I haven’t really felt motivated to do origami since March.  But then I played Paper Mario: Origami King.  The game itself is whatever, but the art is great.  I love the premise of having origami be the villain of the story.  In a world where all the characters are made of paper, origami plays the role of zombie menace.

There’s a pretty wide range of origami, from traditional forms to stuff that’s only possible in fiction.  On the fantastical end are the Vellumentals (video contains spoilers).  On the realistic end is the origami castle, made of Sonobe units.  And then there are these two main characters:

These characters look nearly like real origami, but they’re not quite.  Or at least, it’s not possible to make them as simply as it is portrayed in the game.  I enjoy reverse-engineering origami, so I thought I’d give this one a shot.

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The Lens Tessellation is an example of curved-crease origami.  A relatively simple example of curved creases–so simple that a paper explaining the basic mathematics of curved creasing uses this model as a case study.  To make this model, I used a ruler and compass to draw out lines, a hand-cut stencil to copy patterns, and a ceramic stylus as a scoring tool.  I walked through some curved crease methods here.

Something I learned from the math paper, is that this crease pattern has multiple conformations.  If you poke and jab at the paper in the right spots, you can switch its conformation.  I have a photo below, where the left side is in one conformation, and the right side is in another conformation.  You can see the difference in the pattern of shadows on each side.  On the left side, the ripples of paper are horizontal, while on the right side, the ripples are oriented diagonally.

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This is a variant on the so-called waterbomb tessellation (a photo of which you can find somewhere in my blog archives).

A neat thing about the waterbomb tessellation is that it naturally curves into a sphere-like shape.  The tensions in the paper cause the tessellation to have an overall positive Gauss curvature,* like the surface of a sphere.  So I was thinking about how cool it would be to patch together multiple waterbomb tessellations, some concave up, and some concave down.  This here is the result.

*My understanding of differential geometry tells me that what determines the shape is mean curvature rather than Gauss curvature, but if you don’t know what that is then never you mind. ETA: On second thought I’m not sure this makes a lick of sense.

This is one of those origami models that other people seem to like much more than I do.  I think it’s over-designed.

I thought I’d have it recursively branch multiple levels, and at each level one of the branches would have a “mutation”.  You can see the pinwheel design on the upper right branch, the pink cube on the left branch. All this on top of the blue/orange/red/green color scheme.  I didn’t branch very many times because it didn’t seem structurally sound enough, and also I wasn’t too fond of it.  But still, some people like it.  If you like it, maybe you can tell me why.

My guess is that people like it for its intricate design.  I think it uses… *counts to self* …60 pieces of paper, each one 3.75 cm.  The whole model fits in my palm.  Each sheet is folded into a Sonobe unit, which is just very standard and flexible origami unit.  If I were to try it again, I would keep it intricate but reduce the design entropy.

I hope PZ appreciates all the unsinks I needed to do to make this.

An unsink is when you invert a pyramid, changing it from pointing inward to pointing outward.  Often you only have access to one side of the pyramid, so you can’t push it out, you have to pull it.  You can see a sequence of unsinks in this instructional video for the tarantula, timestamp 7:06.  Although I actually thought the hardest fold was pleating the legs, which consist of up to 40 layers of paper.

I just made this last month!  Lately I have been trying out complex one-piece origami models.  I am not as skilled at this sort of origami, and my tarantula doesn’t look as clean as most others on the internet.  That’s fine though–I will get better and return to the tarantula in the future.  (Or maybe next time I’ll just use better paper!)

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This month, I checked my photo folder for any Christmas-oriented models.  Here’s one, from the days when I couldn’t take good photos, lol.

As you can see, there are four colors of paper: Green, Red (with a white back), silver foil, and patterned green.  The silver foil and patterned green are just small squares inserted directly into the model.  When most people look at this, they think, “Shiny!” but when I look at it I think “Inserts are such a good idea, I should use them more often!”

This month, I felt like posting one of my really old models, this one made in *checks notes* 2014. This is surely one of the very earliest tessellations I tried making.  But surely this was after practicing a few times, because these aren’t exactly a cake walk to make.

Providing a back light for the tessellation illuminates its structure.  The tessellation consists of a series of hexagonal twists and triangular twists.  Adjacent twists are connected by pleats, which are darker because the light is going through three layers of paper instead of one.

I looked up the symmetry group, and I’m pretty sure this is p6 wallpaper group.