This rap ain’t got composure like a whack-ass thesis

Your boyfriend’s on ma caque like a monkey rhesus

I’m processed in the thigh bags like urine and feces*

You know the label’s fucked that they had to release this

that’s all i had.  sorry.
–
*only works if you pronounce “urine and feces” like Max von Sydow in Dune (1984).

Not many comments on the latest edition of The Midnight Collection, or the excellent literature I excerpted from it for your delectation, well, OK.  Now I’m posting my sleazy BDSM soap opera story from the book.  Written under my pencil-moustache-having nom de plume Caesar Train Magenta, it was a fun time.  Check it out, or continue to whiff on these beauteous pearls I cast about your swiney hooves.  (I kid, I kid.)  My post here is going to have the start of the story, with a link to where you can finish reading it on The Midnight Collection’s website.  If you love or hate the story, or love expressing your opinion even when that is “meh,” leave a comment either here or there…

THE IMMOLATION OF THE THORNBLOODS

Caesar Train Magenta

Content Warnings (Spoilery?):  Ableist Language, Abusive Relationships, Alcohol and Drug Abuse, Body Fluids, Capitalism, Child death/endangerment, Classism, Confinement/Bondage, Death of Loved One, Domestic Abuse, Dysfunctional Family, Emotional Abuse, Fire, Infidelity in Relationships, Insects, Misogynistic Language, Nudity, Paranoia, Poisoning, Sexism, Sexual Content, Sexual Harassment, Slut-shaming, and Swearing.

December 8th, 1928.  The three came into the cavernous foyer of the Thornblood lake house, once known as “The Lily on the Lake,” to some romantic soul.  But on that day, there was no romance left in the hearts of the two surviving Thornbloods.  And who could say what was in the heart of their brilliant third?  The cold silver light threatened to turn the world to ice outside the massive bay windows.

The last of the Thornbloods, Kent and Mabel, were powerfully built for their respective sexes, a natural strength that required little exercise to maintain.  Their companion, Patricia Coltheart, was comparatively lithe and narrow.  They all had black hair and fair skin, paled considerably by the season, still red at the nose and ears from the icy wind of the road.  Kent’s hair was turning to slate at the temples, Mabel’s was cropped like a flapper’s, but thick waves laid it less fashionably flat.  Patricia’s long, spiraling locks flowed like water with her every move.

Nobody removed their coat, though Mabel flapped the furry lapels to let some heat in.  It was scarcely warmer than it had been on the drive there, and no servants would be present to stoke the furnace.  “Kent,” she said to her brother, “bring that firewood along with us.  The Twelve Point Parlour will be quickest to heat.”

“Naturally.  Perhaps you and Patricia can bring food and drink for all?”  He hoisted a bundle of firewood from a series of low racks.  It was conveniently tied with a thin cord of hemp, and noticing this, he grabbed another.

Patricia twirled in place and stamped her feet.  “Let’s heat this icebox.  Let’s burn it to the ground.”

“Let’s not,” said Mabel.

Kent said nothing.  Indeed, he nearly let his burden fall to the floor, so appalled was he that Patricia could forget the circumstance that had led them all to this bitter occasion.  Or had she forgotten?  She was the love of his life, and yet as cruel as the Devil.

As if cued by that thought, she let slip from her cuff the riding crop that she carried every day of her life, and waved it at him like casting a spell.

July 1st, 1927.  The roll-up curtains in MacCaulay Tower were still hooked down against the dusk’s orange light, though the fierce winds of lofty elevation were quickly stripping away the summer heat that had choked the office workers all day.  The great white ceiling lamps remained dark and grey; less fiery sources of light gleamed from the few desks where work continued.

Mabel lounged in an office chair, legs crossed and bouncing a shoe at the end of one foot, ginger ale in hand.  Kent leaned on the edge of a desk, nursing a small glass of coffee liqueur between exchanges, in no special hurry.

“We keep doing these rounds,” he said.  “I can’t quite fathom why you’re still at it.”

