I guess I chose wisely

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Foreign Dispatches posts some digital camera recommendations, with explanations. I just went through a fair amount of research before going out and getting a new camera myself a few weeks ago, and it’s all good—most importantly, his best choice is the same camera I got for myself, the Nikon D50. Whew, what a relief. Don’t you hate it when you dump a bucket of loot on something and then you find a good review that tells you you should have got something else?

As he notes, how many millions of pixels you’ve got are no longer the most important criterion for a good camera. What settled me was that I finally wanted some good optics—the teeny-tiny cheap lenses on your standard point-and-shoot have always bugged me, and I wanted a camera body where I could actually mount some good lenses. Since my working camera for film (which I have hardly used in years now) was a Nikon 6006, that pretty much settled it for me, so I went with the camera body that would handle my Nikkor lenses.

One other thing Abiola didn’t mention in his review: a good camera is useful, but it isn’t the most important thing in good photography. I don’t consider myself a good photographer, but I’m not bad as a microscopist, and know by analogy what works. On a scope, you get the best objective you can afford, but when you’re working at micrography, you just sort of aim that at the specimen and forget about it. Where you put all your effort and fuss and tweak is in the illumination, and what you learn to appreciate is a condenser with all the knobs and dials and filters. Same with a camera; you want to be able to point a good light collector at your subject, but the difference between a blah picture and a great one is the lighting.

Irony meter test

As a public service, I provide here an extremely rigorous and intense test of your irony meters. Please set your resistance values to at least one gigOhm, make sure all shielding is in place, and please have a fire extinguisher and first aid kit handy. If you are using some cheap off-brand meter, do not click to read anything below the fold. You have been warned, and I will not be liable for any mishaps.

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Somebody explain Colorado to me

I’ve visited Boulder, Colorado a few times—it’s a wonderful place, and at least so far it’s got Gary—but usually when I hear about the state it’s all about lunatics like Dobson and Coors and about megachurches and our air war for Jesus, and now…some overendowed Christian charity based in Colorado plunks ONE MILLION DOLLARS into Ken Ham’s collection plate, donating all that money to his fake museum.

One million dollars to fund disinformation and fraud, and this from a charitable institution that claims their “vision is to glorify Jesus Christ by inspiring and enabling personal commitment of time, talent, and treasure to the expansion of the Kingdom of God.” Glorious lies, inspiring fraud, well-funded delusions…that’s the gift this Christianity brings to us.

Fishing for Architeuthis, the giant squid

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Lots of people have been emailing me with the news about this filmed sequence showing a giant squid snagged on a deep line. Did you know that the paper is freely available online (pdf)? It’s very cool. The researchers were jigging for squid with a 1km long line, snagged one by a tentacle, and then watched for the next four hours as it struggled to get free.

The squid’s initial
attack was captured on camera (figure 3a) and shows the
two long tentacles characteristic of giant squid wrapped in
a ball around the bait. The giant squid became snagged
on the squid jig by the club of one of these long tentacles.
More than 550 digital images were taken over the
subsequent 4 h which record the squid’s repeated
attempts to detach from the jig. For the first 20 min,
the squid disappeared from view as it actively swam away
from the camera system. For the next 80 min, the squid
repeatedly approached the line, spreading its arms widely
(e.g. figure 3b) or enveloping the line. During this period
the entire camera system was drawn upwards by the squid
from 900 m to a depth of 600 m (figure 3g). Over the
subsequent 3 h, the squid and system slowly returned to
the planned deployment depth of 1000 m. For the last
hour, the line was out of the camera frame, suggesting
that the squid was attempting to break free by swimming
(finning and/or jetting) away from the system. Four hours
and 13 min after becoming snagged, the attached tentacle
broke, as seen by sudden slackness in the line (figure 3c
versus d ). The severed tentacle remained attached to the
line and was retrieved with the camera system (figure 3e).
The recovered section of tentacle was still functioning,
with the large suckers of the tentacle club repeatedly
gripping the boat deck and any offered fingers (figure 3f ).

I’ve put the figure they describe below the fold. It’s a thing of beauty: an 8meter (26 foot) beast attacking the bait. Remind me not to go swimming below 500m, OK?

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Best. Movie. EVAR.

The plot careered around like a drunken sailor, and made very little sense. The macguffin was ridiculous. Orlando Bloom and Keira Knightley were bland mannequins who didn’t do much. Many of the situations were absurd—the sword fight on the water wheel, the cannibals and the pirates dashing back and forth around the island, heck, just about every time someone pulled a sword, it was for a silly reason. The primary villain, Lord Cutler Beckett, was a conniving bureaucrat who didn’t leave his office, and who was working to get a monopoly for the East India Company—did they get their plot driver from George Lucas? Also, it just sort of stops at the end, and we’re going to have to wait until next summer to find out what happens.

Still…Pirates of the Caribbean: Dead Man’s Chest was terrific fun. It’s got pirates, a squid-man, a giant squid, a crew of undead human-sea creature hybrids, random sword fights, a giant squid crushing ships, the cutest little animated barnacles, a giant squid eating people, very poor dental hygiene, and it just never stops. I’d been warned that it was over-long, but seriously, I got to the end and thought, “It’s done? Already?”

I will warn the kiddies it does have scenes of graphic violence. People take axes and swords to the giant cephalopod’s arms, they shoot it, they fire cannons into it, and they blow things up and set fire to his arms. But don’t worry, <SPOILER ALERT!!!> the Kraken bounces right back and he’s OK, and he even gets to eat a major character. I was relieved. I still have hopes that in the sequel, the Kraken will complete its quest, achieve freedom from its servitude, eat all the wicked people, and retire to some nice abyssal current where it will lurk quietly and eat many surprised deep-diving whales.

The other hero of the movie, Davy Jones, was splendid, a magnificently handsome leading man. There were hints that he has a sad romantic history. The character of Elizabeth is showing signs of dissatisfaction with that piece of damp cardboard, Will Turner. I think you can all see where this is going: I predict that in the final movie, Elizabeth will finally meet Davy, she’ll fall in love at first sight, she’ll win his heart, and they’ll sail off into the sunset, where they’ll spawn many squidlets together. Yeah, it’s predictable, but this is the kind of movie that just has to have a happy ending.

Oh, and just to tie up all the loose ends, I think Will and Jack have to end up in a happy pirate life together, too.