Growing up, a lot of my taste in media was influenced by my older brother. I’ve encountered a lot of good stuff (and some bad stuff) based on either his recommendations, or on what he just had on his bookshelf. The Sandman was “good stuff”. It’s a surreal, and sometimes horrific comic about the anthropomorphic personification of The Dreaming – a world made up of the collective dreams of all beings. Those of you with the fortitude to read my first novel will probably notice rather a lot of influence from him in my writing at that point. While I’m grateful that I’ve outgrown that copycat phase in my own writing, Gaiman’s work – especially Sandman – remains some of my favorite fiction.
So I felt nervous when I hear there was going to be an adaptation of it. My mind tends to hold on to details from stories I read or watch, and so film adaptations have been a sore spot for me for a long time. The effects tend not to be as I imagined or hoped, the characters are interpreted differently, the plots are changed – it’s annoying to see an adaptation that falls short of what I feel the story deserved.
I was very worried about Peter Jackson’s Lord of the Rings adaptation. Overall it was wonderful, and the effects were fantastic, but there were choices made that bothered me enough to sour the experience. I didn’t appreciate Frodo being turned into a sort of piteous burden, carried through the journey by others. It’s not that he didn’t need their help in the books, but he didn’t go catatonic every time the ringwraiths showed up. Likewise, I feel that Jackson butchered the character of Faramir, and his justification for it was rubbish.
All I will say about his adaptation of The Hobbit, is that I could barely make it through the first film, and didn’t bother with the others.
So yeah – my initial intent was to avoid this new adaptation like the plague. I don’t appreciate having schlocky film versions cluttering up my memories of a good story. That lasted for a while, but eventually my curiosity got the better of me. I’m glad it did.
I’d heard that Gaiman was working closely with this adaptation, which was a good sign. I also liked the recent adaptation of Good Omens – a collaboration between Gaiman and Terry Pratchett. The fact that the original was in comic form also meant that the original vision was already there to copy. Combine that with recent advances in visual effects, and you’ve got everything you need for a good adaptation, at least in theory.
Even with newly elevated hopes, this show exceeded my expectations.
The first thing to note is that it’s very clear a lot of care went into recreating the visuals from the comics. The story will be familiar to those who’ve read them, and most of the characters will be largely what you expect. There are changes in appearance, and in some cases gender for a number of the characters, but in my opinion, they’ve done an admirable job in capturing the characters I’ve loved for so long.
Second, I want to talk about the changes. Any adaptation has changes from the original text. For all they’re both visual media, comics and film are still very different, and Sandman relies heavily on text narrative in addition to visuals and dialogue. The Sandman comics were also a part of the DC comics universe, and so a number of characters from that universe, like John Constantine or Martian Manhunter, needed no real introduction. This series is separate from that superhero universe, so some changes were made to allow for that, while keeping the central plot intact.
And honestly? A lot of the changes just made the story better. Violence and gore are some of the things that don’t tend to have a one-to-one translation from comics to film. While this series does have violence and gore, it’s less explicit than in the comics, and much more in service to plot and characters. A great many side characters are far more fleshed out, in ways that serve the story very well. The show also makes masterful use of suspense that’s effective even for those of us who know where the story’s going.
I get the feeling that Gaiman’s view of his own work has shifted, slightly, in the decades since the the first volume came out, and this show was a chance for him to do it all better. It may be that they’ll blow it in later seasons, but that seems unlikely to me. I now have very high hopes for the rest of the series, and I expect that this will remain one of my favorites for a long time.
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