I hope you aren’t tired of my jewellery yet, because I’m once again firmly stuck in the crafting phase of the pandemic and I have no interest of getting out of it soon. For one thing, there are worse coping mechanisms (just don’t ask my bank account. OTOH there’s little else to spend my fun money on right now). For another, I end up with cool jewellery. I can start something and then before I notice or have time to worry, it’s midnight and I go to bed happy.
As I mentioned before, I’m currently working with UV resin, which also means I watch a lot of UV resin tutorials on Youtube. Here’s an interesting divide: Tutorials for epoxy resin, especially lamps and such are often by American guys with huge tool shops that make me constantly unhappy, because I lack the space and probably 20k to blow on the machines.
See for example this guy, who does make cool stuff:
UV resin artists OTOH tend to be female and Japanese. You can watch their videos for inspiration or pure relaxation, like this lady’s videos:
I’m wondering if it has something to do with culture, but also space, of which Americans outside the big cities seem to have more.
Anyway, I wanted to show you what I came up with:
These two pairs are made with nail art transfer foil. They’re not perfect yet as the transfer foil is tricky and needs some practise, but I do like them. I’m currently wearing the gold ones, which look really classy.
The next two pairs also belong together, one being trial and error the other being what I actually intended.
Don’t get me wrong, these are perfectly lovely earrings (though the right one is a bit bubbly from the flowers). They are just not what I had planned- I first made a smaller square with the gold foil, which was then embedded in the larger square… Of course the small clear square vanished completely in the clear resin, making that extra step pretty much redundant.
Back to square one (haha). This time I mixed golden pigment in with the small square and now I get those crisp geometrical lines.
I need to remember to dip the flowers in resin before I embed them. Too many bubbles, but I still really like the simple elegance here.
Than goodness they came out fine, because the third project for that night surely didn’t.
I was using up some UV resin that I still had, and I still had it for a good reason: it’s horrible. I have no idea how something can be that thick and runny at the same time. As a result there are tons of irremovable bubbles but it also kept flowing over the sides, making the whole piece clunky. I was looking for some delicate elegance, I got this. I tried again yesterday and this time the results are much more what I was looking for:
Pendant with matching earrings. The colour is a bit dark in the pic, they’re the same midnight blue as above, a pigment that I absofuckinglutely love. These pieces also show one of the great advantages of using UV resin: precise control. I can add the wire and the pearls and the beads and place them exactly where I want them.
And last but not least, a completely different technique: Cherry blossom earrings
I like earrings where it#s clearly a pair, but two different designs. These are made by forming the wire into petals and then adding a thin layer of resin. Here you really have to get the consistence right. I first tried with the above mentioned blue pigment, but adding pigment made the resin too thick, so I had to try again with clear ink for resin. I’m not completely happy with how the flowers are dangling on the chain and might try to change that again. I also think I need a matching necklace.
Marcus Ranum says
When you said “nail art” I immediately flashed to the guy I know who makes pattern-welded nails for woodworkers…
That’s beautiful art! You could porbably rig a vacuum degasser for under $200… but the hardcore curing ovens go up rapidly with scale.
Giliell says
Yeah, I will get a vacuum degasser at some point, though that would mean going downstairs again…
lumipuna says
Pharyngula, early 2010s: Raisin date
Affinity, early 2020s: Resin d’etre
Jazzlet says
Wow, you really are developing your techniques and applying them in lovely ways. I love that blue too, and while I can see that it is not what you meant to make the “failure” looks like a found piece that was originally part of something larger which makes it intriguing. I love the idea of the cherry blossom earrings, it’s a shame it wouldn’t work with the blue for cornflower earrings.
Giliell says
Jazzlet
I’ll see how the new resin I ordered will work, though cornflower petals would be hard. I do somewhere have a real cornflower in resin.
Charly says
These are really pretty, and I am definitely not tired of reading about your resin art.
Jazzlet says
I just love those deep blues, but the serrations at the tip of cornflower petals would be ridiculously fiddly, and I’m not sure how well it would work in the end, part of the beauty of the pink cherry ones you did make is the simple lines.