You may recall the scandal: Yiannopoulos got a $250,000 advance from Simon & Schuster, which was then cancelled after it was revealed that Yiannopoulos was saying all these nice things about pedophilia. Yiannopoulos then turned around and is suing Simon & Schuster for $10 million over that cancellation, which is probably a terrible mistake for him, because the publisher’s defense is that it was a very bad book, unsuitable for publication, and that it wasn’t just his endorsement of pedophilia that got him canned.
To that end, their defense in the lawsuit was to include the entire draft of the text, with the editor’s comments. They’re hilarious. You can tell the editor hated the book. Some of the highlights are included in this twitter thread.
I didn’t read the manuscript. Just the comments. They’re…amazing. Even better than the excerpts in the filing.
And a pretty good summary of the book I imagine. pic.twitter.com/2kPESxAlA9
— Sarah Mei (@sarahmei) December 28, 2017
Apparently, you can download the whole thing via the New York county clerk’s website, where it is filed. I didn’t, because goddamn, Milo’s 15 minutes are totally up.
That is righteous.
Milo who?
OMFG This is hilarious.
If you want it, here it is, come and get it (BadFinger reference).
https://iapps.courts.state.ny.us/webcivil/FCASCaseInfo?parm=CaseInfo&index=TeGt1zeK1YF5uJ4ybA05IA%3D%3D&county=1NMEMTtvZEkO5E_PLUS_IrMvUIw%3D%3D&motion=M&docs=&adate=01/19/2018&civilCaseId=9xpuYWh2AjUeUnBNEOFEqw%3D%3D
Down at the bottom, click on Show eFiled Documents.
Scroll the popup window down to line 68 and click on Exhibit(s). Wait quite a while, it’s a big PDF.
@4
Unfortunately that is just the manuscript and not the editorial comments.
Gad, Milo (politics aside) is nauseating.
It’s at the link here (link goes directly to the PDF).
The best spot is on the last paragraph on page 145 of the PDF (142 of the manuscript). Milo has written, “Is my argument a few paragraphs back starting to make sense?” The editor has added a comment which reads simply, “NO!”
The Guardian also covers the editor’s comments with this tidbit at the end of the article:
I’ll be glad when we can truly say “Milo who?”
This is the same book that was given a positive review in Michael Shermer’s magazine?
I assume you mean Skeptic magazine, where Shermer is listed as the “Publisher & Editor-in-Chief”. And yes, they did publish a review by a George Michael whose bio at the site says he is “an associate professor of criminal justice at Westfield State University in Massachusetts.” It’s not completely clear when it was published, but July-2016 seems plausible. And yes, that review — which I won’t link to — fawns over the book and its contents. A fairly tame example:
Simon & Schuster’s editor, Mitchell Ivers. obviously disagrees.
The sense I get from skimming the review is the reviewer seems to think people despite the author because he is gay yet not a commie lefty. Therefore, people don’t know what to think of the author, so his book must be brilliant, correct, and… yadda yadda yadda. The review is perhaps better written than the draft, but is not better argued nor too coherent.
me@10: July-2016 → July-2017
Sorry !
p. 31: “Let’s not call South Africa ‘white’.”
My summary so far: “Here’s my description of the Left’s oppressive criticism of cultural products. I will now proceed to whine for several pages about the representation of men in the Ghostbusters remake, which led to my campaign of harassment against some of the actors involved. Because I’m a thick-skinned, devil-may-care, free-speech fundamentalist.”
“Unionized white male workers were all the Left cared about before they came under Gramsci’s spell, and now they’ve been abandoned by the New Left’s elites. Also, I love Ronald Reagan, Margaret Thatcher, and scabs.”
He’s really not capable of making a consistent argument, providing evidence, or accurately characterizing reality.
And he has…issues.
The emails and video revealed by BuzzFeed show his history of the alt-Right and his role in it to be false.
OK, I’ve read all my patience will allow. The comments on the section about feminists (pp. 68-92) are the most amusing. Unfortunately, even though he’s clearly trying to read skeptically, there are a number of false claims and dubious citations Ivers lets pass. Someone more knowledgeable about these issues would tear this to shreds.
“‘Unclear, unfunny, delete’: editor’s notes on Milo Yiannopoulos book revealed.”
My favorite bits are where the editor just bluntly points out Yiannopoulos’ hypocrisy, like:
and:
The author of the favorable review
https://www.westfield.ma.edu/academics/criminal-justice-school-massachusetts/dr.-george-michael
is himself the author of “Preparing for Contact: When Humans and Extraterrestrials Finally Meet, (RVP Press, 2014)” and such classics as “The Enemy of my Enemy: The Alarming Convergence of Militant Islam and the Extreme Right (University Press of Kansas, 2006).”
I find it helps my own writing to read bad writing, not only because sometimes you have to remind yourself of the basics but also because it helps my confidence levels: if this level of dreck can get a quarter-million advance, then, dammit, I should be able to at least make some pin money.