“My businesses are as much a part of the Thornblood portfolio as are your own.  Father would not have appointed one of his children to manage them if he wanted to let them die.”  She was serious, though smiling gently.

For his part, Kent was still amused with the game, like driving her mad at croquet when they were children.  “If Clayton’s will go out of business without the use of a press, why not find another?  MHP is a crucial advertising connection for at least three of the entities under my umbrella.”

“Then you understand the value of it, and why another would not do.”  She spun in the chair and rested her legs on a desk, so she could lose her sight in the orange haze of the curtains.  “Father must see some value in having us compete like this, but the very object of our competition today is something to save cost on competition.  Isn’t that—”

“Shh, just a moment, Mabe.”  Kent called to one of the clerks.  “Steven, turn up that radio.”

“Oh?”  The old man raised the volume dial, though he wasn’t sure why the broadcast was of interest.  Something about a fancy art museum party for the riche less nouveau than his own family.

Mabel asked, “The Gala?”

“It is.  How novel that we can know what our family is doing without the use of a telephone.”

The sound was tinny with painful spikes in volume.  The technology had some way to go.  —And with that, the red carpet has been rolled up, folks.  Anybody outside, well, they’re outside.  But through the magic of radio broadcast, you are inside the Gala with us tonight.

“Doesn’t feel the same to me, pal.”

“Mabel, shh.  Just give me a moment.”

—Those great families of industry and finance, the Gettys, the Fords, the Thornbloods, and more.  Ho ho, and what’s this? Seems little Marcia Thornblood has turned this photo shoot into a game of hide and seek.  The cameras won’t be catching her tonight.

Kent chuckled warmly.  “It is like we’re there.”

“No, Father saw to it that we’d be busy little beavers, wasting our youth in office towers on nights like this.”

“You’d rather be keeping an eye on the scamps?  You know if you were there tha—” he stopped himself.

—Smoke is indeed from an incident with the flash photography.  Wow!  That sure is spreading fast.  Fire has just shot up the drapes at a fantastic rate.  We’re— A clanging alarm sounded, making the broadcast impossible to hear.  Each clang violently pierced the air, and Steven quickly reached to turn the radio off.

“Don’t!” Kent shouted.

Steven was horrified, but he had no choice.  He understood the need for it, and kept the radio on, pressing hands over his ears to blunt the agony.

Without noticing they had risen, Mabel and Kent were both on their feet, staring at the radio, hoping for some relief from the mounting terror.  The clang sounded twenty more long seconds before it cut to a single even tone, then a different announcer’s voice, clearer than the first.

We apologize for the technical difficulty we just experienced, but there seems to be an emergency taking place at the Miller-Brooks Gala tonight.  We will bring you a proper report as soon as possible.  For those of you just tuning in, there seems to have been a fire at the Miller-Brooks Gala tonight, cutting off our broadcast from the event.  We will bring you a full firsthand account of these events shortly.  In other news—

“What other news?” Mabel seethed.

“Get your jacket.  We’re going.”

December 8th, 1928.  The lakehouse’s electricity was well protected, the Thornbloods personally paying to have every risky junction cleared of trees en route to the power station.  They had lights, but with the central heating already installed, nobody had seen fit to put in modern radiators.  Unless somebody was willing to shovel coal in the basement, or call a servant to do the same, most of the great house would remain winter cold.

They did not want to call a servant.  This was to be a tête-à-tête between the siblings, to settle their business conflicts once and for all.  Patricia was only there to keep Kent’s bed warm, the old-fashioned way.

The light buzzed to life in the kitchen, a false vision of warmth that could not be felt in that room.  Patricia skipped past Mabel, who moved more cautiously.

“Why so lively?”

“Just glad to be free from the damned automobile.”  She twirled, and seeing nothing of interest, her eyes came to rest on Mabel.  “How long do you suppose it will take Kent to stoke the fire?  He’s a real city boy.”  She shrugged her coat off bare shoulders.

“Please.  You won’t get me in the mood with a line that mentions his name.  Find a wine that we won’t despise, okay?”

Patricia pouted, turned to the wine rack, and hooked a bottle at random with the looped head of her crop, tugging it out of the cubby.  It nearly fell to the floor, but she snatched it out of the air deftly.

