Last month, I wrote an article about celebrities who stopped identifying as asexual (or who never did to begin with).
The Bisexual Problem | verilybitchie (video, 2:06 hours) – The video discusses the narrative logic that prevents bisexual characters from being portrayed on screen. If a character has a series of relationships, or a love triangle, then it’s only the last relationship that counts as their true love, and a referendum on whether the story takes the side of the straights or the gays. Already an incredible piece of media analysis, but then it veers into larger topics. What is sexual orientation anyway? Why does GLAAD seem to ignore bi characters? Why do bisexuals have worse outcomes than either gay or straight people? And what are some serious solutions?
I also strongly recommend the video for ace readers, though it doesn’t directly speak on ace issues. It’s all relevant by analogy, although I think it may take time to really digest the implications. There are also many narrative logics that make it difficult to tell “asexual” stories–not to mention “graysexual” stories or others.
The Wrong Kind of American | Julia Curlee | Atlantic (paywalled, but there’s also a free video interview) – I found this story because I know the author (friend of a friend), although she never told us what she was doing for work. Apparently she worked for the CIA, as part of the Presidential Daily Brief team. This team compiles information to present to the administration; for example, they would be the ones to tell the president that war with Iran would be a shitshow, not that the president would listen. Julia’s contributions were essential. But because she’s trans, the second Trump administration eventually pressured her out anyway, because they do not believe in competence.
