Documentaries, as a rule, do not have actors and fictionalized events. But they are never just a collection of facts. Like feature films, they have a narrative structure imposed on them that tries to select and order the facts into a compelling story. This always opens them to a charge of bias. But good documentaries are more like a well-reasoned argument that does not bury contradictory facts but weighs them in the balance as well.
Last Monday I went to see documentary film The rise of the politics of fear by Britain’s Adam Curtis, which was produced as a three-part series shown by the BBC in 2004. In this and the next post I will describe the message of the documentary, and in the third part I will analyze its strengths and weaknesses.