The Art of…

Japanese Woodblock prints, by Utagawa Kuniyoshi

Kuniyoshi is considered a master of ukiyo-e (woodblock prints), and his favourite subject was cats. He was obsessed with cats, and his studio was often overrun by them. He often portrayed them as well-loved characters from stories or as part of kabuki theatre. His art is inventive and often playful, and it quickly became popular and well respected, lifting him out of the poverty of his early life.

Amusements of the First Snowfall, 1852, Utagawa Kuniyoshi

Mystical Cats

I love cats and these wonderful creations by Anne, Cranky Cat Lady are glorious.

Photos of my Mystical Cats from Lyn Belisle’s Mystical Cat Shamans class.  The faces are her work (she does lovely ceramics) but the rest is mine.  Leafy girl is Thera, Protector of Wild Things, the turquoise cat is Bast, my Mewse. Because you know how much cats love to help with your work.  Lots of vintage bits and pieces, handmade paper, and beads. They’re pretty big, about 14″ tall, and I’m going to have to move stuff around so I can hang them.

Thera, ©Anne, Cranky Cat Lady

Bast, ©Anne, Cranky Cat Lady

The Art of …

…portraiture, by Alice Neel

Alice Neel suffered many tragedies in her life, including the loss of several of her children. She suffered a nervous breakdown, attempted suicide and was hospitalized for over a year. Her work is infused with emotional intensity and a fearless realism. There was some criticism of her work contemporarily because it did not hold with the ideals of how the feminine should be portrayed in art, but Neel is now considered one of America’s best portrait artists. The Metropolitan Museum of Art in New York City will be hosting an exhibition of Ms. Neel’s art from March 22 until August 1, 2021. Virtual Tours are available by request.

Mother and Child (Nancy and Olivia), 1967, Alice Need. Image from The New York Review

 

 

 

Can You Identify This Pretty Little Bird?

Avalus took some good photos of this little guy, but he hasn’t been able to identify what type of bird this is. My bird guides are North American, so not really useful to identify a European species, but I bet that one of you can help us figure this out. Leave us a comment with your ideas.

©Avalus, all rights reserved

©Avalus, all rights reserved

©Avalus, all rights reserved

©Avalus, all rights reserved

Patterns in Ice

From Avalus,

A muddy, frozen puddle by the roadside.
Boring, one might say.

©Avalus, all rights reserved

But, what interesting patterns in the ice, indicating the shrinking liquid underneath.
Let’s look closer.

©Avalus, all rights reserved

Structures emerge between the layers!
Let’s look even closer.

©Avalus, all rights reserved

The ice sheet that seemed so uniform from afar is structured, almost like cathedral glass, from many tiny crystals of ice.
Everywhere, there is beauty in the universe.
(This was pretty much my thought process when I came by that frozen puddle. That, and my cold feet, reminding me of my poor choice of shoes I took for that walk :D)

Jack has walked on

Hello, friends. I have sad news to share. After several months of increasing difficulties and a few terrible days, On Tuesday the 16th, my sweet, gentle Jack left this world. In the end, he could no longer walk, so his wonderful veterinarian came to us, and our boy gently drifted off to sleep on his favourite spot in the kitchen. He died in my arms, surrounded by love.

Right now, I’m not able to talk about all of the things that made Jack special, but I’ve shared many of those things with all 0f you over the years, so I know you understand when I tell you that my heart is broken. I’ll be alright in time. I know this because I’ve walked this road before and understand that grief is the price of love. Today, though, that grief is raw, and I’m struggling for words, so there isn’t much more I can say. I’ll be around, but you may not hear from me for a week or so.

Wasserhund’s King Jackson “Jack” Brown. My Sweet Bubba.

The Art of …

… impressionism, by Edgar Degas

I love the feeling that Degas captured in this painting. The expression on the woman’s face is a mixture of serious decision making and delight, and the hats bloom across the canvas like flowers in the summer sun. Degas was known to paint only indoors, and he scoffed at his contemporaries who painted outdoors. Degas is best known for his paintings of dancers, and his ability to translate movement is evident in the active posture of the woman who seems to be rotating the hat to see it from different angles.

The Millenary Shop, 1855, Edgar Degas. Image from Wikiart.

