I do not like violent films with a lot of blood and gore but am a big fan of the films of Alfred Hitchcock. Hitchcock was rightly called the ‘master of suspense’ and in this brief interview he explains the difference with what he tried to do and what one sees in some other films.

He said that he wanted the audience to use their imaginations about what is going on rather than telling them and so he did not actually show the violence. For example, in the famous shower scene in Psycho, one does not actually see the victim being stabbed and blood spurting all over the place. One sees her screaming, one sees the assailant in silhouette making stabbing motions, one hears the screeching music rise to a crescendo, and one sees dark fluid representing blood swirling down the drain. All that is more than enough for the viewer to imagine what happened.

Long time readers of this blog know that I am a big fan of murder mysteries. Starting in the early 1970s, there was a TV crime procedural set in Los Angeles featuring Peter Falk as a homicide detective named Columbo. Wearing a crumpled beige raincoat, tie askew, a cigar, and a perpetual puzzled expression on his face, he became a cultural icon. I wrote a brief appreciation of the show and Falk when he died in 2011

What made this show distinctive from other crime shows is that there was no mystery at all. The opening sequence showed the murderer committing the crime and covering it up. The rest of the show was about how Columbo identified the murderer and pinned it on them. The stories always seemed to take place with the wealthiest of people in high society living in opulent houses and driving expensive cars, a stark contrast in class to the clearly blue collar Columbo who drove a beaten up and unwashed Peugeot convertible. We never saw his own home and although he frequently talked about his wife and other family members, they were never shown. I liked the fact that his personal life was not a part of the show. In some modern shows, the drama in the detectives’ personal lives sometimes overshadows the crime story. I also liked the fact that any violence was always off-screen and there was no blood and gore, no chases, or any of the other tropes of police shows.
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I was recently watching the TV series Marple (2013) based on the stories of Agatha Christie and one episode A Caribbean Mystery had her on holiday on an island in that region. One evening she is seated for a lecture on tropical birds next to a dapper visitor from Jamaica who introduces himself to her as Ian Fleming. When she asks him what he does, he says that he is working on a novel but is stuck on finding a good name for his lead character. At that point, the ornithologist speaker begins his lecture by saying “Good evening, my name is Bond, James Bond.” Fleming quickly takes out his notebook and jots something down.

The Fleming character disappeared after that so it is clear that the writers inserted him into the show purely for that one joke but I was curious whether there was some truth to it and it turns out that there is.

The name James Bond came from that of the American ornithologist James Bond, a Caribbean bird expert and author of the definitive field guide Birds of the West Indies. Fleming, a keen birdwatcher himself, had a copy of Bond’s guide and he later explained to the ornithologist’s wife that “It struck me that this brief, unromantic, Anglo-Saxon and yet very masculine name was just what I needed, and so a second James Bond was born”.
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On another occasion, Fleming said: “I wanted the simplest, dullest, plainest-sounding name I could find, ‘James Bond’ was much better than something more interesting, like ‘Peregrine Carruthers’. Exotic things would happen to and around him, but he would be a neutral figure—an anonymous, blunt instrument wielded by a government department.”

That plain name, and the way it is said, has become iconic.

I am fond of the card game bridge, growing up in a bridge playing family and returning to it in retirement and playing a couple of times per week at my local club, formerly in person and now online. I enjoy the intellectual challenge posed by the game but never forget that it is a game and not worth getting all worked up about.

But many of the people who play it are severely competitive and I wrote about a recent cheating scandal involving a Grand Life Master. I just read of a new documentary just released called Dirty Tricks about the big 2015 scandal that rocked the world of bridge involving Lotan Fisher, someone considered the Michael Jordan of the game who possessed exceptional skills. He and his partner Ron Schwartz won millions of dollars playing in tournaments and with wealthy players like Bill Gates and Warren Buffett.
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When I wrote about the funny TV show Ted Lasso, some readers expressed regret that they do not subscribe to Apple TV+, the only. place where you can see it. This raises a problem that I think is going to get more acute with time, and that is that we may be entering a world where certain films and TV shows will be inaccessible to some segment of the population.

It used to be simpler, at least when it came to films. Films were released in theaters and if you missed it on its first run, you waited until it was released in some video form that you could rent it fairly cheaply from your neighborhood video store or borrow from your public library. You were guaranteed some form of easy access to all films. But now film makers and distributors have another option and that is to create their own subscription streaming service to show their own shows. So now in addition to Apple TV+, we have Disney+, Amazon Prime, HBO Max, Paramount+ and many more. This website tells you where you can find a particular film or TV show to stream.
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