Road Rage I

Content Warnings:  It’s horror.  Whatever.

CHUNK ONE__

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Dan Kowal had once been a reasonable man – of this he was certain, though he could not remember that time and never noticed that he could not remember it.  The world was unreasonable, so fuck the world, he’d give it back what it had given him, every day in every way.  He emerged from sleep like a poison womb, immediately forgetting sleep, immediately remembering waking life, and howling obscenities at the air he was cursed to breathe.

Thrashing limbs burst from the pool of grey grease, gripped the frame of rotting cotton and wire, jerked him upright.  Slimy pale feet on the corroded hardwood, its texture nearly as weak and pliant as cork.  He knew that he had a bitch of a wife and snot-nosed kids, but they must have left him.  The bed could not hold two people.  Probably he was paying alimony, but he couldn’t remember the details, just that everything in his life was a complete fuckjob.  No sense of working toward a future when that would end – when his dues would be paid – he was only aware of the raw present.  Gotta fucking go.

The TV crackled and hummed and nattered with solicitous tones and hammering irregular beats.  Dan didn’t pay it any attention, didn’t regard it as part of his daily torment, although it was.

In the rusty bathroom mirror, time to shave.  He looked like he hadn’t shaved in a month, but he must have shaved yesterday.  Whatever.  A more pressing issue was the broken cheekbone, the unmoored segment twisted to create a flat stretch below his eye – a depression into which that eye sagged, leaving his vision blurry.  Fuck that shit!  He couldn’t afford to take time off for medical care.  Not now.  He felt for the outer edge of it and tried to get a grip, so he could shove it back into place.  Damn slippery skin.

Was there a little hole in that skin?  Yes, there was.  Like an entry wound from a bullet.  But that would mean a huge hole in the back of his skull, and that wasn’t possible.  He did dimly recall being shot by some asswipe.  See if that happens again, you rat fuck.

The muscles and tendons of his face had a preferred shape, and when he managed to wedge the bone fragment back into its original position, they finished the work, propping his eyeball – but goddamn it hurt.  He steadied himself with a palm splayed on the wall, clenching and unclenching the other hand in a fist.  When his focus returned, shaving.

He couldn’t remember shopping but he always had a little cream left.  Some kind of shitty gel type, probably his wife’s fault.  Blue slime joined the grey slime in his beard and frothed into something like the shit that comes out of slugs when you pick them up.  The razor was shitty but who has the time to replace them?  It ripped out hairs as much as it cut them.  The mess it left in the drain looked like somebody had punched a rodent to death and emptied a grease trap over the remains.  The heat in the shower could close the nicks, right?

The shower was just a standing stall hemmed in with soap-stained textured plexiglass.  It took all his self-control not to shatter the glass, just for the satisfaction of breaking something.  The water had to be hot as hell to cut the oil of his shitty life, doing more of the work than the thin suds from his bar of soap and threadbare rag.  He wanted to pull all of his skin off, but resisted.  Again, he had to get to work.  Self-destruction now would just mean having to talk to his boss about shit.

Back in the living room, just long enough to put on his clothes.  The TV was always on, day and night, and always alternating between advertisements and traffic reports.  Rush hour never really begins or ends, does it?  Because some fuck is always trying to be smart and skip the rush by going in early, or was working some other bizarre shift, so the report was always relevant.  He lucked out that the tube was between commercials so he could get the bad news.

“Highways 51 and 96, and Interstate 183 are all congested with multiple ongoing collisions.”  Xaviera Holland was the ethnically ambiguous peroxide blonde rattling off the details like a machine churning out ticker tape of meaningless codes.  “Tensions have erupted into gun violence by the Nelson Street Turnpike with four policemen and twenty commuters dead.  Most of the gas stations on the Third Avenue Corridor are in flames.  Authorities advise caution on all roads within city limits, and in the suburbs except for Diamond, Horace, Ballinger, and Cypress Row.  In those areas traffic is sluggish but there are presently no collisions.  Correction, a truck has spilled burning chemicals in the northeast corner of Horace, where they have broken through the retaining wall and are currently flooding the blocks between 144th and Flagston.”

Whenever she mentioned something that was inconvenient to Dan, he pictured her body being ripped apart.  Or was it his imagination?  Was she actually split open like a biology class frog, organs all spread out on t-pins, and then immediately not?  The screen was full of digital artifacts and blotches of LCD bleed.  Maybe he had no imagination left and the TV was just obliging his rage, like the way it was always so easy to find bullets in a pinch.

It meant little to him, just one more thing adding to the anger he felt every moment of his life.  As the TV cut to commercials, he headed to the kitchen for breakfast.  He’d skip it if he could, but the commute could take every last thing out of you, if you weren’t ready for it.  In the background, the voice-over was so meaningless, easy to ignore except as a mounting static inside his body.

Again, Dan didn’t remember getting groceries, but the usual shit was in the cupboards and the fridge.  Maybe his bitch wife had just left a few days ago.  Who cares?  Throw a bowl on the table.  Pour cereal out of a cardboard box.  It was all plastic, glass, and wire these days.  Probably meant to be toys for fucking kids, so much that it didn’t leave room for flakes and freeze-dried fruit and marshmallows.  He poured the milk into the bowl, and it was all sludgy motor oil.  Probably just a scheme to adulterate the milk with something cheaper that got out of hand, but hey, not like he had anything else.  Something wasn’t going down.  Steel wool?  He yarded it out of his throat with angry fingers, and got to work on the rest.

No garage.  Can’t afford it because of the alimony, maybe.  He slammed the door behind him and it sagged from the hinges.  No need to lock it.  He had nothing anyone wanted, and if he found someone in there, he’d probably just kill them.  The cops didn’t care.  Nobody cared.

Another day in paradise.  Smog kept the sky a permanent rust haze, a low ceiling for the world that helped keep the idea of heaven at bay.  There could be nothing above that bloody miasma.  Helicopters sluggishly cut wakes in the lower reaches of it, doing who knows what for hell knows why.  All grass was dead, all wood blistered, all concrete stained.  Cars, trucks, SUVs, hatchbacks, station wagons, minivans, and commercial vehicles rolled by in a stuttering parade, five to ten miles per hour – the best they could hope for, without shit getting violent.  Not that anyone had any hesitation about that, but they had to save it for later, if they were going to have any shot of getting to work.

All the cars on the curb were crammed together so tight their bumpers were flattened.  The first person to get their car out would loosen the squeeze for the others, but it was a lot of effort, and nobody wanted to be it.  Dan was mad enough to just plow ahead, kicking at his car until it bulged free enough to try the wheels.  The car in front of him lost a tail light in the commotion.

Dan Carson crossed his lawn with aggressive strides, stopping only to rip a fence picket out of the ground as an improvised weapon.  “The fuck did you just do to my car, neighbor?”

Dan Kowal wheeled around and walked straight up to him, chest puffed.  Carson reflexively lashed out with the picket, smashing it across Kowal’s shoulder.  Blood welled beneath his sleeve, but he didn’t flinch.

Kowal said, “Maybe you shouldna parked so fucking close, neighbor.  Didja think about that?”

“Fuck you, pal.  If my insurance goes up one solitary penny a month, I’ll wipe my ass with your face and use your fuckin’ skull for a mailbox.”

“And fuck you very much as well, Carson.  We’ll see whose fuckin’ mug ends up in the sewer when we get off work, right?  Or am I the only man in this motherfucking city with a goddamned job?”

“If I didn’t have to be at work in a half hour, we’d find out right now.”

“The feeling is mutual, friendo.  Have a nice fucking day.” He saluted him and stomped back to his olive green honda civic, almost ripping the door off the hinges.  It didn’t close all the way, already deformed by his efforts at dislodging the car, but that didn’t matter.  Nothing mattered except the commute.