“Perfect vintage for you two,” she said.  “Sour grapes.”

“Expect a sour weekend,” Mabel said.  She went about gathering food with lifeless motion, all practicality and no art.

Patricia slid behind her like a phantom, craned her long neck to whisper in her ear.  “There’s more than one way to heat up the place, Mabel.”

“I’m here for business.  Blow.”

“Auggh!” Patricia snarled.

Mabel could hear the crop slap on the counters, over and over again, but she did not turn.

July 7th, 1927.  The Lily on the Lake basked in a mild summer heat, the light of the morning sun made a mirror of the water, and the natural beauty of the scene doubled.  Mabel and Kent stood at the end of a patio overlooking the lush tableau, drinks in hand.  The sounds of servants laboring were not loud, but it was enough to make the frogs and birds more shy than they might otherwise be.  The buzz and trill of insects accompanied the conversation.

“I keep saying it, and I can’t stop myself,” Mabel said.

“You can’t believe it’s real, I know.  It’s the Greek chorus in my mind as well.  How could they all be gone?  And here we are.”  He sipped his drink.

“If the Thornbloods were to be culled, we should all have died.  Does it mean something that we didn’t?”

“Nothing means anything.”

“Mm-hm.”

They watched the lake.  Dragonflies vied for their attention and received none.

Mabel spoke.  “We could give it all away.  So many far-flung cousins would love that.”

“I’ve thought of it, though not earnestly,” Kent said.  “It’s a shame the little ones will never see the fruit of our labors.  I suppose one or both of us should look into making heirs?”

“All children look like kindling to me now.  I can’t imagine one living to adulthood.  Strange how one’s expectations can be so inverted.”  She hung her head.

He reached a comforting hand closer along the railing.  “That’s grim, even for you, Mabe.”  He leaned down to catch her eyes.

She looked up wearily, then raised herself again.

They were close.  An embrace hung in the air, a possibility of connection, of family.  They looked into each other’s eyes, small and viperine, and they realized that whatever kinship existed between them had truly died in that fire.

They understood each other, and understood they were brother and sister no more.

December 8th, 1928.  The Twelve Point Parlour was named for the tremendous mounted head of a stag, high above the fireplace.  The points of the great beast’s head touched the ceiling, which was lower than most of the rooms on lower floors—hence easiest to heat with the fireplace.

Even so, Kent’s work had barely begun when the women arrived.  The electric chandelier’s glow was feeble, lost in the innumerable shadows of the archaic Victorian-rustic decor.  It seemed to brighten when Mabel shut the heavy velvet curtains against the white world outside.

Patricia plunked the wine down on a coffee table and lounged into the chair nearest Kent.  The crop fell across her lap.  “Dearest, must we provide all the warmth in this room?”

“I appreciate that, darling, but I’ll have this going soon enough.”  He jabbed at the smoldering logs with the poker.

Mabel set the food down, then took a seat, using her coat as a blanket.  “I think we’re all regretting the decision to leave the servants home.  I would kill for warm meat tonight, and that is surely not going to happen.”

Kent shrugged, still focused on the pitiful flames.  “Solitude has its own kind of luxury; people like you and I are rarely able to partake.”

“And yet you brought your frail filly.”

Patricia slapped the crop on her thigh for attention.  “You know I’m no frail.”

Mabel scowled but pretended no injudicious innuendo had just slipped the girl’s mouth.  “I’m sure she’ll keep you entertained, but we’re not here for pleasure.”

“We all need a little restorative now and again,” Kent said.

Patricia asked, “Who will restore you, Mabel?”

March 14th, 1928.  “Her name’s Patricia Coltheart,” Steven said, adjusting his white gloves.  “Perhaps the crop is a reference to the horse in her name.  She’s certifiable, pal.”

“But she does look remarkable.  You’d remark that, right?”

“Certainly.  I’m old, but not dead, as they say.”

“I didn’t mean to imply anything crass,” Kent said, smirking.  “But I would like to see her face more often.  Any chance she’s looking for an office job, at the executive level?”

