I’ve been working in textiles for a while now, specifically, completely hand-made art quilts, with the main attraction being hand embroidery. Anyone who hand embroiders knows how time intensive it can be. For a while now, I’ve been so damn busy, I have not had time to work on the current project, the Tree Quilt. That ends up being a bit depressing, because I’d like to just be able to work on it and get finished. 65 years ago, a woman started an embroidery art piece, and has now finished it at age 90.

Click for full size image. 90-year-old Priscilla Faulks stands by “My Jesus,” her 65-year embroidery project now displayed at Victoria’s Restaurant in Trotwood.

TROTWOOD — During the two years Cincinnati native Priscilla Faulks studied at the Cincinnati Art Academy, her medium was painting and her favored subjects were nature and portraits. But, after returning to her grandmother’s house at 25 in 1950, she was inspired to start a life-sized Jesus — which she finally completed in January, just a few weeks after her 90th birthday.

Now, the framed embroidered “My Jesus” is on display at Victoria’s Restaurant at West Third and Union Road in Trotwood.

“I wasn’t religious, but my grandmother, who raised me, was a highly Christian woman, and I was living with her when I was inspired to draw Jesus,” Faulks said. “Grandmother had saved government potato sacks from the Depression, and I asked her to sew them together to make me a large canvas that we tacked to the wall.

“I drew the Jesus, and she was elated. Both she and my mother were seamstresses, and they taught me. I made all my own doll clothes. I decided to use embroidery on the piece.”

Faulks began the work, then got married and had two children. She rolled up her Jesus and worked on it when she had time. Her first husband, injured in WWII, eventually died of his injuries, and she returned to school at Wilberforce until she re-married and had two more children. She was widowed a second time two years ago.

Hired as secretary for McLin Funeral Home by then-Ohio House Rep. C.J. McLin, “I’d take Jesus to work, and when I wasn’t busy, I’d work on him,” she said. “At night, I worked on him to relax, then roll him up and put him away. The more I worked, the more I wanted to finish him.”

Finally, on Jan. 5, she completed “My Jesus,” and approached various places to have it displayed, but was told that, at 4-feet-by-6-feet, it was too large for most spaces.

[…]

Faulks is thrilled that her Jesus is finally finished and now has a space where it’s appreciated, with an accompanying explanation of her long-term project.

“I’m happy, elated and relieved,” she said. “It took so long, just one stitch in, one stitch out, for 65 years.”

That is a seriously impressive piece of work. I think I better get back to work. I don’t have 65 years.

Full story here.

The Falling.

James Bullough is an American born artist living and working in Berlin, Germany. His paintings, and huge monumentally scaled site-specific murals, are phenomenal combinations of realist painting technique and graphic punctuation. Inspired by gritty urban graffiti as a young artist growing up in Washington, DC, Bullough harnessed its energy in his work, and perfected a realistic oil painting technique from his study of the Old Masters. Combining the momentum of the one and the technical precision of the other, his work is about staging compelling contrasts and juxtapositions. Working in everything from oil, spray paint and ink on canvas, Bullough’s paintings strike a balance between realistic figurations and stylized interruption. Disjointing the realistic elements with graphic areas and fractured or striated planes, Bullough intends to challenge the viewer’s perception.

His work is stunning, and highly emotive. For his Breaking Point series:

In this new series of works, Bullough captures moments of existential fracture, disruption, and personal breach through the expressive movement of the body, asking his models to channel personal memory and to recall experiences of “breaking” at the moment of their capture. Working with dancers from Berlin, Bullough begins with the body in motion, arrested in an expense of negative space, then dissembles it further, splicing, striating, and fragmenting its surfaces and planes. The models remain anonymous and faceless throughout, an omission intended to reaffirm the symbolic universality of the emotive physical gesture.

Enough.

Burst.

Oil painting on old, found book.

Click images for full size. Have a wander around James’s gallery, it’s full of amazing works. James Bullough.com.

Chuan-Bin Chung.

We are impermanent beings, and perhaps that is best illustrated with anatomy.

Chinese illustrator and anatomy instructor Chuan-Bin Chung encourages his students to understand the intricacies of the human body by drawing them. For many of his lessons he creates impermanent drawings on chalkboards as a helpful guide, but instead of quick sketches as one might be accustomed to, the pieces are exacting and colorful depictions of bones, muscles, and tendons—practically works of art in their own right.

I’ve seen many art pieces based on human anatomy, all of them stirring and beautiful. I would put these in that class. They may not last long, but there is a striking beauty there, which will reside in minds long after the chalk is gone.

Chuan-Bin Chung.

Those of you with Facebook accounts can hit the above links, fortunately, for the those of us without FB accounts, Chuan-Bin Chung has a youtube channel. There’s much to enjoy!

Via Colossal Art.