Gender Workshop: Age of Ultra Sexism? Edition

Gender Workshop, as ever, is brought to you by your friendly, neighborhood Crip Dyke

So I have now seen Avengers, Age of Ultron, and oh, androgyne! will this post contain spoilers!

Though I’ve only just seen the movie days ago, it’s been weeks since I became aware that there were quite a number of significant debates focussed on sexism and Age of Ultron. Any number of articles could be referenced, but I’m going to draw exclusively from io9’s Meredith Woerner and Katharine Trendacosta and Salon’s Marcotte, because they take on a particularly interesting and revealing moment in Age of Ultron, but seem to miss enough that there’s room for me to add.

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Online Gender Workshop: Be Confused, Be Very Confused Edition

Online Gender Workshop, as ever, is brought to you by your friendly, neighborhood Veronica Quaife Crip Dyke.

When we last left our intrepid heroes, they were slogging through the twists and turns of translating “transsexual” into the language of a hypothetical world where sex == gender. As expected, there were some difficulties. Some of these difficulties arise from confusion at the statement, “just what does it mean to say that sex == gender”? While frustrating for those honestly attempting to answer the question, the confusion, I judge, is fair given that actual advocates for using sex in place of gender or gender in place of sex rarely show much of the totality of what they intend to convey by conflating the two.

There are, of course, languages where there is only one term for both sex and gender. Those folks will have had some leg up on the work. Nonetheless, the confusing world of communicating across others’ assumptions that sex == gender does not end at the creation of a definition, not even at the creation of a satisfying one. While the discussion about the implications of those definitions will continue in the original thread, here we will take things just a step further.

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Online Gender Workshop: Put Your Definitions Where Your Genitals Are Edition

Online Gender Workshop, as ever, is brought to you by your friendly, neighborhood Crip Dyke

There have been quite a few thoughts expressed, here and elsewhere, about the appropriate uses of transsexual, transgender, trans, and trans*. The separation of sex and gender, while ostensibly default in a number of academic fields and feminist and trans philosophies or movements, is not something challenged only by right wing advocates of trans* oppressive policies. Many non-trans* feminists and many trans* liberation advocates openly oppose the use of these terms as separate. Some of that spills over onto debates about terms such as transgender.

I’d like to attempt to further explain why I believe it is so necessary to separate gender and sex in the first place, and thus at least some of the major reasons why I care about the particular uses of those trans*-community specific terms.

But I won’t.

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Gender Workshop: How to think like you’re not

Redundant posts are redundant

Except when they aren’t.

Here your gender-workshop-taskmistress Crip Dyke encourages you to revisit the douchegabbery of the Minnesota Child Protection League. PZ did an excellent job of illuminating just that in “Two steps forward, one step back” in December of last year, and the discussion on that thread when it was current included a great many useful comments.

I want, however, not to merely rehash criticisms of MCPL (criticisms well-deserved and well-made the first time around) but to use that example to talk a bit about what “centering” and “marginalized” really mean. In the post on the need for transfeminist critiques of other feminisms, I focussed on Katha Pollit and identified places where, quite frankly, I think she employed some bad thinking to construct some bad feminism. I suggested that marginalization had something to do with this bad thinking on Pollit’s part. Here you can learn more about exactly what marginalization has to do with it …and the extent of my criticism of Pollit, rather than merely Pollit’s column.

I didn’t pick Pollit because her work is low hanging fruit. She has written excellently on many topics. She clearly has the writing chops to be clear about the distinctions between political theorizing and political rhetoric. Yet the only reasonable inference is that she was, in fact, talking about rhetoric when she was using the phrase “political analysis”. She also has the analytical skills to make the distinction between gendered terms like the French pronouns ils and elles, and gender neutral words like people. Yet here, too, she fell down.

So what is the problem with this Katha Pollit person anyway? The problem is the same as one in our community: the inability to think like you’re not.  [Read more…]

Friday night at the chick flick

I usually watch movies alone. I like to go, and we have a very nice old theater here in town, but my wife isn’t really into them. There’s usually a conversation something like this at my house on the weekend…

“Would you like to go to the movie tonight?”

“No, thanks.”

I get shot down more often in my requests for dates now than I ever did in high school. It’s OK, though, it’s usually because the movie playing isn’t to her taste, and I can respect that. It has to be some kind of chick flick to get her interested.

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Obama does something right

I think this is exactly what the federal government ought to be doing: building the national infrastructure and setting priorities. So I’m completely behind Obama’s proposal to make community college free for everybody for the first two years, a project that will lead to an expansion of our educational system, more employment for educators, and more opportunities for young people. It’s estimated to cost $34 billion — scrap a few defense contracts, we can cover that.

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I do enjoy a good haunted house

It’s really a shame I just now found out about the Haunted Basement in Minneapolis. And I had to find out about it in the New Yorker!

Housed directly beneath the Soap Factory galleries, in the building’s grimy, raw underground space, the Haunted Basement consists of a series of rooms, or scenes, each created by an emerging artist. Despite (or perhaps because of) its highbrow origins, it’s generally agreed to be the freakiest haunted house in town—only adults are allowed in, dressed in closed-toe shoes and a protective face mask, and armed with a safe word (“uncle”), just in case. Visitors enter in groups but often get separated as they move through the twelve-thousand-square-foot space; they can expect to crawl, climb, and run, to get covered in gore, and, in 2013, to be stuffed into a coffin by a toothless man in an orange jumpsuit. The entire experience lasts a brief but intense twenty minutes, though nearly a hundred people bailed out early this year by crying uncle.

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