“I doubt it, but no harm in introducing yourself.  And I say, shouldn’t you be married by now?  Courting a society girl may quell rumors, and you might get something out of it as well.”

“You’re so blunt tonight, Steven.  But convincing.  I’m convinced.”

The blue silk drapes around the ballroom sparkled with sequins, but otherwise the room was white from floor to ceiling.  The band played lively jazz and young people danced.  Kent was irked to see his sister at one of the tables across the floor, to know she’d be watching his every move.  He downed his drink and subtly sniffed a little cocaine from a trick cuff.

On the floor, he stopped a few paces from his prize with a click of the heel and a smile to express interest.  She was just dancing with a girl—a friendly thing, not too heavy to break it up.

Still, Patricia didn’t pay him much attention, until the other girl cried, “That’s Kent Thornblood!” and practically flung her at him, before dancing away.  Patricia tucked the riding crop under her arm and took short, halting steps toward him.

Kent chuckled, barely audible above the music.  “I can cut a rug too, you know.”  He took her hand and began to move.  He was a tall, powerful man, with a thick jaw and stern brow to match.  His may have been the manliest Charleston of the decade and well executed.

Aside from the mystery of her equestrian accessory, it was a conventional and coquettish courtship that evening.  In the end, she accepted an invitation to visit MacCaulay Tower.

Mabel watched it all.

March 16th, 1928.  Raindrops snaked down Kent’s office window in a mad dash.  The golden office lamp vied with the badly occluded sun for dominance and the light washed out to a dark neutral mood.  He had been leaning against his desk in a casual pose, Patricia standing before him, but he had suddenly become quite still and tense.

“This shirt.”  His shirt’s top buttons had been ripped free by a careless swipe of Patricia’s riding crop.  “This shirt cost more than everything you’ve ever worn.”

She held the offending implement behind her back with one hand and made a girlish gesture with the other.  Her dress was a common enough design for young women, but unusually funeral black.

“This shirt?”  She looped an arm around his neck, pulling so close he could feel every hot breath on his ear.  Then she gripped his collar and pulled, ripping it completely away.

Kent trembled with confused rage.

She wrapped the collar around her neck and pinched it shut, affecting a man voice.  “I’m Kent.  I do big business all day.  It’s very important.”

He pawed at his chest foolishly until he composed himself and pointed at her angrily.  “This game is all very amusing, yes, but how can I leave the building in this state?  And what they think of me, they’ll think twice as poorly of you.  You do understand how the talk works, don’t you?”

“And you worry too much about the future.”  She bounced the riding crop once more in both hands.  “Do you want to come, or don’t you?”

Kent was floored again, hands gripping the edge of his desk.  “I beg your pardon?”

Patricia cocked a hip.  “Do you desire sexual release, you starched collar?”  She underscored the insult by pointing the crop where his collar had fallen to the floor.  It still struggled to maintain the shape of a thick neck.

Kent couldn’t speak, his body trembling again, but he mouthed the words, “I do.”  His eyes were soft and fearful.

She laid the head of the crop against his exposed skin.  “Then you will do everything that I tell you to do, and you will thank me for it…”

READ THE REST HERE,

Or purchase the whole Midnight Collection e-book through Ko-fi.  A physical copy in paperback will be coming soon.  And lastly, you can just read the collection for free at the Collection’s website.

No comments on my entries to the latest edition of The Midnight Collection, OK.  Now I’m posting what I consider to be the best story from the book.  Written by Joseph Kelly, it well embodies the theme of Bitter Cold, and is just unusually well-written fiction.  How am I dating this guy?  Check it out.  My post here is going to have the start of the story with a link to where you can finish reading it on The Midnight Collection’s website.  If you love or hate the story, or love expressing your opinion even when that is “meh,” leave a comment either here or there…

THE ICE BOX

Joseph Kelly

Content Warnings:  Ableist language, Child death/endangerment, Death of loved one, Depression, Disease, Horror Content in General.