Dan Carson watched him go, momentarily entranced by the cracks in the back of Kowal’s skull, who knows what kind of connective tissue the only thing holding his brain in place.  Biting back the desire to pull the cracks open, just to see what it looked like.

Kowal started his car, and was shortly ramming it back and forth between Carson’s datsun and Susan Washington’s chevy S-10, each impact getting him closer to the freedom to drive away – such as that freedom was.  Carson fumed and ripped open the door to his car, getting inside just to get to the glove box, and his big revolver.  The jolts from repeated impacts made it hard to get the weapon free, but he finally did, gripping the handle so tight, using the gun in lieu of a free hand to brace himself, to shove himself back out onto the sidewalk.

He walked out into traffic behind Kowal as he started to pull away, only to get jerked to the asphalt by a tire bearing down on his heel.  It was a low-speed vehicular manslaughter, dragging him slowly under an F-150, breaking one bone at a time until Carson stopped moving.  By the time that had happened, he’d emptied his revolver into anything and nothing, just more noise in a city of traffic, gunshots, and screams.

You could jockey for side roads, but it was always a crap shoot.  Most days you just joined the line.  People who had to be at work by nine left as early as two, three in the morning.  Timid types with darting movements and heads on swivels.  Cowards.  Most joined the river of metal around five.  Both sides of the highway had motherfuckers driving the same direction, whatever the laws.  Anybody unlucky enough to be coming home from a graveyard shift had to swim against that current.  The only real risk to driving on the wrong side of the road was a police riot, but Dan thought it was worthwhile.  Most days you didn’t get shot.

Highway 96, driving on the left side of the median, jockeying for position, bullying graveyard shift off the busiest lanes.  Powering through drifts of splintered steel, composite fiber, safety glass, bone, blood.  Near the Wasteyards a pileup had been driven over enough times to wear down to a crude metal ramp in the road, too easy to rip a tire on, but what could you do?  Somehow he got over the hump with all tires intact.

At the offramp downtown the cops didn’t even bother moving their vehicles from the traps.  Armored personnel carriers with roof-mounted machinegun turrets had been parked there so long the tires melted.  The armored men in those turrets were as withered as burnt turkey, where their flesh was still visible through the dust and kevlar.  Did arms and legs move the pedals and levers of the turrets, did fingers pull the triggers, or were the machines pushing the dead bones around?  They fired with perfect efficiency, keeping traffic moving by blasting obstructions to passable smithereens.

If moving is what you call that.  Every day every single commuter that passed that gauntlet had to imagine getting out and walking, just leaving the car and walking to work.  Just do it.  Just go.  By christ it would be faster.  So much faster.  But nobody ever caved to that temptation, because of the principle of the thing.  They made their goddamned car payments, they paid for gas, why should they have to walk?  Fuck that shit.  Better to sit there, blood boiling, grinding against each other, staring at the drivers around you in mutual hostility, frustrated bloodlust.  If you can just get there, just get past the turrets, just get around the corner, they’d know.

They would get around that corner.  The first block was demolition derby, with smashed cars and bodies everywhere, the first floor lobbies of every business blasted out and strewn with wreckage.  The sense of freedom from the watchful eye of the law was celebrated with violence.  Dan didn’t reach for his gun because he wanted maximum speed, instead using his honda as a weapon.  He was rewarded with punctuality.  Less than two hours late for work meant less grief from the boss, right?

Nobody was ever to work on time, except management, who seemed to grow out of the walls like mushrooms when no one was looking.  The only reason there was adequate parking was that a good chunk of the employees didn’t survive the commute, but that meant everyone who did show up was doing more than their fair share of work.  And yet it wasn’t really appreciated, was it?  Surviving, showing up, you were still griped at.  But most were over three hours late, barely getting any work in before having to punch out and hit the streets again.

Dan got into the elevator with Rebecca Tranh.  She was holding her side, blood soaking her blouse, but she straightened up when she saw him.  Don’t show weakness, understood.  They didn’t say anything as the elevator lurched through the building.  She was especially tight-lipped, nostril flaring with labored breathing.  He knew the feeling – forcibly holding the nostril open to make the rasp of your suffering quieter.

He didn’t slip in her blood stepping out on their floor.  The day was going exceptionally well.  Yellow mayonnaise light buzzed from the ceilings between drop tiles encrusted with reddish dust.  They punched their time cards at the thick dull metal clock and went straight to their cubicles.  Chipping beige shellacked metal wrapped with cracking beige polyurethane, spongy yellow innards visible through the wounds.  The desks were too covered with continuous feed paper to see the wood, the computers and office machines beige inside beige over beige.

Sticky notes along the top of the CRT should have said where he left off the day before, but looked like they’d bleached invisible in years of sunlight.  There was only enough of a ghost left to tempt one to read, to tease one into frustration.  He ripped one in half from surprise, when the Team Manager Ross Sparinger wrapped its talons around the edge of the cubicle and peered inside.

“Daniel, I see you’re late.”

“I’m earlier than everyone else.”  He tried not to look at the being, focused on the paper scraps in his hands.

“Daniel, Daniel, Daniel.  That is obviously untrue, and you’re already escalating the temperature of this exchange.  It’s the kind of problem that gets people let go, mm?”  Sparinger was an exceptionally clean suit containing something dark red, with sharp black bits at the extremities.  To see its face was to look fully upon one’s self, which was the last thing anyone needed.

“OK, alright.  Please finish your piece so I can get to this work.  I need to…  I need to…”  Something complex enough to verge on meaningless.  Or meaningless in a way that made it look more complex than it was.

“This is for your own benefit.  As much as you need to do that work, you need to know these things as well.  It is really important for every single person in this office to be here when they are supposed to be here.  Staffing is a cost and the company can only remain profitable by reducing costs as much as possible.  We are already operating on a razor’s edge, Daniel.  A razor’s edge.”

Sweat dripped around Daniel’s head, coursed over pounding veins in his neck.  “What can I do to help you with that, Ross?”

A manila folder joined the stack of work covering his desk.  Sparinger said, “These are the reports Benjamin and Thomas were meant to input today.  Get it done by close of business, Daniel.  And your own work as well.  We can’t miss a dot this quarter.”

“I’ll try.”

“And best succeed.”  The thing slipped away, leaving Dan with his usual impossible amount of work.

If he could just remember how to do it.  The notes he’d made to himself were all so faded.  Nothing made sense.  He was going to be fired and end up a bum, like those rat pedestrians.  Until that happened, he had to keep trying.  Better dead than a bum.  A non-driver.

The new printed material helped.  He was able to decipher how it related to the programs on his computer, and start doing the inputs.  But what about his own work?  What had he even been doing?  As soon as he got into a data entry groove enough to free his mind to start wondering, the new work got to be more complicated.  There was no place to enter the data from some columns, and every sixth entry in the BIF column exceeded the character limit.  Rounding would be a problem.  Can’t miss a dot.

Dan tied himself in knots and broke down repeatedly, shuddering and fumbling at nothing, grinding his teeth.  But five o’clock was coming and he couldn’t be late out the door.  You did not want to be that guy, late off the jump, unable to get home before two AM.  His anger at being threatened, and at the possibility he’d get fired for only being the most productive worker in the building that day, finally broke through the stress and convinced him to half-ass the inputs.

At last, he was rushing to the elevator.  He punched the clock and stepped over Rebecca’s corpse, ignoring the way it seemed to be twitching and dissolving into the floor, and descended the shaft.  Work remained in his head and in his hands, just a poison to make him that much more insane on the way home.  He could sense his car, like a dreamer returning to their body.  He ignored the way Rebecca’s car was twitching and disintegrating into the concrete, pieces of frame moving like the legs of a dying spider.

