Best. Movie. EVAR.

The plot careered around like a drunken sailor, and made very little sense. The macguffin was ridiculous. Orlando Bloom and Keira Knightley were bland mannequins who didn’t do much. Many of the situations were absurd—the sword fight on the water wheel, the cannibals and the pirates dashing back and forth around the island, heck, just about every time someone pulled a sword, it was for a silly reason. The primary villain, Lord Cutler Beckett, was a conniving bureaucrat who didn’t leave his office, and who was working to get a monopoly for the East India Company—did they get their plot driver from George Lucas? Also, it just sort of stops at the end, and we’re going to have to wait until next summer to find out what happens.

Still…Pirates of the Caribbean: Dead Man’s Chest was terrific fun. It’s got pirates, a squid-man, a giant squid, a crew of undead human-sea creature hybrids, random sword fights, a giant squid crushing ships, the cutest little animated barnacles, a giant squid eating people, very poor dental hygiene, and it just never stops. I’d been warned that it was over-long, but seriously, I got to the end and thought, “It’s done? Already?”

I will warn the kiddies it does have scenes of graphic violence. People take axes and swords to the giant cephalopod’s arms, they shoot it, they fire cannons into it, and they blow things up and set fire to his arms. But don’t worry, <SPOILER ALERT!!!> the Kraken bounces right back and he’s OK, and he even gets to eat a major character. I was relieved. I still have hopes that in the sequel, the Kraken will complete its quest, achieve freedom from its servitude, eat all the wicked people, and retire to some nice abyssal current where it will lurk quietly and eat many surprised deep-diving whales.

The other hero of the movie, Davy Jones, was splendid, a magnificently handsome leading man. There were hints that he has a sad romantic history. The character of Elizabeth is showing signs of dissatisfaction with that piece of damp cardboard, Will Turner. I think you can all see where this is going: I predict that in the final movie, Elizabeth will finally meet Davy, she’ll fall in love at first sight, she’ll win his heart, and they’ll sail off into the sunset, where they’ll spawn many squidlets together. Yeah, it’s predictable, but this is the kind of movie that just has to have a happy ending.

Oh, and just to tie up all the loose ends, I think Will and Jack have to end up in a happy pirate life together, too.

Arrr, me hearties, it’s that time at last

Tonight is the Morris premiere of that fabulous documentary on exotic marine invertebrates and nautical history, Pirates of the Caribbean. I will be there. I will be leaving early so I can get a good seat, front and center. I shall be singing sea shanties as I walk downtown to the theater. I will be rooting for the handsome fellow with the tentacular beard. I’m certain I will have a good time.

I’ll probably also gripe heartily about the movie afterwards. We curmudgeons just aren’t truly happy unless we’ve got things to grumble about.

Score: Clarke 1, Goldstein banned from the sport forevermore

Civilized Celts would send skillful bards to sing satires in great competitions. I applaud the idea of returning to such a literate tradition, but really…a skilled writer who knows something of meter and meaning vs. a clumsy, chattering hack who strings words together in lumpy, clattering arrhythmia? If this were a boxing match, it’d be like pitting Mohammed Ali in his prime against Steve Buscemi with a hangover. It’s Bambi sans charm vs. Godzilla with a keyboard. It’s the Philadelphia Philharmonic playing over a gurgling drainpipe. Who put together this embarrassing mismatch?

Summertime priorities

I say, “Fie on you, Superman Returns.” I’ll probably go see it if it shows up here in Morris, but otherwise, Jesus in spandex has little appeal to me.

i-49f465e536fb800937c67b03aaa2ab47-davyjones1.jpg

The only summer blockbuster I care about is the one with the pirates, and most importantly, the villains based on marine biology.

It takes a tortuously long time to get all the narrative plates spinning, but things fall into place once the real villain of the piece is unfurled. This is Davy Jones – of locker fame – and if that sounds like a cliché too far even for a camp pirate flick, Jones, played by Bill Nighy, and his crew are to this film what Depp was to its predecessor. They’re like a bad acid trip at the sealife centre. They sail in a living wreck and have bodies composed of aquatic lifeforms: one has the head of a hammerhead shark, another has cheeks like a pufferfish, and Jones himself has a giant lobster claw for a hand, and a wonderfully slimy octopus head with a prehensile beard of tentacles, through which he barks the fruitiest Scottish brogue this side of the Simpsons’ Groundskeeper Willie. It’s a triumph of special effects that this cephalopod creation is both unnervingly freakish, yet unmistakably Bill Nighy.

<swoon>