Performativity and bad communication

“Gender is performative” means that gender is what you do, or it is produced by what you do. The word “performative” is taken from J. L. Austin’s concept of “performative utterances“, and refers to statements that are not truth propositions, but actions. For example, saying “I apologize” is not so much a statement of fact, but an action that creates the very apology it speaks of. Likewise, gendered behavior does not merely communicate who you are, but creates who you are.

“Gender is performative” does not mean that gender is acted out, as if on a stage. It does not mean that gender is pretended. Judith Butler, the originator of gender performativity theory, says so herself in this video.

Okay, but I have complaints about this video. The first thing Butler does is state the misconception, followed by “But what I mean is different.” Debunking 101: don’t do that! Generally, you should put as little emphasis on the misconception as possible, instead emphasizing the truth of the matter. People sometimes come away with a stronger memory of the misconception than of the correction. There’s a lot of literature about this, and here’s one example.

Of course, the larger issue is that Butler has already invited misconceptions with the very choice of word, “performative”. It’s just too easy to confuse “performative” with “performance”. Butler herself has used the two words interchangeably on occasion. Even when people understand the difference, they often mentally compare the two concepts, even though they have virtually nothing to do with each other.
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I’m glad it has come to bathrooms

This may be a contentious statement given that I am: a) not trans, and b) not living in North Carolina, Mississippi, or Alabama. But I am glad that bathroom bills have brought discrimination and harassment against trans people to national attention.

The fact of the matter is that denying trans people access to public restrooms did not start with bathroom bills. It was already an ongoing problem.

In the last few years, when US marriage equality was imminent, LGBT activists were worried about what would come next. For so long, marriage equality has been the LGBT issue in the US, as perceived by allies and outsiders. Activists themselves knew there were plenty of other issues like employment discrimination, trans healthcare, and de facto health and economic disparities. But if the general public starts to believe queer issues have already been solved, just like they believe for racism and sexism, then activists would run out of steam and funding.
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Paper: Do memes really go viral?

When a meme becomes popular, we often say that it has gone “viral”. This word suggests that memes become popular by being particularly infectious. In analogy to epidemics, a particularly viral meme hits a critical threshold where it just won’t die, because each new infection spreads it to even more people.  But is this epidemic model actually true?

A paper titled “The Structural Virality of Online Diffusion” puts into question the very idea that popular memes are viral. They point out another mechanism by which memes can become popular: the broadcast. Rather than infecting multiple generations of followers, a meme may become popular simply by infecting one person with a lot of followers.

Transcript: two tree structures are shown. The first is a single root node with many children. The second is a root node with two children, each of which have two more children, and so on.
Figure 1 from the paper. The tree on the left illustrates a broadcast, while the one on the right illustrates viral spreading.

The paper considers a massive amount of Twitter data to determine whether the most popular links are broadcast-like or virus-like. On average, they more resemble broadcasts, but there is a huge amount of variation.
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Origami: Ray icosahedron

IMG_0854 (small)

This was built using Ray Cube units, designed by Meenakshi Mukerji, contained in her book, Origami Inspirations.

This model shows how you can take a standard unit, and make something more out of it.  First, this is obviously not the cube it was designed to be.  Second, the colors form deliberate patterns.  It’s not difficult to make, but required a bit of planning.

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A puzzle snob reviews The Witness

(Content note: this is a spoiler-free review, though I can’t speak for commenters.)

The Witness is a puzzle game created by Jonathan Blow, famed creator of Braid. The central mechanic of this game is a path-drawing puzzle, which looks like this:

Several grid-shaped puzzles in a row

When I first saw this mechanic, my reaction was, “So adventure game designers finally discovered Nikoli-style puzzles, eh?” Nikoli is a Japanese publication that popularized a certain genre of puzzles using numbers or symbols on a grid. The best known puzzle of this genre is Sudoku, but there are many others, like Fillomino, Heyawake, Numberlink, Masyu, Slitherlink, and Nurikabe (almost all of which I think are better than Sudoku).

Outside of Nikoli, you can find many more created by Grandmaster Puzzles, and you can try the annual US Puzzle Championship. I should mention that I am fairly competitive in the USPC.

The advantage to Nikoli-style puzzles is that they’re scalable. Contrast with the Myst series, where most puzzles revolve around poorly-designed user interfaces for fantastic mechanisms. Could you really pack hundreds of such puzzles in a game? It would be too hard to write all those puzzles, much less make the graphics to support them. And since there are so few of those puzzles in the game, you have to make sure each one counts for every player, without being so challenging that players start looking for solutions online.

On the other hand, as far as Nikoli-style puzzles go, dedicated puzzle-crafters will have video game designers beat. Sorry, Professor Layton! What I want to see in a video game are puzzles that could only be done in a video game. Luckily, The Witness passes this test, being a lot less like a Nikoli puzzle than it first appears, and not just because solutions are non-unique.
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Celibacy, and its use by asexuals

This post is being cross-posted to The Asexual Agenda, and is written for a general audience.

“Asexuality is not the same as celibacy” is a common line in introductory explanations of asexuality, but as I discussed in an earlier post, mocking celibacy can still be asexual-unfriendly. Here I will go further in depth.

The distinction between asexuality and celibacy plays the same role that “born this way” plays for LGBT people. The purpose of each talking point is to establish that LGBT/asexual people did not choose their orientations. The slogans can be useful, particularly in hostile environments. However, if people become more accepting, if people realize it does not matter if it is chosen, perhaps we can move beyond slogans.

Aside from the politics, there is also a question to what extent it is really true that LGBT people are always “born this way”. If you look, you will find people who subjectively experienced a choice, people who emphasize that their identity or behavior are chosen, and people who would like an honest look at the empirical evidence.

Similar questions may be raised about asexuality and the extent to which choice plays a role in it. While asexuality and celibacy certainly have distinct meanings, we want to know exactly how far that distinction goes. For example, some people take that to mean that asexuals and celibates are non-overlapping groups. But is that really true?
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Specialness personified

One difference I’ve noted between me and my robot boyfriend is that he wants to celebrate holidays on the designated day. I, on the other hand, don’t particularly care if our celebrations are off by a week or more. In fact, I just don’t get holidays in general. I never would have thought to invent them myself.

Holidays are all about declaring a particular day special. And then we go on to do something special, or maybe we just talk about something special. Sometimes it’s nice to have some variety in the things we do and what we talk about, but it’s only nice. It’s not special to me at all.

Another thing I don’t get are graduations. While variety is nice, dressing in a gown and receiving a piece of paper is not really the sort of variety I ever would have thought to ask for. I find it bizarre, and thoroughly unpleasant. And yet I’m still expected to participate and express enthusiasm about it. People seem to operate under the belief that everyone finds graduation special, and if I admit I don’t find it special, then I’m being ungrateful.

This is also a metaphor for religion.
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