There was no sense of relief in getting behind the wheel, just a sense that motion could resume after a seemingly endless red light.  It wasn’t happiness, and in fact, just set him on a path to a new release of anger.  His feet touched the pedals and he felt the argument with Dan Carson, heard his gunshots, anticipated what he’d do to that face when he saw it again.  He touched the gearshift and thought about everyone who had cut him off, had come too close, had clipped the paint, had dared to shoot at his car along the way in – how much he wanted to make them all pay.  He jammed his key in the ignition and turned, felt the impossible work task, the threat against his livelihood and by extension his life, the impossibility of facing the creatures that kept him in this state, and he wanted to destroy himself for his own cowardice.  He pulled out, knowing he didn’t care if he lived or died on the way home, as long as he could hurt people.

Pedestrians were rare on the street.  Something about them was just so killable, it was hard to resist the urge.  And what would it matter?  Taking the time to roll up on the sidewalk and do the deed, you might lose your place in line, might mess up your car, might be seen by a cop who would punish you…  Still, tempting enough to just do it, sometimes.  This was surely why they were so rare.

You could tell the difference between pedestrians and temporarily embarrassed drivers.  They were both full of fear, but the fear was visibly different.  Drivers were miserable, grey, yarded out things, ready to pivot to murderous rage at the drop of a pin.  Pedestrians were like rats and pigeons, just timid animals quivering and darting from shadow to shadow.  Maybe it was the spark of life in them, that you could see they had something left to lose, that fueled the murder impulse.  Dan didn’t care which because he so rarely saw them at a close enough range or opportune moment to act on it.

The cars were bumper to bumper on Ennis, which was the closest thing to a reasonable alternate route to the on-ramp for 96.  The sun was disappearing, though hard to tell through the smog and the buildings which direction.  It was just a gradual draining of natural light, before it would be replaced by equally yellow streetlamps.  The lamps didn’t turn on quite soon enough to make it work, making the dusk a great reminder of how much time you were losing to the jerks in front of you.  Deep charcoal grey shadows and muddier middle tones cut up the sidewalks and alleys.

For the first time in ages, Dan saw one.  Unbelievable!  Her skin was so dark she was nearly invisible in the shadows, and it was only chance that his eyes had fallen upon her.  She leaned against a wall, head darting back and forth, hoping for what?  Racist slurs came to his lips, though the only slur that held any meaning in his heart these days was “pedestrian.”  He’d lose his place in line, but it would be worth it.

He revved the engine for a burst of speed, drawing her attention, but he played it off like he wasn’t paying attention to her.  Important for her to not notice he was targeting her until it was too late to dodge.  Suddenly a car somewhere up the road distracted her, and he didn’t care why.  It was the opening he needed to gun it.

What was that movement out of the corner of his eye, as he jumped the curb, a hubcap rolling free?  Another pedestrian?  A two for one deal?  She was dead meat, at least.  Suddenly, he was robbed!  The woman flew out of the way, and a white man landed on his hood, bouncing around on Dan’s front end as it crunched and ground against the brick wall.  Motherfucker was like popcorn, bouncing away from serious injury at every moment, then falling out of sight.

Dan reversed, his car’s maneuverability as warped as its frame, but came free of the wall.  The man stood as he passed, and a moment later was in front of him again.  No way I can accelerate faster than he can dodge now.  He punched open the glovebox and reached inside for his gun.

Through the jagged frame of the blown out windshield, the young guy looked square at him with the most alien expression –  something he’d only ever seen in advertisements – a smile.  Then he shot Dan twice in the face.

Dreaming is the reliving of waking, of practicing the path you walk in the light of day.  Daniel Kowal’s brain began again, each reborn part adding substance to that dream, to the pain and rage that could never end.  His womb was steel springs and rotten tufts of cotton and hay, suspended in a vat of grease – an amniotic substance somewhere between the oil of engines and of human skin, continuous with the wombs of every soul that had not survived the previous day’s damnation.  His flesh was knit from horror and pain, from animal aggression that could never be allowed to stay dead.

He woke again, screaming obscenities, flailing free of the oily mattress.  Sun would not rise for hours but his alarm clock would go off in seconds.  Another day another motherfucking dollar, Danny Boy.

Roadrageous Character Contemplations

CRIKEY.  I started this article ages ago.  Anyway, it’s time…  Spoilers if you’re going to read Road Rage, anyway.

Been having an emotionally ruff time meatspacewise, not feeling too inspired.  But stay thy tongues, those who say we must bide our times until all is in readiness, that we must take it easy on ourselves.  There is a time and place for that, and this is not that day.  I am also feeling that press, that vibe that tomorrow is not guaranteed, and I want to have done as much as possible before I go.  (edit to add 😭)

So I force myself to think about the story I’m going to try to write in July.  Even tho the action is more GTA / The Transporter, the most direct inspiration is the Resident Evil IV remake that came out a few years ago.  I didn’t play it.  Frankly I’m no gamer and the play looked wearying to me.  Too many shots to take out those zombies.

But watching other people play it was a good time.  It probably helped that the action hero saving the girl was really nice to her, and their chaste relationship was kinda moving?  I hear tell the original didn’t hit those notes as well.  That’s not what inspired me the most, however.

RE4 Remake made the transition between main game play and segments with the merchant or the shooting gallery minigame seamless, which added a surreal element.  One minute you’re saving the president’s daughter from endless armies of monsters, the next you’re trading loot with an amiable cockney, or shooting at wooden pirates while the first daughter cheers you on.  How the hell did the merchant get to the secret island covered in machine gun turrets and lasers?  Why is Ashley so chill with Leon taking time out to play games when they’re both dying from zombie worm infestation?

And for me, could this be used in a novel?  What if a novel had minigames and cheerful NPCs in the depths of hell?  There have been movies that incorporated video game ideas, the most notable being Hardcore Henry.  Is a novel getting too far removed from the audio-visual media to make this work?

Nothing ventured, nothing gained.  So I’ll be trying to think through this venture in blog posts, like I did with Foothill Project.  Goddamn that one had a lot of work for something without a single draft.  This should be much simpler, but in a sense, more baroque things can get a pass for any one element being weak, so there’s more pressure for this to be tight as fuck, in its finished form.  Right?

I’ll talk about characters here.  It’s easy for me to get a visual of a character and just act out how I’d expect someone to act who looks like that.  Inherently superficial.  Or do one note characters, like almost everyone in Centennial Hills.  There’s an idea characters should change over time, that this is essential for main characters.  Tho I feel that’s not always needed – the maxim is overstated – it would probably make them more interesting to experience.  How can I make my cardboard cutouts feel more deep?  How can they evolve?

Leon Kennedy was fun, but completely unreasonable.  Nobody is built like that without devoting their life to bodybuilding.  That seems gay to me, which is cool, love the shirtless mod, but my mental image of an action hero is a lil more Bruce Willis than Jean-Claude.  My guy has enough muscles to do some parkour and carry some bullets.  Also less of a tool than Kennedy, who had that soldier fetish nonsense going on.

Thurston, no last name, because people remember their first names when they spawn in Hell but not the last.  Doesn’t remember life but did show up with some talent for “extreme” sport, hinting at his carefree and casual former life.  Learned quickly you have to be brave to help the people survive, and learned how to use guns and drive aggressively from his mentor Hard John.  The other risk is getting too angry.  If a heroic type gets genuinely furious during the endless violence, they might transform into a road rage demon.  In this task – staying peaceful at heart – Thurston is a natural.