In this country, the seasons were so wonderfully distinct.  You’d never mistake the autumn woods for those in late summer or early winter, with the leaves a vibrant patchwork and the grasses a uniform gold.  The blooming swamp irises would not let you imagine it was still March, and the dense blanket of snow would stay until the first crackling, melting days of spring.  Because of this, Granddad could never forget his daughter died in early autumn.

No walks together through the crunching leaves that season, only bitter mourning indoors, the curtains closed.  She had died so quickly, along with her husband.  Their bedroom remained untouched since then, their bed still unmade from where they were lifted by nurses.  Granddad installed a lock on that door so his granddaughter wouldn’t go wandering in.  There was nothing in there but a few humble possessions, and blood-stiffened handkerchiefs.  But their memory remained.  The scent of their illness dissipated, replaced by the scent of the little imported soaps she used, shaped like flowers and seashells.  Granddad threw them in the bin with glassy eyes, then took the bin away from the house.

They had fallen ill so quickly, then died far from home, never to return.  In Granddad’s youth, his mother had died in her own bed, surrounded by family.  Now people were just cut from your life.  One final glimpse in the coffin, then gone.  It left a terrible anticipation, like they might walk through the door any moment.  That he would wake from this troubled dream, back to how things were before.

And the little one, of course, had to feel it even more.  She had never known life without her parents.  Those first few days, she would sit by the door, staring at the solid wood.  She would mumble ‘I know’ to his reminders that they were not returning.  But she kept up her ritual, even after the second trip to leave flowers on the graves.  He allowed her; what else could he do?  She gave up once the snow began to fall, closing the season and that part of their lives, killing the timid hope that curled up in their hearts.

Granddad returned to his workshop and all the usual chores when the neighbors’ kindness dried up.  No more sweet lebkuchen and warm spätzle delivered by rheumy-eyed matrons.  No offers to watch the little girl to give him a break.  She was darling, an angel, but she was still too small to be left alone while he worked all day.  Nor would he want to leave her alone.  He stayed up an entire night to move her playroom into his workshop.  She could be beside him as he worked, her squeaks and shouts no longer an annoyance, but a comfort.

Long ago, he had climbed on roofs and repaired broken pipes, but now his work had to be seated.  And once, he had considered himself retired, doing his tinkering as a mere hobby to keep himself occupied.  Now it was a livelihood with his children gone.  He built and repaired tools for the neighbors.  Maybe they just paid him out of pity, though his work truly was well-crafted.  Too well-crafted, perhaps.  Once he built a hammer, it would last a lifetime—why buy a second one?  The men would mumble about giving it to a relative, goaded on by their soft-hearted wives.

He asked around the village whether someone might like a dollhouse for a little girl.  A rocking horse?  Some sturdy wooden blocks?  But children preferred toys from the fancy shop in town, not the outdated creations of an old man.  So he took his tools and his granddaughter out to neighbor’s houses to repair their attic steps, and nail down new baseboards to keep the mice out.

One afternoon, the two of them arrived to the Bürgermeister’s daughter’s house.  Her expensive ice box had broken, and it seemed a waste to purchase a new one, though they could surely afford it.  These days, a man came around to sell blocks of ice, a convenience compared to venturing out into the ice caverns to chip some off yourself.  All the middle-class families wanted their own ice box now.

A putrid smell hung in the air, and the windows of the fine estate gaped open.  The lady of the house rushed out to meet them.

“Forgive the smell.  The goose rotted.  That’s how we knew…”

Inside, the icebox lay on its side in a pile of wet rags.  The delicately carved trim looked so extravagant, but he could see the cracks in the joints, the sloppily joined seams.  The lady fetched him a stool, and he sat with a quiet grunt of pain.  Looking closer, he found the drainage hole—so roughly cut it was half clogged with splinters.  He puzzled over it, tapping with the hammer, seeing what had gone so wrong.  There was no point fixing it, the wood inside being so cheap and splintered.

“It’s such a shame,” the lady said, bouncing his granddaughter on her knee.  “So much money.”

“It’s a simple design,” Granddad said.  “One could make something like this out of an old cabinet.  They put too much effort on the exterior.”

