Sgt. Pepper’s Lonely Hearts Club Band may not be the greatest album ever, but neither is any other, of course. Having celebrated its 50th birthday in June, the classic Beatles album illustrates how consensus bounces up and down throughout history. By the time Pepper came out in 1967, ten months after 1966’s Revolver in what was then considered an unreasonably long gap between projects, the band had stopped touring in order to work exclusively in the studio. This produced a giddy anticipation cycle that inspired instant coronation upon release. Even when it first came out — especially when it first came out — the coverage framed it in world-historical terms, terms like “great art” and “magnum opus” and such; in 2003, it topped Rolling Stone’s roundup of the 500 Greatest Albums of All Time, which merely confirmed an attitude several decades old among the rock press.
But the imposition of received taste rankles, and a subsequent generation of critics spurned the album’s myth, attributing its acclaim less to actual merits than to good timing and the culmination of what Greil Marcus in 1979 called a “pop explosion.” Pepper’s 50th anniversary has rekindled much debate: note Jon Pareles in TheNew York Times nailing the album’s “impulsiveness, its lighthearted daring, its willingness to try the odd sound and the unexpected idea”; note also Amanda Marcotte in Salon complaining that Pepper is “music for men” over “girl music,” which reveals nothing about the album and everything about the author’s unwitting failure to reject gender norms. Fifty years on, we’re still arguing about the Beatles; they’ve got us in their clutches, and we can’t get free.
Oh, well perhaps many people are still in the clutches of The Beatles, I wouldn’t be one of them. I didn’t mind their music, and found some of it catchy enough, but it wasn’t my thing, even as a child. I did learn to not admit as much, after ending up in a vicious fight with a bunch of other 10 year old girls who were seriously in love with them. I was completely captured by The Rolling Stones and The Who at that age. For those who are captured by The Beatles, Hyperallergic has a good article up about the 50th anniversary of Pepper.
A Swedish Music Festival is taking to heart the Michelle Obama mantra of “when they go low, we go high” with a gendered twist. A few days have passed since the organizers of Sweden’s four-day Bravalla festival announced their cancellation of next year’s event after news broke that four rapes and 23 reports of sexual assault happened at this year’s iteration of the fest. “Certain men … apparently cannot behave,” said organizers in a report. “It’s a shame.”
[…]
Rather than go without a music festival next year, Swedish radio host Emma Knyckare tweeted that she wanted to see “a really cool festival where only non-men are welcome” that would go “until ALL men have learned how to behave.” Now, she’s making that dream a reality. She has since written on Instagram that a “man-free” festival will take place next summer. “In the coming days I’ll bring together a solid group of talented organisers and project leaders to form the festival organisers,” she told BBC. “Then you’ll hear from everyone again when it’s time to move forward.”
The “man free” festival idea follows the Womyn’s Musical Festival that was regularly held in Michigan for nearly four decades. That festival was a haven for lesbians and queer women, but ultimately shuttered after protests against its trans-exclusive policy. The Swedish festival hasn’t announced specifics in regards to how transgender communities will integrate into the man ban, but we’d expect them to be a bit more flexible.
Well, here’s hoping that transphobia doesn’t dominate the man-free festival, and I hope it’s a success.
The Guardian has the story on Bråvalla, Out has the story on the replacement.
Ghost – Crucified (Army of Lovers Cover).
I’m crucified
Crucified like my savior
Saintlike behavior
A lifetime I prayed
I’ve seen the deepest darkness
And wrestled with gods
Ride the noble harness
Raining cats and dogs
I stand before my maker
Like Moses on the hill
My Guiness record baker
I abide your will
The first of reciters
I saw eternal light
Best of vocal fighters
Beyond human sight
Where thorns are a teaser
I’ve played a double jeux
Yherushalaim at easter
I cry I pray mon dieu
I’m crucified
Crucified like my savior
Saintlike behavior
A lifetime I prayed
I’m crucified
For the holy dimension
Godlike ascension
Heavens away
I’ve seen the deepest darkness
And wrestled with gods
Ride the noble harness
Raining cats and dogs
I stand before my maker
Like Moses on the hill
My Guiness record baker
I abide your will
Prophets I’ve been reading
Stories I’ve been told
Before I end my breathing
I travel in the soul
Where thorns are a teaser
I’ve played a double jeux
Yherushalaim at easter
I cry I pray mon dieu
Adieu mon dieu
I’m crucified
Crucified like my savior
Saintlike behavior
A lifetime I prayed
I’m crucified
For the holy dimension
Godlike ascension
Heavens away
I’m crucified
for the holy dimension
Godlike ascension
Heavens away
I’m crucified
Crucified like my savior
Saintlike behavior
A lifetime I prayed
Avantasia – The Scarecrow. (Lyrics available at this link.)
Do you want more or is your jag enough
the Russians are here after a day´s march
let´s start the energy exchange
Come on everybody move your ass
move your shoulders (uh yeah)
hands and feets (uh yeah)
move your hips in circles
now we break through the language barrier
Energy
Are you ready to break down the wall
do it now crack the bone till it falls
let´s run around
lift off the ground
electrical supply inside of you is the aggregate
rise of the voltage 5000 Watts
by the energy exchange we will be united
by those who´re with us, those who´re here
those repeat after me
move your shoulders (uh yeah)
hands and feets (uh yeah)
move your hips in circles
now we break through the language barrier
Oh, the coolest covers ever. These are so delightful, and there are more at the provided links.
Depeche Mode – Enjoy The Silence (cover version) from Kristof Luyckx on Vimeo.
The Scorpions – Wind of Change (cover version) from Kristof Luyckx on Vimeo.