Maxine Hong Kingston is one of many feminists engaged in what we would today call intersectional theorizing, though she was writing in that mode at least two decades before Crenshaw would give activists the term intersectionality. Her book of fables and thought, The Woman Warrior (1976), has gone on to be a university staple in many different disciplines. The Woman Warrior is taught so widely, in fact, that the Washington Post includes in a piece about the book and its prominence:
It gained a following that seems, if anything, to have increased over the years.
Thus, for example, Bill Moyers has reported that “The Woman Warrior” and Kingston’s second memoir, “China Men” (1980), are the most widely taught books by a living American author on college campuses today, which echoes a claim made by the Modern Language Association. This rather astonishing information no doubt reflects the various categories of political and cultural opinion to which Kingston’s work appeals, but it also means that “The Woman Warrior” is probably one of the most influential books now in print in this country — and certainly one of the most influential books with a valid claim to literary recognition.