Jack’s Walk

Brown dog with frosting. ©voyager, al rights reserved

Yesterday, over at Stderr, Marcus posted a piece outlining a project he’s tackling to resin(ate) Jack’s foot. I thought today I’d fill in the story of collecting the paw print.

About a month ago, Jack and I received a package from Marcus containing a dog foot-sized plastic frame, 2 bags of brightly coloured clay, 2 bags of plaster, a small, flat plastic device and a sheet of well-organized instructions. I talked to Jack about the project, and we decided to give it a go the next day. I’ve never worked with clay, so I read the instructions carefully a few times, then after breakfast, I plunged in. Marcus said to add water to one of the clay packages, which I did mixing well. Still, it wouldn’t absorb the full 1/2 c of water, and it was behaving like a non-Newtonian fluid, which is always fun but probably not what I was looking for. I was pretty sure the clay was too wet, but I put it into the frame anyway and tamped it down flat with the little plastic tool and called Jack.
Now, picture, if you will, Jack sitting on the living room carpet (he needs to be on carpet for stability), being a good boy and trying to do what Mummy says.
I pick up his good front foot first, but he can’t bear weight well enough on his other leg, and he wobbles a bit, so I let go of his leg before he falls over.
“Sorry, Mummy,” he says, “Maybe we should try the other foot.”
I tell him it’s not his fault and gently lift his sore front leg with one hand and moving the frame under it with my other hand, but this doesn’t work well either.
“Ouch, Mummy!” he says, pulling back again and again.
Finally, he looks me square in the eye and tells me, “I’m laying down now, Mummy. Go away!”
So I do, covering the clay in plastic wrap and putting it on my workbench.

The next day, I’d hatched a new plan to make a good impression. I’d wait until Jack was resting on my bed with one foot hanging over, and I’d press his foot into the clay with no need for him to stand up. Jack agreed that this seemed workable, and so after lunch, I helped Jack to bed, and we got the framed clay and pressed his foot into it. We made a good, deep press, and results looked great, except that our perfect paw pad impression disappeared less than a minute later. Vanished. Completely gone. Damn it, the clay was too wet.
“Nevermind, Mummy. Footprints are meant to be fleeting. This is a silly idea.”
I return the clay to my worktable, covering it only with paper to allow it to dry out a bit, but when I check it at bedtime, it’s dried hard, and I am unable to restore it with water. Now I understand why Marcus sent 2 packages of clay.

The next few days are spent negotiating with Jack, who finally agrees to try again if I provide him with a chicken foot. This is a treat introduced to Jack by Marcus, and so in the middle of a pandemic, I venture out to 3 various pet stores looking for chicken feet. I am pleasantly surprised to find them at a reasonable price, so I begin planning our third attempt at making a good impression. I’ve noticed that Jack can still pee like a boy on telephone poles, so he is able to raise a back foot without toppling over or pain. I discuss this with Jack, who sighs heavily and says, “sure, Mummy. Do you have my chicken foot?”

So, I begin again with fresh clay. This batch is a vibrant pink, and it looks pretty good to me just out of the package, so I decide not to add water this time and just press it into the frame as is. Jack and I position ourselves on the living room carpet with a chicken foot resting on the coffee table, looking poised for attack, and we begin. I raise Jack’s foot as if I were getting ready to towel dry it for him, then quickly place the frame underneath and set Jack’s foot down into it. He puts his weight on it for a few seconds, then I pick his foot straight up and pull the frame away. Jack sits down, looks at me pointedly, and asks if he can have his treat now.
“Good boy, Bubba. Go ahead,” I tell him, and he picks up the gnarled claw and walks away with it, crunching bones as he goes. The sound sets my teeth on edge, but I’m quickly smiling as I look at the clay. The impression is deep, detailed and not going away. It is, however, full of hair. Jack has bear paws for feet in the winter, and a bunch of hair has decided to stick to the clay. Oh, Oh. I tentatively try to remove some of it, but I’m making minor marks on the clay, so I stop and do the sensible thing and email Marcus asking if this can be fixed.
I am relieved to hear back that the hair won’t affect the outcome and that I should mix and pour the plaster and, once it’s dry, ship it to him as is, which is precisely what I did.

Bubba’s foot is now in Marcus’ hand, and he has wizardly plans for it, which he wrote about yesterday. (footy) I look forward to seeing what he makes of it. Jack is happy that the fuss is finished, but he still thinks that footprints are meant to be fleeting.