The woman’s eyes brightened.  “You can make anything, can’t you?  I bet you could make one for half the cost?”

He thought to scoff, but there really couldn’t be much to it.

That evening, he rocked in his chair, a notebook on his lap.  He twirled his pen, pondering the design.  He didn’t have a factory or specialty tools, but if he could build a cupboard, why couldn’t he build this?  His granddaughter sneezed as she stacked her blocks, and he rushed over to fuss with her.  Her little hands were pink and cold.  It had grown a bit chilly, hadn’t it?

He spent long hours, and had to purchase ice from that smarmy city-man to test it, but he developed a prototype.  He could store soup for days, keep the leftover bits of dinner he usually fed to the garden.  But an old man and a tiny girl didn’t eat much, and leftovers wouldn’t keep their stove burning all winter.

As much as he hated to, he invited the grannies and aunties to the house, let them chatter away and poke and squeeze his granddaughter.  They marveled at his design as he showed them how clean it was, how easy to change out the old water, how much longer their ice would last.  There were two orders by the end of the night.

It was hard work, and he wished he’d come up with the idea years earlier, before arthritis stiffened his hands, back when he had the energy to saw and hammer and move bulky furniture.  He had no means to cart the things around, so he would have to assemble them in the neighbors’ houses.

His granddaughter had been whining for him to play with her, wanting him to sit his creaky body on the floor and watch her move her dollies around.  He would have loved to, but he only had so many wakeful hours in the day, and they needed to eat, to stay warm.  One evening he found her twirling a dolly with a strangely patterned dress—white, splotched with dark brown flowers: a bloody kerchief.

He took it from her as she cried.  The forbidden bedroom door gaped open, his step stool dragged close for little hands to reach the knob.  She had learned to open the lock.

There was no putting it off now.  He gathered up the old possessions, took the dirty linens to the trash, sold the costume jewelry for a pittance.  The room was empty, save for the bare bed, and the chair he’d sat on as he cared for them.  All traces of them were gone, besides a few trinkets he kept in a drawer with a sturdier lock.  It was like another death.

Snow filled in the yard, and now he had to bundle up the little girl if she wanted to follow him as he worked.  She kept losing her mittens, and he’d hunt around to find them abandoned on a snow drift.  He scolded her, said her fingers would turn black and fall off if she wasn’t careful.  His own fingers were a bit precarious too, with clumsy mistakes of his hammer and weary work with the saw.

The neighbors sent their young sons to help deliver the bulky wood and heavy tools.  The young men would scoff and snort at his attempts at conversation, rushing ahead with their long legs to leave him shuffling behind.  His granddaughter had become just as sullen as those young men, too fussy to come with him to his work.  No matter how he explained, she could not accept his long hours away as important for their survival.  But she was big enough now to stay alone, wasn’t she?  She was a big girl who could play with her toys while he was gone for just a couple hours.

One evening he returned late, the moon gleaming on the thick snow.  He was longing for nothing more than a soak in the bathtub.  The gate was parted.  He approached, dumbly fussing with the latch, mystified.  Had he left it open in his rush?  The terrible realization dawned on him, and he didn’t even stop to look inside the house.

He dashed around as quickly as he could with his stiff knees, crying out her name.  The snow was falling fast, but he could still catch traces of footprints leading out of the yard.  The way he’d come, his heavy boots stomping over them without even noticing.

He prayed it was just her coat lying in that snow bank, but he knew.  Her shoe had gotten stuck on a tree root, and it hadn’t occurred to the poor thing to just pull it off.  He shook at her, pawed at her frozen white face.  Her eyes were closed, frost matting the lashes.  No pink in her lips, her cheeks.  She’d kept her mittens on for once.

He rushed back home with her in his arms, mind spinning.  How?  How?  He had locked the gate, he was sure of it.  And how had she gotten outside at all?

