancers were circling around her and one by one, they fell to the ground, and there were red lights underneath them. And that was supposed to symbolize cops killing black individuals,” said Fox and Friends co-host Ainsley Earhardt.
“You’re asking the wrong person,” Giuliani replied, “because I had five uncles who were police officers, two cousins who were, one who died in the line of duty. I ran the largest and best police department in the world, the New York City Police Department. And I saved more black lives than any of those people you saw on stage by reducing crime and particularly homicide by 75 percent.”
Y’know, rattling off how many cop relatives you have is irrelevant. I have a cop relative myself, and boy, did I ever hear stories. They weren’t good stories, either. Cops are people, with all their inherent flaws and biases. There are a whole lot of cops who are busy murdering Native People, Black People, and Hispanic people, along with assorted brown people, the key being brown. This cannot be denied, nor can it be denied that cops have been sanctioned to murder people of colour, as they sure as hell aren’t being punished for it in any way.
“Of which, of which maybe 4,000 or 5,000 were African-American young people who are alive today because of the policies I put in effect that weren’t in effect for 35 years. So if you’re going to do that, then you should symbolize why the police officers are in the neighborhoods and what are you going to go about it? To me it’s two easy answers: a much better education and good job, and what the heck have you done like in Baltimore, when they all stood in Baltimore,” Giuliani ranted.
I can’t speak for anyone else, but if I see cops in my neighbourhood, I run away. I don’t want anything to do with them. And please, don’t be pushing the “well, who are going to call if you’re in trouble?” My answer is I don’t know, but my first thought might not be cops.
He went on to attack politicians who stood in solidarity with demonstrators in Baltimore last year who were protesting the killing of Freddie Gray by Baltimore cops.
“I was sick when I saw all the politicians sitting, standing in Baltimore after the police situation and saying, nobody’s done anything for this community in 50 years,” he went on. “Well, that is a heck of a thing to say, because they’ve been in charge for 50 years. And they have failed the community. I didn’t fail Harlem. I turned Harlem around. I didn’t fail Bedford-Stuyvesant, I turned it around. Go there now. Go walk in Harlem. Then flash back to 25 years ago and go to Harlem before I was mayor, and one was a place where crime was rampant and no national stores and now there’s a thriving community in Harlem.”
I don’t live in NYC, but I hear things now and then, like about people being forced out of certain areas by hostile gentrification. They aren’t dancing in the streets, singing high hallelujahs to Giuliani.
Fox and Friends’ Brian Kilmeade opined that Knowles is sending the wrong message to the next generation of black youth, saying, “And Beyonce is an extremely popular and powerful performer, and when she does stuff like that, that message to the next generation is pretty indelible.”
“It’s a shame,” Giuliani replied. “It’s a shame.”
No. No, it’s not a shame, it’s the right damn thing. Just as Indians are standing up and saying no, the same with Black people everywhere. We have that right, and we’re more than a bit tired of our white colonial masters. Perhaps Giuliani has saved a whole lot of Black lives. Beyoncé is letting people know about injustice, about bigotry, and that yes, they have a voice, and a right to use it. I think that’s pretty important.
Via Raw Story.
Dr. Adrienne Keene at Native Appropriations has tacked a tough question: where are the Natives in Hamilton? Indigenous people were, naturally, a very large presence during the actual time, and within the framework of the play everyone loves.
I have not seen the highly acclaimed, Tony-award winning, ground breaking, race-bending new musical Hamilton. Not due to lack of trying. I enter the digital lottery nearly every single day on my phone, though if I do somehow win it will mean the most panicked four hours of my life trying to get from Providence to NYC in time for the show. But that’s an aside. What I have done is listened to the soundtrack hundreds of times (not exaggerating), as well as listened to interviews of Lin Manuel Miranda on Another Round–we’re fellow Another Round alums!–and a couple other places.
I truly have had the soundtrack on repeat for months, including right now, except for “Quiet Uptown,” because sad. So, while I haven’t seen the show, I feel like I’ve consumed enough media surrounding the actual production to offer this review–or offer this question, really. But I will add these disclaimers: I have not seen the show. I have not read the HamilTome with insight from Miranda into the writing and production of the show. I have not read the Hamilton book that inspired the show. So, if I’m wrong or there are specifics I don’t know about, feel free to let me know (Or take me with you to see it? Please?).
But, I still feel qualified to ask: Where the heck are the Native people in Hamilton?
“It’s energy. It’s genetic memory. I’m connected to the past present and future all at once.” -MC Rhetorik. Hailing from the Pueblo of Kewa, hip hop artist MC Rhetorik drops the ‘Abstract Thoughts’ album.
On August 10th, 1680 in the province of Santa Fe de Nuevo México, present day New Mexico, marked the start of an Indigenous uprising against the Spanish colonizers known as the Pueblo Revolt. The Pueblo’s, under the leadership of Popé and other Pueblo leaders, planned and orchestrated the revolt which resulted in successfully driving the Spanish out of their homelands.
On August 10, 2016, MC Rhetorik (Santo Domingo Pueblo) carries on this storied history of resistance by releasing the second part of his concept ‘Abstract Thoughts‘, with Abstract Thoughts the album.
What are your plans for the release of Abstract Thoughts
I’ll be releasing the album on-line on bandcamp.com for download. Today, I will be giving both a workshop and performing at the Youth Making a Change: Youth Conference in Albuquerque. I’m pretty honored and excited since the conference was entirely organized by our youth. That’s inspiring. From there I’ll be headed to Utah this weekend for a performance. In the future, the album will be available on CD.
You can read more here.
Andrew Flack and Paul Fowler are currently working on a comic opera about Giménez’s life and how the mistake that initially horrified her (and the internet) ended up saving her small town from an economic slump, The New York Times reports. The painting, which was mocked in memes, a Saturday Night Live segment, and with comparisons to the 1997 film Bean: The Ultimate Disaster Movie, became a tourist attraction that spurred a 1,000 percent increase in visits to the local medieval art museum and revitalized the town’s restaurant business.
When the pair began work on the musical in 2014, Flack told the Times, “It’s a story of faith. … Why are people coming to see it if it is such a terrible work of art? It’s a pilgrimage of sorts, driven by the media into a phenomenon. God works in mysterious ways. Your disaster could be my miracle.”
The real story is full of dramatic tidbits, like local wineries bickering over the right to display “Potato Jesus” on their wine labels. Also, the two-faced priest who initially threw Giménez under the bus by denying that he gave her permission to work on the fresco ended up banished from town — he was accused of embezzling 168,000 euros from the church.
Most compellingly, it seems as though the whole scandal occurred because photos of the fresco were released long before Giménez had finished her attempted restoration. Her other artwork is gorgeous! I can’t wait to see how the fictional Giménez’s heroic redemption plays out.
The Verge has the full story. Given the er, botch of styles to be all mixed together in this opera, I hope it works out for everyone.
(Trump’s An) Asshole with Dennis Leary. Sing along!
If you can’t watch the video, there’s a transcript here.