How can he change over time?  The plot outline I had concludes (big spoiler) with him transcending the video game mechanics neo-style.  Not 100% decided on what that means, but mostly there.  But what about an emotional journey?  Or is a spiritual journey enough?  Nay.  Should be some emotions in it all.  I have him doing bisexual romantical stuff a lil bit…  idk.

Dejah arrives in hell with panic, runs out into traffic.  After respawning where she began that misadventure, she tries to play it cool, and learn how to live with this new circumstance.  Would she have any thoughts on escaping to heaven?  Returning to Earth?  She might not be the main character, but she is the closest to the reader’s life experience.  I should play that up, maybe.

I think in my original outline she only dies once.  (I could double back on previous article to be sure but this is annoying enough to write as is.)  Anyway, it would be more exciting if she gets close to three, but still feels the need to risk losing her last life.  The culmination of a journey from total terror to total courage.

Ralph is my Luis stand-in, but how is he distinguished?  I never watched Midnight Cowboy but clearly I picked up a lot of Ratso Rizzo from cultural osmosis, picturing that a lot.  Young Hoffman and young Pacino had similar vibes going on, but of the two, Pacino was sexier.  He aged worse, boy howdy, but that’s allowed in life.  I’m just thinking about that young guy here…

Irrelevant sidebar here, I saw that Viggo Aragorn Mortensen was in Carlito’s Way, playing a pathetic loser who ends up wearing a wire and melting down in front of our mans.  It’s funny to think, in storytelling conventions, main characters are allowed dignity, and anyone else can end up supremely humiliated.  After he got to play the king, no more humiliations.

Thinking about movie humiliations, the king of that has to be Sean Bean in Ronin.  U kno tf I’m talkin’ about, omg.  In those yt compilations of times Sean Bean died in movies, they should include that one.  He didn’t die, but his character was assassinated.

That got me considering that the embarrassing loser is a fun thing to have in a story.  I don’t remember much of anything after that scene in Ronin.  Jean Reno was acting subtly worshipful of a previous generation’s macho man, Natascha McElhone had some unfortunate make-out session to do, Jonathan Pryce was an unlikable creep.  They wanted to make it look like a car was burning rubber and used an egregious fake smoke effect.  I’m like, bring back Sean Bean, and slap him around some more!

I can’t see Thurston slapping Ralph around.  Gotta be some other ways for him to look charmingly weak…  As for how he can change over the story, still no strong ideas.

Ooh just had an idea.  While Thurston is figuring a path out of hell toward heaven, Ralph is farther down the path of transcendence – but he’s going a different direction with it.  Toward becoming like The Merchant?  When they have their big scene late in the story, Ralph gives Thurston a hint that helps him along his path.

Realizing I’m going to have to drill down the plot more, with crisscrossing arcs of action, to keep the momentum going.  (the first of july is upon me and i still haven’t)

Glossy the Doggo is inspired by video games, anime, etc. having cute animals sidekicks, and by the stock transgressive take on innocent material joke they did in a Venture Brothers episode penned by Ben Edlund – specifically the Shaggy stand-in hallucinating the Scooby stand-in talking to him like the Son of Sam.  “You are the Sword of Michael, Sonny!” -that kinda shit.

So funky little dog hangs out with Thurston and occasionally says stuff like… I’d originally described it as non-sequitur blasphemy, but it would be good to come up with a pattern to it.  Something better than “lolrandom.”  Certainly this could be a static character, so I’ll focus on this for him.  Her?  Sure.

That would be funny if her voice was sultry succubus style, coming out of a homely dog.  She shouldn’t make too much sense.  I wonder…  Asked my husband and he said maybe some legalistic attitude about rules of the road, like Mr. Eddy in Lost Highway, since we’re in vehicular hell.  …Yeah, maybe that could work.  Like, Glossy tells Thurston when he breaks the rules of the road, and the punishments the cops will mete out if he’s captured.  “You crossed the double yellow line, Thurston.  This is punishable by fifty years of evisceration.”

I also had an idea she talks about what’s going on in mechanical metaphors, something like, gigerish hell imagery…  Not sure.  Whatever.

Hard John transforms before the story begins.  Guess I’ll have to include flashbacks.  He was the original best hero of the nice hell-people, but raged too much and became a demon – specifically a traffic cop.  All the demons instinctively know their job and place in the infernal hierarchy.  Wake up in your newly assigned home.  Was the home born when he was?  Go to work.  Clock in at the cop shop, then set out on your motorcycle to corral the ragers – guns blazing.

How did it happen?  I think he had a not-quite-correct idea of what turns you into a demon, didn’t realize his anger was the issue, so he was teaching Thurston wrong.  Let’s say John thought the problem was losing control of yourself, but he was allowing himself to be mad as hell on the inside.  Over time Thurston figures out that he can never turn cop because it’s about anger, and he just isn’t an angry guy.

I had an idea that when you become a demon you get your surname back.  John become Officer Suchnsuch.  Maybe Thurston knows this, and when he starts to remember some things about his life, he fears he’s turning into a rage demon.  Turns out this also happens when you’re on a path to transcendence.

The Merchant is some inconsequential trans representation.  Hello.  As an NPC, she’s inherently static.  on the other hand, revelation she’s more than a list of exhaustible dialogue options could be a fun late stage surprise.

What does it mean to be an NPC in hell?  Not a demon, not an angel, just trading hell money for guns and such?  Maybe that’s what transcendence will look like for Ralph.  Is there room for more than one merchant in hell?  Will she get replaced by him?  If anything I might raise the possibility, then pull back and say nvm.  Usually in RPGs there’s more than one vendor, even if there wasn’t in RE.

Anyway, when I get this thing started, it’ll just be a day in a demon’s life.  I have the rough plot outline of that but fucken zero particulars developed.  This might not be pure pantsing, but it’s more close than I’m usually comfortable with.  Excelsior!

Road Raging

I had this idea for an intense action-horror novel, inspired by video games, that takes place in the hell of people who killed others by driving angry.  To honor the fallen demonic music man James “Gost” Lollar, my husband and I are going to write heavy-duty hellfire-having stories for the July noveling month.  This is the one I have up my sleeve.  The only card I need?

I knew I’d elaborated on the idea more somewhere but forgot where.  Found it.  Lemme copy-paste the notes here for my future reference.  If you think you might read it, don’t read this, if you don’t wanna get spoilt.

__Road Rage

Opens with freaky ragecase man in some kind of hell, getting up and going to work.  A full day in his life, which revolves around the commute.  On the way home he tries to kill some pedestrians, and they kill him.

Cut to the birth, earlier that day, one of those pedestrians being born from a pile of gore like Frank Hellraiser.  She is sad and scared, and at some point soon she runs away.  A guy comes in and they send him back out to save her.

She survives some amount of hell but it’s too wild and she’s about to get killed when the guy comes in.  Total action hero.  They survive lots of violence, and meet a guy who mentions he saw hero’s mentor – who has become a cop.  Hero upset but doesn’t say why.

They get into more danger and she’s killed.  He says sorry, see you soon.  She wakes up in the underground village again and gets that explained to her.  Worries about whether hero might die on the way home too.

Hero gets with sheisty guy again and they scheme on a hot score.  Then he goes home, drawing spooky attention, before losing it.

New girl says she wants to learn to be tough.  Hero agrees bravery is a big deal in hell and they recently lost a guy, so may as well try.  The plan is to have no violence, just stealth, but of course it doesn’t work out.  They do great, beat a sub boss, but in the end the hero’s mentor kills him.  She barely escapes, discovering she knows how to skateboard.

