This afternoon, at 3pm EDT, James Kakalios, Sean Carroll, and E. Paul Zehr are going to do a live chat about the Science of Superman. I’d say it needs MOAR BIOLOGISTS except just the physics of that movie alone ought to fully occupy the panel.
I’m a little afraid that the movie will get praised (it provides so many “teachable moments”!) rather than reamed out, but we’ll see.
Great. They’re going to make a Prometheus 2.
I’m going to be doing this Prometheus MSTKing thing at CONvergence, you know — I had no idea it would have the potential to turn into a perennial gig.
I want to be just like Leonard Nimoy when I grow up.
A couple of things are driving me to distraction in the recent crop of superhero movies. Maybe Man of Steel was a fine piece of entertainment — they certainly threw money at the screen — but it also contained a fine collection of irritants.
Lens flare. WHY? What does it mean? How does it add to a scene except to remind you that this is being seen through a camera? And not even that — I think a lot of it is added in post-production. What next? Dirt on the lenses? Fake scratches on the digital film stock? I hope that a decade from now, people will look back on the film output from this era and wonder what the hell they were thinking.
The falling woman trope. It’s everywhere. The poor woman is plummeting to her doom at the terminal velocity of 200 km/hr, and superhero swoops upwards at even greater speed and catches her. This doesn’t work. At that speed, invulnerable super-strong arms are like blunt blades and are going to messily trisect the victim.
There’s a variant! Women fall and need to be rescued; men fall and land on their convenient flying vehicle/mount. Just stop it.
Slugfests. In every case, bad guy meets good guy and you know that shortly they’ll start throwing roundhouse blows at each other. This is not how people interact with each other, except when they’re very drunk and stupid. These are supposed to be super-intelligent, powerful beings, and their standard response to any challenge is to punch someone in the nose.
Ever-escalating explosions. And frantic pacing. Superhero movies have become giant demolition derbies, vying with one another to provide the biggest booms and demolish the most real estate. Superman, his military allies, and his enemies basically flatten the town of Smallville before moving on to turn New York into rubble.
There are no human costs. We see skyscrapers fall, entire New York city blocks destroyed, invulnerable super-bodies flung through office buildings like missiles, and never see a single person injured or killed. We see one death and Superman howls in anguish, and I just wanted to say, “Hey, Supe, when you smashed that IHOP? You probably turned half a dozen people who were just trying to have a pancake into bloody mush. I don’t even want to try to get a body count from that imploded building over there. So why are you upset over the quick and painless demise of that one jerkwad?”
There has to be a witness. This is a corollary to the absence of deaths. A couple of the secondary human characters face the most traumatic event ever — one of them is stuck under a pile of rebar and concrete (don’t worry, they pry her out and she’s completely uninjured!) so they can stand around and gawp as the superclowns rampage all over their city. Titanic forces are shattering whole buildings, but they stand there getting a little dust in their faces, and that’s it.
Specific to this movie: Pa Kent is a goddamned evil idiot who makes his adopted alien son feel like a shameful criminal every time he does something good. I would have cheered when he died, except Kevin Costner looked so smug and sanctimonious about shaming the superboy into not saving him when he could have easily. They also make a point of the Kents being Christian, which fits that pious humble-bragging attitude so well.
So yeah, there might have been an interesting movie buried under all the metaphorical rebar and concrete rubble of the detonation of special effects, but in the real world, it’s not going to crawl out alive afterwards.
I really hate reality TV — I saw a few episodes of the original Survivor when it first aired, and the petty bickering and the conniving and the efforts of the creators of the show to aggravate the conflict just completely turned me off. It was artificially Darwinian to an extreme. Every other reality program I’ve heard about since seems to follow the same vicious and invidious formula.
And then I stumbled onto Strip Search. I watched the first couple of episodes because I’m a fan of Maki’s webcomic, Sci-ence, and then found it addictive. The premise is simple and basically the same as a lot of reality TV programs: a group of people are set up in a house, and every day they are given a challenge to meet, the winner gets immunity, and two of the others have to up against each other in an elimination challenge…so the population gets slowly winnowed down to a final winner.
But here are the differences: the people are all webcomic artists. The challenges are all testing elements of what it takes to succeed with a webcomic, so in some ways its more like a training boot camp. Most importantly, all the people being tested seem genuinely nice; they get along, they aren’t scheming to screw each other over, they like each others’ work. The way the dynamic is set up, it’s the two show creators, Jerry Holkins and Mike Krahulik, who judge the work in the elimination rounds, who are the force of selection — so it’s not the players working to get each other kicked out of the house, it’s players cooperating against an external agent.
It’s very Kropotkinesque, and that makes it a pleasure to watch.
The final episode airs next Tuesday, so I don’t know who’s going to win yet (and the nice thing is, I don’t care; I got into it by following Maki, but I’ve gotten to like all of them), and I can’t spoil it for you. But it’s a webseries so you can easily start from the beginning.
I may have just consumed the entire weekend for some of you, who will start watching the whole series just now.
Are you a film crew person looking for work in the UK? Multiple opportunities have opened up for the crew for a documentary!
A new Covent Garden-based film company seeks a producer of marketing and distribution, a researcher/presenter, a camera operator, a sound person, a runner, and an editor, for its first documentary, called Laughing with Women. Why are women, on average, slightly less funny than men? Does gold-digging in particular impair women’s joke-making ability? If women publicly reject gold-digging, do they become as funny, or funnier than men?