The front door was unlatched too, a little chair pushed against it to reach the knob.  He laid her in front of the fire, shuddering.  He fell to his old knees, grimacing with the pain as he lay his ear against her chest.  Listen, listen… listen for anything over the creak of the old wood, of the crackling of the ice outside, of the drip-drip of the coming spring thaw.  Anything, a mouse’s peep, the tiniest flutter… No breath came from her blue lips.  He lifted one of her eyelids and revealed the pale, lifeless eye.

They would come take her.  Not even to the hospital—straight to the little box they’d bury her in.  He might not survive to see that moment; his old heart threatened to pound itself to death.  The fire burned beside them, melting the flakes in her lashes.  He gazed at her, imagining the chill blue fading from her face.  What would be left then?  A goose, left to spoil?

He bundled her in his arms.  He couldn’t let them take her from him.  She was all he had, and all he could ever hope to have again.  He stumbled out into the snow and laid her in a soft drift.  Spring was coming, and everything would melt.

There was still wood in the shop, enough for another cabinet, at least a small one.  He hauled the boards out into the yard and got to work.  His body screamed for rest but he couldn’t leave her out in the open that way, out with pecking birds and scuttling insects.

It was enough.  He could refine the seams later, make sure not even the tiniest insect could crawl inside.  His heart kept hoping that she would waken, that she would cover her ears and wail about Opa making such a racket with his hammer.  But she was still as a doll, even as he laid her in the little box, and tucked her in with handfuls of snow.  A puffy white comforter for her rest.

He kept the box close to the house and stayed in his freezing workshop, scribbling out plans.  A stupid old man could figure out an icebox, but what was he hoping to invent now?  An icebox where the ice never melted?  And what then, if he could even manage it?  Keep her sad little body forever, locked away like a trinket in a drawer?  He wept into his hands between his fits of labor.

The next morning, a knock to his door woke him in a startled fit.  That damned ice-man was back, bragging about his wares.  You could preserve a goose for a month with this…  Selling ice in the dead of winter!  Granddad rebuffed him and stalked back to his workshop.  But a thought began to turn in his mind.  The ice cavern was cold the whole year, especially the deeper you went…

READ THE REST HERE,

Or purchase the whole Midnight Collection e-book through Ko-fi.  A physical copy in paperback will be coming soon.  And lastly, you can just read the collection for free at the Collection’s website.

Already?  Yeah, we meant for these to be kinda quarterly and it’s been less than three months.  But if you’re doing dark fiction, you gotta have a Halloween issue.  And xmas is in the works as we speak, haha.  So.  What the hell am I talking about?  My man Joseph Kelly has published the second volume of The Midnight Collection, a compilation of dark fiction I’ve previously mentioned.  You have a few options on how to read it – and one is completely gratis. I’ll explain that later.

This second installment is themed “Dark Harvest.”  This is basically done without profit at this point.  I’m just pimping it because I’m a contributor, and I’d love to hear what you think of my writing.  Although I am really curious what reviewers, casual or serious, will think of all the stories.

This is a truly unusual collection. Despite the uniting theme, it’s as diverse as the members of our secret cabal of writers. There’s poetry, comedy, gay representation, and dark fiction ranging from traditional ’80s style horror to fantasy to sci-fi.  Overall this volume leans toward standard horror, as befits the season.  Some of the writers are more conventional, some rather unusual.  A little tour of the table of contents:

THE LITTLE LAMB – Kate Bledsoe
A new author for this collection, with big heart.  Also, a grisly monster.  So grisly.  The editor chose the order for the stories and there’s a reason this one leads off.  A good energy for getting into the horror zone.

BLEEDING FIELDS – Emily Socia
As I said, this volume leans more to standard style horror fiction, and this is a stalwart entry.  Film is a very powerful medium for horror, but there are at least a few advantages to the written word.  The subject is much like a horror TV show, but you can feel the experience here in a different way.  Another new author for us.

THE BRUSSELS SPROUT – Indea Leslie
The treacherous vegetable from Belgium has its day.  The author is a personal friend of mine.

CHRYSANTHEMUM, UNTITLED IN DEATH, COMPROMISE – J. Lynnell
A fellow they/them goes off with three poems in the Dark Harvest.  A bumper crop, if you will.