The survivor enclave gets to be low on meat and pure water, because too many demons on the streets.  But if heroes just kill them, they’ll come back.  The plan?  They’re immortal so just detain them indefinitely.  Out on the streets, heroes lure them to the reservoirs and nonlethal crashing.  It’s a laff riot, until it isn’t.

Meanwhile hero’s pet dog Glossy the affenpinscher goes on a mini game and saves the village with a ton of rat meat.

Big action leads to another victory, drawing attention of a bigger bad.  Hero wins a minigame of his own and springs for the brakeboots and more magic items.  The brakeboots are boots so strong they can help you brake a car by putting your foot out the door.  This element of things is another thing inspired directly by video games.

Murderous monsters make the streets more dangerous.  It’s a speed trap.  Sheisty guy wakes up underground – he was killed, explains why/how.  Time to fuck up the precinct.  Why so brave?  We have to wonder.

Epic action leads to confrontation with cop.  Damsel gets damsel’d.  Personal hells are a thing and hero is pulled into one.

Hero has weirder convos with the merchant, starts to figure things out.  Along way out of hell he has a homoerotic scene with sheisty friend.  He rescues the girl during final fight.  Romance with her?  Undecided.

Final fight some major thing happens.  Not decided yet.  Matrix ending?  Hell destroyed?  Option to ascend rejected for love?

Names… let’s say hell people remember their own names like they remember english, but they don’t remember their last names.

Hero – Thurston.  Doesn’t recall previous life as rich kid who liked extreme sports.  Already experienced driver / violence boy at start of story.  White white boy with sandy blond hair and grey-blue eyes.  Like a more practical version of Point Break Bodhi.

Girl – Dejah.  Figures out at some point in story she was a skateboarder, whatever that means about her.  Dark-skinned girl.

Sheisty boy – Ralph.  Italian-looking guy, young Pacino energy.  Doesn’t live in the village because he likes fancier dwellings among demon homes.

The dog – Glossy.  Short for Glasya-labolas, Author of Bloodshed, an affenpinscher who speaks in non-sequitur blasphemy.

The Mentor – Hard John, so named because there are multiple johns in the village and no last names to distinguish them.  Formerly an Irish-american cop from the seventies, with a black moustache and light green eyes.  Fortyish, not a big guy, but outsized powers of intimidation.

The Merchant – The Merchant.  Fiftyish trans woman.  Me-ish?

Idea for end – He has option of transcending but wants to stay and help people, or stay for love, and realizes he can’t stay without being limited somehow – or is told by some spiritual intercessor idk, but basically gets cast back into hell with his lives reset.  …Maybe he gets a reset for everybody, back to three lives.

Discussion with an angel, “hey yer part of the problem aren’t you, keeping us down here?”  “Nobody has any choice about anything.  Even god is a slave to himself”

Inspiration note:  Watchin John Wolfe replayin RE games before watching Requiem.  Got up to RE 4 remake, which was the inspiration for Road Rage.  I wanna make my merchant character as charismatic as the one in that game, in a differenty type way, but still.  Kinda me -ish, flirty but not in a pushy way, just silly.  Like Austin Powers by way of the Cryptkeeper but take it down a few notches, mix in a georgia peach?

That video game had realistic enough graphics that the unrealistic elements took on a surreal quality.  Specifically the merchant.  How does he get around?  What is he doing there?  It’s like he’s a recurring hallucination Leon is having, but one that can hand him firearms.

So I came up with an idea for an action adventure novel that will include this kind of stuff.  I’m given to understand some people are already doing this in some fanfic, wouldn’t know for sure.  But if it was done real well, higher quality than the stuff in that space typically is, maybe..?  I dunno.

I actually had more notes than this somewhere but I have no idea where, feel like it got deleted somehow.  Boooo!  I don’t remember much from it, but feel like there’s some kind of healing items?  I know I wanted it to be video gamey but I can kinda imagine getting by without that convention.  …I’ve lost that all.  Bummer.

I’m also realizing an influence for this was Statham movie The Transporter.

Anyway, that’s the early notes.  Gotta beat this into a story in July.  I’m liking posting my first drafts, and think this one just might be exciting enough to get more than one rando to read them.  I wonder…

Concepting the Rock Epic

I have several ideas for stories which involve musicians or music scenes, and thought maybe I could do the same thing I did with my dark fantasy stories and mash em up into one very complicated story.  Did I share anything from that effort?  Don’t think I did.  Anyway, none of my other places for conceptual work are appealing to me at the moment (discord, sketchbooks, google docs), so I’m gonna do this live.

Side note, I’ve heard concepting used in this context before often enough, but caught myself wondering “why not conceiving?”  Seems like it’s jargon shared by businesses and creative fields, more like brainstorming concepts to develop an idea, as distinct from conception/conceiving when you get the idea in the first place?  Good enough.

Spoiler Alert:  If anything comes of this idea or the ideas that it is comprised of, well, you might lose some enjoyment from revelations necessary to my thought process below.  Or maybe you’ll forget anything you read by the time it comes available.

__Elements

  • Electropocalypse:  A novel (my husband finished a first draft, languishing in the first draft pile) that I’d like to use for its setting.  Alternate version of the real world, but with all government and business being more extreme and cutthroat.  Pushes the limits of “double mumbo jumbo” by including janky cybernetics inspired by old IBM and Videodrome, alongside psychic powers and demon summoning.
  • Keep Austin Weird:  One of my Spooktober ideas, about a gay Romeo and Juliet whose respective “families” are music/drug cliques.
  • Danny Elfman and Beck:  Two musicians who are genuinely creative and artistic, but whose careers were no doubt helped a lot by connection to $cientologie.  Having that background in something like a creative industry mafia, maybe they had access to resources that helped fuel their creativity?  Could they have taken advantage of others?  Did they use the musical equivalent of uncredited ghost writing?  No accusations, but it’s something that could fuel an interesting subplot, with all parts of the narrative fictionalized to avoid lawsuits.  May use “The Illumination Center” from my Spooktober idea Kill the Lights.
  • Back Mask:  Another Spooktober idea, about a succubus figure infiltrating a record studio and causing a small music scene to blow up, disastrously.
  • The Meat Puppets and Nirvana:  There’s the real deal, musician types with destructive habits and dubious ethics, and there’s the somewhat less talented guy who feels tormented by the idea he’s a poser, by inadequacy.  I also think of the Butthole Surfers.  I get the impression those are horrible people to know, like, they’d talk you into huffing gas out of a drowned bat and drive you to a donkey show in cartel country.  Or is that all image?  Also makes me think of a guy I personally used to know who was a unique character, but saddled with a considerable death urge.
  • Untitled Asexual Musician Story:  Had an idea for a story about a young lady with unspecified disorders who gets brought into a punk/alternative band in the ’80s where her strange affect and interests garner attention.  But everybody wants to do her and she doesn’t wanna be done.  Feeling hemmed in by unwanted suitors, she waxes suicidal, but is saved by a vision of Karen Carpenter.
  • The Question of Substance, We Must Kill the Jaguar Pope, Black Brass, Heavy Metal Thunder, Rock to Death, Poppies Will Make Us Sleep, The Choking Game, I’m Your Turbo Lover:  More story ideas from Spooktober about drug culture, demons, and/or music.  Might incorporate some or all of them.  Maybe The Edge of Gone too.