I only read a few pages of Milo’s book. It feels like he lives in a different reality to the rest of us; in that he believes he’s popular and controversial, and not a boring little man who’s been disowned by pretty much everyone. Plus, the first chapter really holds no water with anyone familiar with the hijinks of Milo and his alt-right (former) pals. I’m not sure who he’s trying harder to convince – us or himself!
I could have sworn that a few months ago Milo was Catholic again. He seems to be one religion or the other when it suits him. I might not be an expert, but if I remember correctly both Catholicism and Judaism are quite strict about people not flip-flopping between faiths for profit or internet lols.
Pp. 198-199:
“No teenage boy ever picked up a guitar for any reason beyond getting laid”
“Comment [A459]: This is not true.”
“And no teenage girl ever dreamt of being a celebrity for any other reason than to flaunt her beauty and attract suitors.”
“Comment [A460]: This is not true either.”
This has a serious Nazi (and, relatedly, disturbing psychosexual) vibe. Look! The most reactionary social, political, and economic ideas are really cool, countercultural, transgressive, and fun! We should promote them via media spin, smear campaigns, cruelty, and humiliation!
Pp. 204-6:
Can’t imagine how he found himself hedge-fund billionaire patrons.
P. 206: “We need self-loathing and alienation. They drive us to succeed.”
(Ivers is having none of this.) Self-loathing oozes from this document, and his attempt to give political meaning to his self-hatred is transparent and sad.
P. 217: “Gawker and the games press, and later the mainstream media, threw their full weight against gamers, who were repeatedly and slanderously portrayed as sexists and misogynists who trafficked in death and rape threats against innocent women in video games.”
“Comment [A539]: Are the charges invalid? Explain.”
P. 248: “Socially, the millennial generation is the most tolerant ever, and the incoming president is also likely to be the most gay-friendly Republican ever elected to the Presidency.”
“Comment [A588]: Except for his vice president and every proposed member of his cabinet.”
One of the saddest passages in a sad manuscript.
Indeed, the tacky nazi’s 15 minutes are totally up.
Can we please stop talking about him and start focusing on the fuckers that give him a platform?
Can we talk about why and how Simon & Schuster was ok making money by sugar coating nazism?
F.O.
Sure. Clearly, they* were OK with it at first, but then not-so-much — seeing as they dropped it.
But the why and how is pretty clear; they want to make $$$, and they then figured publishing it would achieve the opposite of that, and bailed. That’s the free market correcting itself.
Another thing that amuses me is that many $Prominent_Person books are ghosted, but this one apparently is not.
—
* Technically, Threshold Editions, an imprint of Simon & Schuster. But technically correct.
—
I wish to note that SC’s posts have amused me muchly. I hope she carries on :)
I can’t! I finished! :) Ivers’ reactions to the draft are fascinating.
Fair enough, SC. “Comment [A588]” is itself informative.
(Especially given the provenance and your adduced examples of snark!)
PPS to make it clear, I refer not to its content, but to its index.
Yeah, hate to break it to Milo but I started playing guitar because I like music, not because I expect it would get me women. I’m guessing he’s not familiar with guitarists like Steve Vai, who spent most of his free time as a teen either practicing guitar or playing in bands. Telling girls “Sorry, but I have to go home and practice for six hours” isn’t a great way to have a social life.
Milo seems to have Narcissistic Wanker Syndrome real bad.
Thank you for digesting this SC. I found your comments and excerpts hilarious, but I would just get pissed reading the actual document. As Sarah Mei said, it’s useful to use some of the comments in our own writing and editing, let alone what to remember not to use when we write.
Thanks, John and methuseus. I just noticed this bit, in Ivers’ affidavit to which TPM links:
Ivers pointed to the need for Y to fully explain this in multiple comments – it didn’t seem optional. The problem for Y (and it was the same with his campaign of harassment related to gaming) is that a complete and honest account of events would reveal his bad acts and subsequent misrepresentations, which would undercut the whole premise of the book.
I’m honestly curious how anyone thought Milo, of all people, was capable of writing an honest, serious critique of anything at all.
Comments from one of the e-mails referenced in the affidavit:
:/
@#37.
There are typos/OCR glitches in the blockquoted text which I missed while fixing it up after copying it in. There should be a colon after “4. Racism”, and the comma in the final paragraph should be a period. There may be more that I’m not seeing this instant.
I saw that twitter thread and enjoyed the obvious exasperation of the editor with Milo’s manuscript. If he was sympathetic to Milo’s beliefs about feminism when the project started, it certainly seems he developed a very low opinion of GG/altright and was repulsed by Milo by the time it ended.
Just providing actual direct links to the files.
First draft of “Dangerous” with editor’s comments by Mitchell Ivers (Document 66 of the case 0654668/2017 of the New York Supreme Court) ( size ~45MB)
Second draft of “Dangerous” (Document 68 of the case 0654668/2017 of the New York Supreme Court) (size ~42MB )
The latter document has a cover letter from Milo, which has the “FUCK YOU” to “critics” in context (which doesn’t improve it or anything; it just shows his horribleness in sharp relief).
(bolded text in original, and was also underlined)