What is the difference between a Steven Soderbergh who creates art including violent imagery and men locked away for an entire string of actual murders?
I’ve been reading about Brandon Duncan’s and Aaron Harvey’s lawsuit against the fascist policing of San Diego and the fascist police RUDY CASTRO and SCOTT HENDERSON: I’m having trouble figuring it out. Soderbergh has sometimes lived in San Diego. He’s definitely created depictions of violence there. Duncan and Harvey have lived most of their lives in San Diego. Duncan has certainly created depictions of violence there. Soderbergh, however, is not suing San Diego and the very, very clever cops Castro & Henderson for violations of federally guaranteed civil rights.
While Duncan, AKA (when performing rap) Tiny Doo and Harvey don’t mention Soderbergh in the complaint filed with the federal district court for the Southern District of California*1, it’s hard to escape the obvious conclusion. Brandon Duncan grew up in a gang-plagued area of San Diego with Aaron Harvey and other friends. Unlike many people with more money and more privilege, Duncan stayed in the same area as an adult. Neither Duncan nor Harvey were gang members in any sense, but they did know some some members of the Lincoln Park Blood gang (“LPK”). These men were people who grew up near Duncan and Harvey, and apparently they remained on friendly enough terms that cell-phone photos were taken of some of these LPK members and Duncan, Harvey or both in the same frame.
What did the photos show? They weren’t mowing down targets at a gun range. They weren’t smuggling drugs across the border. They weren’t, y’know, committing some horrible crime like waterboarding someone or something. Instead, they were merely chillaxing, or other such moderate behaviors as I am told one’s homies, on occasion, will tend to do with one.
But this did not fool the police.