__Initial Thoughts

  • Another World.  A number of those ideas relate to a separate reality that is reached at the cost of losing your identity or your life.  The place where you meet Jesus or Karen Carpenter or Glasya-Labolas the Architect of Manslaughter.  I should decide on a “true nature” of it, even if I never include an explanation in-story.  Like I did with the angel business in Foothill Project.
  • Searching for Satori.  Making art can be like caging lightning.  Any story about music is about making art.  The other world here is obvious as metaphor for this thing, for the achievement, for whatever the best music is hinting at, prying open in us.  What if there’s nothing there, or the thing you find is evil?
  • The Outer Darkness.  D&D used that for the place where Lovecraft-knockoff shit comes from.  I sorta remember Billy Zane’s explanation of demons in Tales From the Crypt: Demon Knight.  He said they existed before god made the world and humans, and offended by this light, they seek to destroy it.

__The Stories

  • Eruptions.  Some of the stories take the form of a supernatural phenomenon corrupting or killing victims in some kind of outbreak, like a disease, before they reach whatever climax and fade away.  Uzumaki-style, this could be structured like variations on a theme, each being a story to itself.  Eruption stories include Back Mask, The Question of Substance, Heavy Metal Thunder, Poppies Will Make Us Sleep, arguably others as well.
  • Monsters.  Some stories have a monster.  Back Mask, Black Brass, Turbo Lover, maybe others.  A monster should be inhuman, should be an agent of the other side.  Some people become monsters, like the Jaguar Pope and the guitarist in Rock to Death.
  • Lotus Eaters.  Often closely related to Eruptions, drug/vice fads.  Heavy Metal Thunder, Poppies Will Make Us Sleep, The Choking Game, Jaguar Pope.
  • Bad Love.  Turbo Lover, Edge of Gone, Keep Austin Weird, Rock to Death.  I had an idea for an interlude in KAW inspired by some shit from my father’s drug culture stories.  The characters are invited to Mexico City by a rich kid that likes slumming with druggies.  They don’t know he’s rich and it’s a visit to his family, who are shocked and annoyed at him and his friends.  Their friend is a dangerous creep and murders his family while they are there.  They escape getting interrogated by cops and escape the country.  Made accessories?  I dunno.

That’s all for the moment, may add edits.

EDIT TO ADD:

__Condensing Soup

Boiling all these stories down to have less redundant plots.

  • Dark Genesis Stories:  Black Brass, Poppies, Choking Game, Back Mask.  Poppies feels like upper class children, Choking feels like lower class children.  Brass and Mask feel like they could have origins in past lives or before history began, something primordial.
  • Love Stories:  Keep Austin Weird, Edge of Gone, Turbo Lover, Rock to Death.  Of these I like the last one the least, the second one feels most out of place / hard to square because it’s a crowded epic and that’s a lonely story.  I do like it tho, and there are other lonely stories in this crowded house.  Dunno.
  • Harried by Demons Stories:  Untitled Asexual Musician Story, Black Brass, Back Mask.  Characters under pressure or stress.
  • Disappear Yourself Stories:  Edge of Gone, Untitled Asexual Musician Story, Black Brass, Question of Substance, Rock to Death.  I seem to keep coming back to this sort of resolution – characters walking off the edge of the map, never to be seen again.  I don’t know why I do this.  Feels sad but emotionally true for me in some way.
  • Lotus Eater Stories:  Heavy Metal Thunder, Jaguar Pope, Poppies, Question of Substance, Choking Game.  Corruption, vice, masses moved by such.  Back Mask too, maybe.
  • Monster Stories:  Black Brass, Rock to Death, Back Mask, Turbo Lover, Jaguar Pope.  Literal monsters.

__Actual Condensation Happens Here

  • The Source:  The other world, the abyss, Hell, idk…  Demons such as the Brass vampire, the Mask demon, and the Turbo Lover come from there, as do the addictive things – poppies, jaguar drug, heavy metal thunder, the Mask demon’s song.
  • Battle of the Bands:  Back Mask was about a record label that gets demon haunted.  Implies multiple bands.  Poppies is about a band, as is Rock to Death.  Maybe the epic is a series of stories that interweave told recursively like a 90s crime movie, each part named for a band or musician.
  • Le $cientologie:  Poppies is about rich kids, so the dubious musical wunderkind can have origin there.  I was originally thinking about the main character being a black kid who was new to the rich school, becoming lead singer of a goth band.  I’d pictured main guy in Question of Substance as black, and this could easily be the same man.
  • Crisscross:  Maybe the bands could trade members partway through the narrative.  Rich goth band breaks up and some of them join slummy grime people while others elevate grimes to new posh company.  This helps the interweaving and recombines company.
  • Class Warfare:  Keep Austin Weird was about lovers from different worlds.  Maybe the record label can be the intersection – altho that doesn’t go well with the concept of two houses alike in dignity crossing blades.  I should really decide how I want to resolve that because I don’t wanna make more tragic gays than necessary in the world.
  • Too Many Lonely Women:  Obvious solution to pair them off, except one is lonely from being lone ace girl in a world gone allo.  That could be a situation for queerplatonic relationship, but I have a bone to pick with lesbian stories (within the indie baby writer spaces I’ve been) for being too sexless.
  • The Demons:  Thinking about how scattered this is, plotwise, and what can tie it together, if anything.  The demons.  Maybe the demons behind the different tracks have a plot of their own which sets the human stories in motion.  Like a unified demon story underlies the disparate human stories.
  • $cientologiest is a Loser:  I don’t want him to come to a good end.  Maybe he’s the guy who drives Ace Musician to flee the scene.  Take that, pretty boy.
  • No Antidiablo:  I like hell/devil stuff to be neutral to positive because I hate heaven a lot.  I do think humans have something terrible in ’em that leads them into dark places, personified in these kinds of narratives.  What could that be, if not devils?  Something to do with death.  I do hate death…  I dunno…

Art Thou Mementing Mori? Truly?

This article isn’t meant for those of you who are indisputably close to the grave, more for those whose number can only come unexpectedly.  Please do skip this one, if you eat mori for breakfast every day.  Much love.

I wanna make artistic things happen.  It gets difficult sometimes, u kno, all the usual reasons.  For some those reasons outweigh the desire, but that is not true of me.  I usually have something on my mind, trying to get free.  Ambitions, frustrated but not wholly defeated.  You can see my attempts from time to time.

I see writers non-writing and think these people don’t have my ambition, and maybe that means they also don’t have my fear.  Again, I’ve expressed this before, but death haunts my steps.  As much as my naturally upbeat brain juice makes me feel like a future in which I continue to exist will get much better in time, something else cuts through the optimism to say that nobody is guaranteed any amount of time.  I could die or lose critical faculties at any given moment for any given reason, lose forever the chance to have accomplished something cool.

On my most recent somewhat related post, I got a lengthy comment that could be construed as hectoring me on my elitism.  I’ve gotten comments like that before, whenever I looked down my nose at the mendicants.  But let’s just assume for the moment that I am truly better than the lowly masses in this.  That I have some sparkling potential that unspent will constitute an egregious loss to the whole of humanity.  Don’t I owe it to the people to win?  To live long enough to succeed?

Comedy paragraph aside, back to business.  The business of lamenting mortality, or lamenting the creative energy wasted in service to Tha Man.  We’re all (anybody lowly enough to read this because they are not on secret rich people internet with uncle jeffrey’s ghost) getting drained in this way, it’s true.  But if you want it hard enough, you can make some things happen.  Like I have, here and there, as able.  Just think about what you’d like to have done before you die, because who knows when that’s going to happen?

Get crackin’.

World of Main Characters

RPGs get funny the more people you have involved, reaching a kind of critical level of foolery with MMORPGs.  The basic old skool unit of RPG is a few bozos and a GM, or in video games, a few bozos you control vs. designed world/story.  In the original Final Fantasy you control the prophesied ‘warriors of light’ who have come to save the world, because crystals.  A small number of important bozos can be main characters without pushing believability too much, but what happens when you have thousands, running around doing dances?  When everybody has one black wing and one white wing and an eyeball that leaks golden sparkles and the death scythe of wunkred +20?