If the radical and revealing street-based social experiment at the centre of our documentary proves gold-digging does make women less funny (as pre-production research suggests) then our findings will make headlines around the world, our film’s two minute teaser trailer attached to all those news and blog articles. The full documentary will be shot to a broadcast-quality standard and format, giving mainstream television companies worldwide the opportunity to purchase broadcasting rights (if they’re feeling brave enough) whilst we maintain a virtually guaranteed revenue stream from our already established hardcore of supporters and fans around the world, who, along with everyone else we intrigue, will be able to enjoy Laughing with Women on newly launched pay-per-view channel, Vimeo on Demand (VoD) – where VoD itself takes a very modest 10% cut. The documentary has the potential to be translated into several languages – gold-digging a familiar if hidden story in every country, until now.
Positions available…
Producer of marketing and distribution
Researcher/presenter
Camera person
Sound person
Editor
All positions paid at the minimum national wage or above, to be negotiated.
Shooting dates…
The main shoot, testing the documentary’s key hypothesis, and the kind of fireworks it will generate, will take place from August 1st, for 10 days, in central London. Eight to ten other shooting days will be organized for soon after. If interested in getting involved, please email your show-reel and/or CV, along with a paragraph or two saying hello, explaining in a little detail why you are specifically interested in working on Laughing with Women – and what your individual take on it all might be – also outlining your availability. Interesting respondents will be contacted for a Covent Garden meeting soon, where the whole plan, and a closely linked follow-up project can be discussed.
That isn’t a documentary. They’re not building a story around an established science fact, they’re inventing a premise that they simply assume is true, and are then designing an “experiment” (more likely a contrived set of sight gags) to “prove” their claims on video. I can roughly predict what they’re going to do: they’re going to approach women, insult them by suggesting that they’re venal gold-diggers, and then demonstrate that angry women don’t have much of a sense of humor about sexist assmonkeys harassing them. Hypothesis proven! Of course, if women were actually funnier than the men in their sample, you know that wouldn’t get aired — they have a prejudice, and by god, they’re going to make it appear true.
And then they hope that people will be “brave enough” to make their video go viral when it confirms conventional bigotry. If their little dog-and-pony show doesn’t get picked up any broadcasters, it isn’t because they’re afraid to pander to stereotypes — turn on your TV and look, that’s never a problem — but because this “documentary” will be so patently slanted and dishonest that it is a slap in the face to real documentaries everywhere.
Wait a minute…they’re looking for a people to do camera and sound, a produce, a presenter, and an editor, for a show that is going to be a series of confrontations and requires almost no writing. So there is basically no crew at all right now, just a no-talent hack sitting on his ass in his office dreaming of putting together a show to prove to the world that women lack a sense of humor and are all gold-digging bitches. He sounds like every MRA in the world.
I called it. This is the dream of no-talent hack Tom Martin, who brings nothing to the project other than a resentment of women.
A host of people taped themselves watching the bloody violent climax of the most recent episode of Game of Thrones. It’s bizarre. First, who tapes themselves watching TV? Second, if they’ve read the first couple of books, they’d know exactly what horrible event is coming up.
Third, if they’d either read any of the books or watched the show to this point, they’d know that George R.R. Martin is a real psychopath to his characters, and just about anyone in the cast is liable to be thrown into a meatgrinder at a whim.
And most importantly, all this vicious chaos will not advance the plot one bloody bit, but will instead stymie all possible resolutions. These are books in which the actions of the characters are totally meaningless — I expect Martin’s plan for wrapping up the series is to have a giant asteroid smash into the planet in the final chapter, turning it into a cinder of ash and magma, spiraling into its sun for a final “pfffft.”
(Oh, sorry…”Spoiler!”)
Here’s a list of 10 execrable versions of evolution from the popular media. I’m not too impressed with the list: it cheats. There are two examples from the Star Trek franchise (if you’re going to open it up to individual episodes rather than the whole schmeer, the whole list would get devoured by ST), two examples from Dr Who (ditto), two very obscure examples from the Disney channel and pulp fiction, one comic book example — and it’s not the X-Men, which is dismissed as being just genetics, not evolution — Planet of the Apes, The Creature from the Black Lagoon (???), and Greg Bear’s Darwin’s Radio. What, that’s it?
Where’s Prometheus? Avatar? All those stories that predict humans evolve into frail little people with bulging domed heads? Any SyFy channel schlock that uses the word?
I’m afraid if we were to trash any genre that abuses the concept of evolution, just about all of them would go.
I was off in the big city (Alexandria, Mn) to run some errands, and I figured as long as I was there, I’d catch the latest summer blockbuster. I went in with low expectations: I’d heard it was just a fun action movie, mere mindless entertainment. The reviews underestimated the movie; it wasn’t just mindless, it was in a vegetative state. This movie was so stupid it was stillborn with acephaly. This movie sucked so bad it was a miracle that the Hawking radiation didn’t kill the audience.
I will tell you a few of the annoying inanities that made it impossible to enjoy the movie. Spoiler warning? Maybe. I’d be doing you a favor if I spoiled this movie for you.
I’m tired, my sense of time is all screwed up, and some evil virus is making my mucosa do disgusting things, so I needed this to feel alive again. This is Nathan Rogers, son of the Canadian folk singer Stan Rogers (who died far too young) setting the stage on fire with one of his father’s songs.
And you, to whom adversity has dealt the final blow
With smiling bastards lying to you everywhere you go
Turn to, and put out all your strength of arm and heart and brain
And like the Mary Ellen Carter, rise again.Rise again, rise again—though your heart it be broken
Or life about to end.
No matter what you’ve lost, be it a home, a love, a friend,
Like the Mary Ellen Carter, rise again.
Always good to make one feel optimistic again. Although I’m not feeling any great loss right now, just a case of the sniffles, so it’s a little bit of an overkill.
(via Peter Sagal.)