THE COLDSTREAM THRESHER – Jordan Goode
So far every author in the book is new to the Collection, and mostly new to publishing.  The brisk pace of the stories slows to illustrate a deep and bitter feeling.  Emotional, dark, and amusingly blasé about its core horror conceit.

ROOTBOUND, HARVEST TIME – Joseph Kelly
My lovin’ man has a more low key story here than previously.  This world has a lived-in feeling.  No detail is unrealized.  But what story does this prose serve?  Might not be what you expect going in.  That’s all in Rootbound; Harvest Time shows up much later in the book with a jovial contemporary tone.  Or is it retro?  Depends on how old you are.  It’s a good time.

NOST’S SONG – Damian Golfinopoulos
Mr. Golfinopoulos is back with another troubled heroine facing rugged elements and rugged humanity.  But this story has a different sort of depth from his last one.  And a different element.  Ezekiel Drift was cold as hell, this one has intense wet heat.

LA ISLA DE LAS MUÑECAS, MAIZE – Saoirse Aimhirghin
Another new author for us, with two entries that couldn’t be more different – much like how I did in the first volume.  La Isla is nonfiction about an interesting place in Ciudad de México, and Maize has a hazy dream devolve into splatterpunk doom.  With cornpone corn puns.

THE PUMPKIN SPICE – Bébé Mélange
Didn’t like Diana’s job interview in Supply Chain Banditos?  Neither did the employer, so she’s back for another interview.  I think I did a better job this time, but we’ll see.

SHEEPDOG – B.M. Kerchner
This starts in a similar territory to The Little Lamb, but quickly lets you know this is an even crueler universe.  Remember what death smells like.

POTATOES O’BRIEN – Brett Elijah Shelton
My brother is back to fuck shit up.  Remember to chew your food, bitches.

BE STILL, MY HEART – Lydia Moody
Lydia Moody returns with splatterpunk, this one much less cozy than the last.  But if you ever wanted to read a story with the spirit of Peter Jackson’s Braindead (Dead Alive to us yanks), this is your dog.

SAMHAIN WALTZ – Dominique Palma
We had an Alaskan with an Irish handle writing about Mexico City, now an author from the place itself.  Palma’s subject matter is, I think, inspired by the horror writing of Southern Europe, and the story is set in Spain.  I’m really glad we had her in the mix, bringing a different perspective.  The story is fun, too.

AKIKO: TALE OF THE AUTUMN BRIDE – Annie K. Su
The last proper entry of the book brings back the big heart.  Set in a fictionalized and magical Japan, this one struck me more than once with its spirit.  Hard to say what I mean without spoiling it, so I won’t.

EASY GO – Caesar Train Magenta
You might recognize this author’s name from here.  This volume, like the first, is brought to a close in Rod Serling style monologue.

HOW DO I READ THE MIDNIGHT COLLECTION?

The way that results in the most direct support for future volumes is through Ko-fi.  For a minimum three dollar donation, you can download the e-book in formats that work with most e-readers.  The best way to view the interior illustrations, and have a nice artifact for your bookshelf, is by purchasing the paperback through Lulu.  You might be able to purchase it through other sites soon, but I’m a little unclear on how or if that’s going to happen.  And lastly, as promised, you can just read it for free at the Collection’s website.

There are a few original works of art by the authors (nice!) but most of the illustrations are lovingly curated from public domain resources, like the picture to the right here.  Some version of some of the illustrations are available on the website, more in the e-book, but yes, the best way to appreciate them is a hard copy.

I’d love to see reviews, either of the whole package or individual stories.  For lowest effort you can drop some general thoughts in the comments below this article.  You can also leave comments on the individual stories at the Midnight Collection’s site.  And of course, you can review it wherever it is available for purchase.  Thanks!

Note:  I’m given to understand some non-USA people can’t use a card to purchase it through ko-fi, but if somebody specifically requests to make it available through Amazon, we’ll look into it.

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PS:  I mentioned before I’m going to release my first novel soon.  Plans fell through, as they will, but if you follow this blog, you’ll be the first to know when my own long form stuff goes live.