Perhaps in response to that vibe, I wanted to make a character that looked like an NPC in the one MMO I ever played, The Secret World.  Unfortunately the name I wanted was out, so I gave up.  Just as well, it’s all wasted time.  Fine Paper Gifts the NPC-turned-PC was not meant to be.

But as I’ve been turning over a story idea in my head, this feeling was coming back to me.  When you have adventures, romances, thrillers filling the libraries and virtual storefronts of the world to the brim, you’ve got thousands and thousands and thousands of specialest people in the whole world.  Even when they try to cut against that grain, the circumstances surrounding them make it clear that isn’t true.  Just because you have brown hair doesn’t mean you’re not special, when all the sexiest dudes in the world want to make you their faerie queene, or when you have a certain set of skills that lets you save tha white house from nucular terrorizzin’.

This is a variation on “why write when there are already so many stories?  why does mine matter?”  Probably just the feels of any artist during some grey time between here and there, nothing deep.  But I’m kinda like this.  If I make another special bozo to launch like a solitary molecule into the specialbozosphere, they better not cloy.  They better not annoy.

Best way to avoid making people feel the teeming masses behind your characters, I think, is to have a better story.  You’re not going to out-batman Batman.  That problem solved, well, we just have to figure out how to tell a better story.  That shouldn’t be difficult, right?

Brainjackin: Sad Endings

This one’s a little bit of a journey so bear with me.  There was a window in my twenties when I lived with my dad and his girlfriend and her two kids.  I don’t remember if this was before my brother went into the army and left the state, or after he got back to finish his last tour here, but he was around.  Hang on, was I twenty yet?  Whatever.  Throw in Bad-Moustache-Having Guy and My Tech Support Guy to round out the picture.  That lady -the girlfriend aforementioned- had a species of BPD that allowed her to run a very clean household – the kind of clean that facilitated parties.

So we arranged a movie night with big snacks and a lot of DVDs in the queue.  Or were they VHS?  Shit, I think they were VHS tapes.  Way back.  In the most memorable moment of the evening, some guy was being burned alive in Braveheart and two of the attendees said in unison, “and it stays crunchy, even in milk!”  How did they think of the same rude application of pop culture reference for that image?  We partook of all the same media, so not impossible, but it was unlikely enough to amuse.

The most consequential moment of the night came later.  I had the most staying power and after everyone else had left or gone to sleep, I feel like it was after two AM?, I popped in Terry Gilliam’s 12 Monkeys.  I felt big feelings, beginning to end.  I’m mostly incapable of crying, but I cried a little.  I recognize now that you should not trust how you felt about a movie if you were watching it before dawn, but the damage was done.  I got a tattoo of the movie’s logo on my wrist.  At least it wasn’t Sister Act 2.

I still have that tattoo, but it’s gone through a few changes over the years.  First up, it was originally laid down in red ink, over the warnings of the tattoo artist.  Red is very prone to fading and fade it did.  Probably didn’t help that the heavy-handed ex-con put a lot of scar tissue into the cut, and some pigment came off with scabs.  But the symbol, where it appeared in the movie, was usually spattered and smeary.  Illegibility suited it, but years of fading later, an art school acquaintance of my husband was apprenticed to be a tattoo artist and needed victims for practice, so it seemed like time to get it touched up.

This was the friend who valiantly defended my husband and others from an art school clown attack, and she used to wear a t-shirt with JESUS IS A CUNT in giant lettering, so genial to us.  However, I cannot trust her taste in music since that occasion, because her mix at the tattoo parlor included post-Danzig Misfits – that is to say, christian Misfits, and they genuinely did sound christian.  I might be nearly tone deaf, but I can tell the difference between Creed and Nickelback.  They both suck, but the christianity of the former has a certain quality to it, better identifiable to musicians, but detectable to a discerning lay person, and I detected the shit out of it.

Anyway, the work was a little dubious and the tattoo is still a mess.  But the important thing, to my husband’s reckoning, is that it doesn’t look like a stamp from the club that I’d neglected to wash off the next day.

The important thing about all that is to say that 12 Monkeys had a sad ending and may have been the first sad ending I was ever able to appreciate.  I don’t think that speaks well to Terry Gilliam’s talents, because I was the kind of basic bitch that was not at all ready for genuinely sad endings.  He communicated this sense that Cole’s life in a time loop was a kind of immortality.  He had struggles and died young, but in the course of that life, he experienced love – and that somehow vindicated -or at least mitigated- the tragedy.  Basically, it was a fake sad ending.

Flash forward to the earliest days of going out with my husband, when he introduced me to the works of Kiyoshi Kurosawa – particularly the movies Cure and Sakebi.  Those movies show horrible events ending horribly, but still work as art, because they’re the sad mask in that ancient symbol of drama.  Tragedy is a legitimate art form that I never appreciated.  Even when first introduced to Kurosawa, I wasn’t ready for it.  I told him as much – “I recognize the artistic power of this work, but it feels like it isn’t for me.”  I wanted to see stories about heroes overcoming hardship, lovers getting to love.  Happy Endings, basically.  One of those drama masks was The Grim and Grimy One, and I wanted nothing to do with it.

But the movies stayed with me, in my mind.  I couldn’t forget them because they had that power, and from the memories of them alone, I came to appreciate tragedy in a way that I never had before.  The culmination of this came a few years ago, the first time that I ever wrote a tragic ending.  Did it work?  Was it as good as the work of Kiyoshi Kurosawa?

Surely not, but it made more sense for the piece than a happy ending would have.  I served the story at the expense of the happiness of my little babies.  That’s artistic growth, and I owe it to my husband, which makes this another instance of Brainjackin’™.  Thanks man!

JnBvtWoI II:X

Nothing as naughty as the last chapter, time to be boring again.  The emotions run high in this one.  If you want to read this novel from the beginning, see this article, read it, and hit the next button until you see more entries, stopping with II:V, then starting again at this one.  And stopping again here at II:X, because I have had a terrible time writing lately, and that time is over!  I might pick this beast up again in July.

Josefina took advantage of the secrecy of her existence to sink into despair.  The difficulties of their situation were obvious enough, but her feelings went beyond that.  Perhaps it was the melancholy nature that had followed her since childhood, momentarily forgotten in the wake of her time in the Torre Alucine and reunion with Ximura, finally returning.  The wisdom of her crucible had not cured the depression, only allowed her to briefly forget it.

Or it was something else.  She muddled through leading meditations, but was losing whatever spell she had cast on the students.  Her hair was a mess, her clothing disheveled.  Ombonculita refused to entertain the children anymore, scowling at everyone as she clung to Josefina’s breast.

Umbrifer lost track of its own lessons, focused on cleaning up after her messes and social missteps.  It would make nice with anyone she had bothered, then follow after her and do whatever it could to help her feel better.

On one such occasion, with white afternoon sun filling the guest suite, Umbrifer followed her in and closed the doors behind her.  As it turned back to face her again, it seemed her steps had slowed, almost like the sunlight was stairs that she was about to ascend.  Instead she collapsed to a couch there, almost crushing Ombunculita, who crawled free of the mess squawking.

It came to them, laid fuzzy black paws on her arms, and rolled her over to face the world.  “I try not to impose on humans, not ever, but this is starting to look risky to me personally.  Is there anything I can do to get you playing nice with the Alishers again?  Or at least less of this…”  It gestured at her as if she was a pig sty that needed cleaning.

The anger in her tiny dark eyes increased her resemblance to Blasfemia, which successfully intimidated the spirit.  Long dark hair half-concealed her face.

