Local reminder!

I mentioned some of the good stuff in Morris this weekend, and some are imminent: at 3:00, it’s Vincent Price in Theatre of Blood at the Morris Theatre; then at 8:00, it’s the Auditorium of Creationist Blather, as Angus Menuge argues with me about whether neuroscience leaves room for god (answer: no. Hey, that was quick!). You Twin Cities residents can still make the movie if you leave right now — we’re about 3 hours away.

Or you could rent the video and watch it at home, and apparently the debate will be recorded, so you’ll be able to watch it on the interwebs later on.

Things to do with your weekend

Plan ahead! It’s going to be a fun weekend!

This Thursday, 17 April, get a head start on the weekend with Virtually Speaking on Second Life. I’m being interviewed at 6pm Pacific Time, and this could be spectacularly entertaining: I’m a total newbie at SL, so I’m going to be getting lessons in how to sit down this afternoon, which tells you that there will be opportunities for major klutzy gaffes at this event. I’m afraid I might turn into a giant flying penis sometime mid-interview.

Friday evening at 7:30 pm, we have the UMM Dance Ensemble performance in Edson Auditorium here on campus. Some of my students are performing, so come on by and support interdisciplinary, liberal arts education by cheering on dancing biologists!

There is a major movie premiere this weekend: Zombie Strippers, starring the renowned thespian, Jenna Jameson. Unfortunately, it’s not playing in Morris, and it does look like the very best movie opening this weekend, so I’m afraid this is probably the weekend to skip going to the theaters.

With one special exception! The Morris Theatre, in a special showing, has engaged a one-time 3:00 Saturday matinee showing of the horror classic, Theatre of Blood, starring Vincent Price and Diana Rigg. Come on, people! Classic 70s horror with a master of the genre shown in an actual old-time single screen movie theater? How can you miss this? There’s also going to be a post-movie discussion of Shakespearian themes in the film afterwards, at the Common Cup Coffeehouse. I’m going to be there — it’ll warm me up for the next event of the evening.

At 8:00 Saturday, in the Science Auditorium on campus, I’m debating Angus Menuge on “Does neuroscience leave room for God”. It may be a bit of a let down after Theatre of Blood — there will probably be no beheadings, sword fights, or eviscerations — but we could have a feisty argument.

I know, Morris is a long ways from everything, but it’s going to be the happening place on the whole planet for a few days. If anyone feels like making the long trip out, send me email, and I can give you directions.

Optical Allusions

Jay Hosler has a new book out, Optical Allusions(amzn/b&n/abe/pwll). If you’re familiar with his other books, Clan Apis(amzn/b&n/abe/pwll) and The Sandwalk Adventures(amzn/b&n/abe/pwll), you know what to expect: a comic book that takes its science seriously. Hosler has a fabulous knack for building serious content into a light and humorous medium, just the kind of approach we need to get wider distribution of science into the culture.

This one has a strange premise. Wrinkles the Wonder Brain is an animated, naked brain working for the Graeae Sisters, and he loses the one eye they share between them — so he has to go on a quest to recover it. I know, it sounds like a stretch, but it works in a weird sort of way, and once you start rolling with it, you’ll find it works. Using that scenario to frame a series of encounters, Wrinkles meets Charles Darwin and learns how evolution could produce something as complex as an eye; talks about the sub-optimal design of retinal circuitry with a cow superhero; discovers sexual dimorphism with a crew of stalk-eyed pirates; learns about development of the eye from cavefish and a cyclops; chats with Mr Sun about the physics of radiation; there are even zombie G proteins and were-opsins in a lesson about shape changing. This stuff is seriously weird, and kids ought to eat it up.

It isn’t all comic art, either. Each chapter is interleaved with a text section discussing the details — you can read the whole thing through, skipping the text (like I did…), and then go back and get more depth and directions for future reading in the science. This is a truly seditious strategy. Suck ’em in with the entertainment value, and then hand ’em enough substance that they might just start thinking like scientists.

It’s all good stuff, too. A colleague and I have been considering offering an interdisciplinary honors course in physics and biology with the theme of the eye, specifically for non-science majors, and this book has me thinking it might make for a good text. It’ll grab the English and art majors, and provide a gateway for some serious discussions that will satisfy us science geeks. I recommend it for you, too — if you have kids, you should grab all of Hosler’s books. Even if you don’t have kids, you’ll learn a lot.

Jay Hosler also explains the intent of the project, and you can read an excerpt.

Big Science

What’s that? Some of you are unfamiliar with the phrase “Big Science,” so freely tossed about by creationists like Ben Stein? Here’s what it means:

Coo coo it’s cold outside.
Coo coo it’s cold outside.
Ooo coo coo.
Don’t forget your mittens.
Hey Pal!
How do I get to town from here?
And he said “Well just take a right where they’re going to build that new shopping mall, go straight past where they’re going to put in the freeway, take a left at what’s going to be the new sports center, and keep going until you hit the place where they’re thinking of building that drive-in bank.
You can’t miss it.”
And I said “This must be the place.”
Ooo coo coo.
Golden cities.
Golden towns.
Golden cities.
Golden towns.
And long cars in long lines and great big signs and they all say “Hallelujah.
Yodellayheehoo.
Every man for himself.”
Ooo coo coo.
Golden cities.
Golden towns.
Thanks for the ride.
Big Science.
Hallelujah.
Big Science.
Yodellayheehoo.
You know.
I think we should put some mountains here. Otherwise, what are all the characters going to fall off of?
And what about stairs?
Yodellayheehoo.
Ooo coo coo.
Here’s a man who lives a life of danger. Everywhere he goes he
stays – a stranger.
Howdy stranger.
Mind if I smoke?
And he said “Every man, every man for himself. Every man, every man for himself.
All in favor say aye.”
Big Science.
Hallelujah.
Big Science.
Yodellayheehoo.
Hey Professor!
Could you turn out the lights?
Let’s roll the film.
Big Science.
Hallelujah.
Every man, every man for himself.
Big Science.
Hallelujah.
Yodellayheehoo.

I hope that clears everything up.

Roland Emmerich: the upscale Uwe Boll

I’ve been seeing all the ads for this new movie, 10,000 BC, but I haven’t even been tempted to want to think about going to see it. Come on, people: One Million Years B.C., while even more grossly inaccurate, at least had Raquel Welch in that adorable bikini, and Quest for Fire had the invention of the missionary position. This movie has nothing but nicely modeled woolly mammoths, and I don’t see any teenagers stampeding the head shops for that poster to hang on their bedroom walls.

Anyway, here’s a review of the latest dreck from Emmerich. That’s as close as I’m getting to it.

The Fall

I’m pretty darn sure after seeing the trailer that I want to see this movie, but there’s one little fillip, one name that gets briefly dropped, that really makes me wonder what’s going to happen. It isn’t explained in the clip, unfortunately, it’s just there, so I’ll have to cough up $5 to find out.

Oscars?

Does anybody care about them anymore? I didn’t watch it at all, and I also missed most of the nominated movies this year. We had the winner, No Country for Old Men, playing in town a few weeks ago, unfortunately coinciding with an exceptionally heavy work week for me, and I couldn’t find time to see. There Will Be Blood is playing at the Morris Theatre this week, and I may have to squeeze in a few hours to check it out…but not because Day-Lewis won an award.

Isn’t that what it’s about, anyway? If we’re going to take off 3 hours or more for some entertainment, it makes more sense to go see the movie than to watch a tedious show about the movies.