The story that will not die

Good morning, anti-censorship intellectuals! Remember that story from January about Abunga Books, the online bookstore whose sole unique feature is that it claims to “empower decency” by enabling prudes to vote to censor their offerings? Now it has made ABC News. It’s amazing how much press this thing has received — I’m beginning to suspect there is some marketing genius behind the store who knows how to whip up a media frenzy.

They’ve got a couple of quotes from me and from the founder of Abunga, Lee Martin.

“Anything that irritates the right, they want off,” Myers told ABCNEWS.com “They can have a limited selection of books and select whatever political perspective they want. But [Abunga] is cloaking itself in democracy, and instead of being open-minded, they are being narrow-minded. It’s hypocrisy.”

Boy, I got that one exactly right. You should read how Martin defends himself against that charge.

In response, Myers’ readers mass e-mailed the company and logged on to Abunga.com to ban a number of religious books themselves, including the Bible.

“What they didn’t realize is that we control inventory from our members, and it’s pretty easy to see the difference of customers who are blocking ‘The Golden Compass’ and the Bible,” Martin said.

Martin insists his company has no agenda. “If you look at the books, we have a complete rainbow range of books, and we give to non-Christian ministries.”

(By the way, you’ll have a hard time finding a non-Christian ministry in their list of charities. They’ve got a few good secular groups in there, like regional hospitals and the March of Dimes, but it’s mostly a collection of openly evangelical organizations. I guess if you do stuff that actually works, like giving medicine, that counts as “non-Christian” to these guys.)

So they don’t have an agenda, and they’re just letting their customers control the inventory, but they can tell the difference between the ‘good’ customers who want to block The Golden Compass, and the wicked, nasty bad customers who want to block the Bible. We are all equal, except some of us are more equal than others.

Like I said, Abunga can have whatever bias they want, and they clearly want to be a right wing Christian bookstore. I don’t mind that at all, although they certainly wouldn’t be getting my business. My objection is that they want to pretend that they’re taking the high road and calling their bias “democracy,” when it clearly is not, and it is definitely not a noble enterprise — these are guys with yet another scheme to pander to right-wing ignorance and make money from it.

Of course, that’s my disagreement with their practices. The ABC News article takes a different approach that might be more effective in alienating their prospective clientele, by listing a selection of naughty books that are still easily available at Abunga. They’ve got a censorship filter, but it’s a mighty leaky one.

The Fall

I’m pretty darn sure after seeing the trailer that I want to see this movie, but there’s one little fillip, one name that gets briefly dropped, that really makes me wonder what’s going to happen. It isn’t explained in the clip, unfortunately, it’s just there, so I’ll have to cough up $5 to find out.

Oscars?

Does anybody care about them anymore? I didn’t watch it at all, and I also missed most of the nominated movies this year. We had the winner, No Country for Old Men, playing in town a few weeks ago, unfortunately coinciding with an exceptionally heavy work week for me, and I couldn’t find time to see. There Will Be Blood is playing at the Morris Theatre this week, and I may have to squeeze in a few hours to check it out…but not because Day-Lewis won an award.

Isn’t that what it’s about, anyway? If we’re going to take off 3 hours or more for some entertainment, it makes more sense to go see the movie than to watch a tedious show about the movies.

His Dark Materials will be incomplete

While it had its moments, and was based on a provocative and interesting series, I wasn’t that impressed with The Golden Compass movie adaptation. Still, I’m disappointed that the decision has been made that the subsequent books will not be filmed. It apparently did very poor box office in the US, so it isn’t a surprise, I suppose.

I have to compare it to the Narnia movie, though. The Lion, the Witch, and the Wardrobe was a great gilded turd, an awful piece of poor storytelling and suspension-of-disbelief shattering illogic, with nice cgi. The Golden Compass had a story that was given short shrift in the movie, was kind of a mangled mess, but was better than C.S. Lewis’s fairy tale for the inane; it also had better and more imaginative graphics. Which one of those series is going to be inflicted on us many times over, though? The one with the comfortable Christian themes, of course. It had a guaranteed undiscerning and credulous audience.

Goodbye, Vampira

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Sad news…Vampira has died. She was very young for a vampire, only 86, and there’s no word on whether it was a stake or sunlight that ended her long career as one of the rare Finnish vampires (real name: Maila Syrjäniemi). You may recall her from her important role in Plan 9 from Outer Space.

It’s the last sad whimper to the lingering death of an old tradition. When I was a young’un, there were horror hosts everywhere—you knew that if you turned on the TV anywhere at about 11 on a Friday or Saturday night, there’d be somebody in a Halloween costume introducing some old black-and-white horror movie. It was campy, it was predictable, the movies tended to be awful (although when one of the old Universal classics with Karloff or Chaney, or anything with Vincent Price, was scheduled, I made a special effort to watch it), and it was always fun. Rmember those cheap Japanese monster movies? Roger Corman’s low-budget rip-offs of Edgar Allen Poe titles, with content completely divorced from anything Poe ever wrote? That phenomenal wave of British horror coming out of Hammer Studios? Them, The Incredible Shrinking Man, The Amazing Colossal Man, The Blob—all that 50s paranoia about nuclear bombs?

Many of us godless people still identify as cultural Christians because that was the background of our upbringing, but I think my late night inoculations with classic horror and sci-fi movies had a deeper, more long-lasting influence on my life than those boring, unentertaining, unengaging Sunday mornings spent in church pews. I am a cultural Frankenstein, Jekyll, Moreau, Morbius, Pretorius, Phibes, and even Vampira — and they were all the more important as shapers of my perspective because there was no pretense that they were real, and because their portrayals were open to criticism and mockery.