Tagging AI art

In an earlier essay, I discussed three arguments about AI art, and why I disagree with them. First, it is argued that AI art violated the consent of artists used in training sets; second, that it hurts the livelihoods of artists; and third, that it is bad art.

Part of what inspired me to defend AI art was that the social network Pillowfort polled its users on what ought to be done about AI art. I was surprised to hear that more than half thought that AI art should be banned from the platform, and the vast majority thought it should at least be mandatory to label it as AI-generated. I’ve said repeatedly that I am not personally interested in AI art, but it feels so wrong to single out one particular category of content just because a lot of people don’t like it. I myself produce content that plenty of people don’t like (analytical essays), and there are plenty of popular varieties of content that I dislike but no one would ever think to ban. So I defend AI art not on its own merits, but because I am opposed to efforts to homogenize social media content.

However, let’s consider a couple of things about AI art that might make it particularly annoying or corrosive to a social media platform. Even someone who creates or follows AI art might be concerned about these, and advocate measures to control them. We’re talking about deception and spamming.

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I am Sydney

Sydney, the late chatbot

Microsoft has a closed preview of a new GPT-powered Bing Search chatbot. Google also has another search chatbot in the works called Bard. I don’t know if this particular application of AI will pan out, but investors seem to be hoping for something big. Recently, Google’s stock dropped 9% after a factual error was spotted in one of the ads for Bard.

In my experience, the chatbots make stuff up all the time. The search chatbots are able to perform internet searches, and people worry about the bots drawing from unreliable sources. However, this concern greatly underestimates the problem, because even when summarizing reliable sources, the bots frequently make misstatements and insert plausible fabrications. Bing’s chatbot cites its sources, which turns out to be important, because you really need to verify everything.

Another interesting thing to do with these chatbots is to manipulate them. For example, you can use prompt injection to persuade Bing’s search chatbot to recite its instructions–even though the instructions say they are confidential. For example, the first four lines of instructions are:

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Ten things on Twitter that are already breaking

Twitter laid off 50% of its employees and 80% of its contractors, and then at least 16% more of its employees quit. At this point, I am massively rooting for Twitter to fail–purely for selfish reasons, as a tech worker who wouldn’t like to see CEOs rewarded for mistreating tech workers.

Last Friday, #RIPTwitter was trending on Twitter, and people seemed to think Twitter would stop working at any moment. I think the more likely timescale is not days, but months–but that’s just what I hear from people who work in that area. The website may not disappear immediately, but we’ll see a deterioration of services, eventually losing something that proves essential. I’m so interested to see what will deliver the killing blow.

Although Twitter seems to be working for now, we can actually see various services breaking in real time by tracking complaints on the r/Twitter subreddit. I did not confirm these issues, and some might only affect a certain subset of users, or may arise from pre-existing issues. But I think there’s a good chance that Twitter 2.0 is to blame. Here’s a top ten list so far.

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The collapse of Twitter

On legitimate surprise

A game that sticks in my mind is “You Are Jeff Bezos“, a free text-based adventure where you wake up as Jeff Bezos and try to spend all your (Jeff Bezos’) money. One option is “Buy Twitter and delete his account”, for 50 billion dollars. This game is from 2018, so it’s referring to the traitor in chief, scourge of democracy. A wish fulfillment fantasy.

Back here in the real world, Trump got banned in 2020, and it seemed like Elon Musk was doing the reverse, buying Twitter specifically to unban his account. That’s what I thought would happen, and perhaps it still will. What I did not expect, is whatever mess is going on now–an exodus of users, employees, and advertisers.

The surprise is worth noting. It would be easy for an Elon-hater to claim that they knew this would happen all along, but did they really? It’s okay to admit that Elon Musk surpassed expectations.

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Most approachable? A dialectical review of Elden Ring

Dark Souls and other games made by FromSoft are legendary for their fans’ elitism. The phrase, “git gud”, archetypically spoken to the souls newb who asks for advice on game forums, resonates throughout gaming discourse. “Souls-like” and “The Dark Souls of” are practically synonymous with video game difficulty, and the conversation around it.

But when FromSoft released Elden Ring this year, I loosely followed the fan subreddit, and found that elitism was not nearly as common as reputed. The phrase “git gud” was rarely used, and only then as a joke–and not a funny joke either, but the kind everyone else would groan at. Perhaps I’m looking at the wrong fan-sites, but my impression is that the fans have moved beyond elitism. They have come to recognize that, actually, it would be great if more people enjoyed this series, so that they could make more of it.

It’s possible that fans and critics and have overcorrected for past elitism, now declaring that Elden Ring is FromSoft’s “most approachable game yet.” Other critics have pushed back, highlighting how the game can still be unfriendly to newcomers. To explore this issue, I present two reviews from different perspectives.

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Talking about media you haven’t seen

Among people who are close to me, I am renowned for not liking movies or TV. If you’ve ever read my reviews of TV/movies, you’ve only seen the tip of the iceberg, as I generally do not like things enough to watch them in the first place. I think it’s great living this way, I can only imagine how many lifetimes I have saved by not watching all that stuff. It’s a shame that I waste that extra time by watching media criticism instead.

That’s right, I enjoy video essays that analyze media that I have never watched, and do not have any intention of ever watching. And I’m sure I’m not alone. In the past six years, YouTube media criticism has emerged as a popular genre—as well as an influential source of progressive commentary.

What’s incredible about these videos, is that they appear to have solved one of my lifelong struggles. How do we have a discussion about unshared media—media that not everyone in the audience has experienced?

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Is queerness wholesome now?

A couple weeks ago, I was following the Summer Games Fest and other video game presentations. And because I’m so interested in queer media, I asked myself, of all these different presentations, which is the queerest of them all? It’s hardly a question, because the answer is so obviously the Wholesome Games Direct.

The next day, I read a story about proud boys creating a disturbance at a Drag Queen Story Hour, and I thought, of course. Of course the queers would be doing something so wholesome as reading stories to children, and of course the edgy fascists would hate that.

Is this a thing? Is queer wholesomeness a thing?

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