Umbrifer slow-blinked that big pink eye and tried again, gently.  “You deserve to feel as well as you can, Josefina.  I don’t like to see this.  Can you at least tell me what is happening to you?”

“No.”  She shook her head.  “I don’t know the answer.”  She bit her lip and looked off to the side, lost in thought.  “Maybe I just need a hug, heh.”

“I can go find your sister.”

She looked at him wryly.  “Why not hug me yourself?  Afraid you’ll fall in love?”

Umbrifer’s eye was too big to conceal thoughts or feelings.  It darted to the side and back.

“What is it?”  Her face went slack, eyes piercing.

“I don’t want you to…  Don’t make me say it.”

“What,” she spat.

Umbrifer threw up its hands and stood up to flee if it needed to.  “I saw the video, alright?  I’m sorry!”

Her face stiffened in horror.  By then the spirit was halfway to the door.  Suddenly, Ombonculita opened her mouth and roared like a lion.  But instead of a roar, some eldritch ball of sound waves erupted and struck Umbrifer in the chest.  It flew back, tumbling over furniture and crashing into the wall.

The spirit scrambled to its feet and looked at the homunculus in alarm.  She was propped up on her arms at full extension, body rigid, thorned head trembling.  Distortions in reality dripped from her silently screaming mouth like foam from a sick dog.  Her eyes were livid with hate.

Josefina wanted to apologize, to do something to reprimand her Abuelita for this violence, but she was still in the grip of sorrow and horror, trembling.

Umbrifer gave her one last sad look and fled the room.

It had to find Blasfemia.  Only her sister had any chance of seeing this right.


Darter slumped against a post, wishing he was more capable of getting drunk.  He was slowly sinking further into the snow, not melting it as much as a living person would.  It was like he was daring anyone to notice.  A shadow loomed above him.

“Boy, you need to get back to work.”  It was his old boss, Graldon.

“They need me.”

“Alish needs you, needs all hands on the machinery.  I am shocked the Bugaster hasn’t sent you back to the works yet.”

“I’m translating Corazono and Lenko, man.  Get off my back.”

“I see you translating alcohol into stupor while we’re working on a double ransom.”

Don’t blow it, he thought, his secret eye seething.  “I’ll talk to Mallor.  If he still needs me for something, I’ll do it.  Otherwise, Ill help.  Alright?”

“Alright, boy.  Fair enough.”  His words faltered at the end as he was distracted by Traders laughing across the street.  He didn’t want to cause trouble either, and hurried on his way.

Darter dragged his corpse upright, swayed lightly in place, and wondered.  What was the point of prolonging an existence where he could no longer enjoy any of the things he had once lived for?  Rage at the injustice of dying young, or just animal panic, had driven him to reanimate in this unnatural way, but neither of those feelings remained in him.  Maybe all that he had left was the half-assed ambition to make his death interesting.

A few Traders noticed him and walked over.  “Oy!  Why are you staring at us, kid?”  “And why are you blue?  It’s nasty,” said another.

“I’m sick.  Probably not a good idea to touch me.”

That did bring them up short.  “Well, just mind your eyes, fool.”  A few gestured at their weapons.  They didn’t have to touch him to hurt him.

“Mmhm.”  He was already distracted by the sight of Umbrifer crossing the street a few blocks away, so averting his eyes was easy.


In the tavern, Blasfemia was on Kottor-sitting duty.  She figured that alone should be worth the cost of the Leveret’s fuel — keep the old goat entertained so he didn’t get any more dangerous ideas for extracting diversion from the Alishers.  By then his favorite lieutenants also had translators, and spent most of their hours reading her words and carousing.

“I kill duendes, what can I say?  Everybody has to do some kind of job.  You find out stuff about them, like, which ones talk with each other and which ones are just stupid animals.  You can’t always tell just to look at them.”

“And the hellhound?  Just a stupid animal?”  Kottor’s voice was thick with a plug of chewing algae in his mouth, slowly releasing a mild intoxicant.  Probably best to keep a clear head instead of doing every drug in sight, but he couldn’t resist having a little taste of each.

She tipped her computer down.  “The stupidest.  Now cañacorbos, they look like a bird with a little goblin face, they seem like they’d just be a dumb animal, but one time I cleared a field of ’em and the next time I saw some, they knew.  One must’ve gotten away and squealed.  Watch out for the girl with the knives.”

“What’s a bird?,” one of the lieutenants asked.

Kottor said, “Like acrife, from Catedra 3.  I’m more interested in what you didn’t tell us about the time you broke out of jail.”

No one asked about goblins, knowing that was what she sometimes called Umbrifer.

The goblin itself appeared at the door, looking agitated.  “Ursula, I need your help with something at the Bugaster’s house.  If you can excuse us, good people.”

They laughed at the polite description.  Every time they laughed, the servers and their guards braced for something unamusing to happen.

Blasfemia said, “Well.  Sounds urgent.  I’ll be right back.”  She was glad for the reprieve, but felt the importance of hypnotizing the jerks with her bullshit, every time she saw a young Alish lady flinch at them.

Kottor waved her off and went into some rapid patter of Lenko.  The translator on Blasfemia’s computer worked on it, but she paid it no attention.  Umbrifer was glad they hadn’t made an issue of the interruption.

Out in the street it hustled her away from the nearest Traders that were milling around, and said, “It came out that I saw that horrible video.  I never told her before.”

“You never told me before, puto!”  She slapped it in the chest with both hands.  “What the fuck?  How is she?”

“Bad, or I wouldn’t have gotten you, would I?”

“Is she hurting herself?  Somebody else?”

“I don’t know what to expect.  Maybe I shouldn’t’ve left her with Ombonculita.  I don’t know what she’s capable of!”

“You’ve known us for months now, come on.”

“So she wouldn’t hurt the homunculus?”

“Duh.”  They never stopped walking, getting to the house quickly in the small village.

“Ombonculita might hurt you.  Be careful.”

“You’re coming with me, goblin.”

Under normal circumstances the doors would only open for family members and people with temporary permission, but while the Traders were in town, they would open for anyone without a Trader within six paces.  They had to wait for some Traders to move down the street, and flashed fake smiles at them as they went.


Mallor patrolled Alish end to end, watching for any scene that might erupt into violence with the Traders and defusing them.  This was his life during their visits, a task he entrusted to few others in the village.  Only the coolest heads with the most experience of the brigands could deal with all the possibilities – to the extent no situation cropped up that was truly impossible.  All it would take was a power-drunk whim from one of the violent characters.  The patrol duty was whim management.

He’d passed Darter a few times, but didn’t feel free to spend a minute on the kid.  Maybe the Traders were being exceptionally well behaved, because he’d run out of situations to deal with, and stopped to bother him this time.  “Darter.”

The boy had been leaning on a post, hanging his head, underdressed for the weather.  “Oh, I was supposed to talk to you.”

“What’s the matter?  Why aren’t you with Umbrifer?  You were thick as thieves a month ago.”

“It’s personal.  Anyway, Graldon wants me back on the machines.  Is there anything I can do for you instead?  You know I’m not the best worker.”

“I know.  As luck would have it, I can use you.  But only if you can keep your act together.  Look at you out here, in your indoor pants.  Absurd.”

“Sorry, please.  Tell me what the job is.”

“Pretend to be a drunk.  Hang out at the tavern.  Listen for anything important they say in Lenko, and for your own sake as much as ours, do not let them know you understand the language.  Can you do it?”

He bobbled in place, unsure of himself.  Could he avoid giving a subtle look of recognition at any of their words?  Would he even be able to sit close enough to understand them without arousing suspicion?  “I can.  I swear I can.”

“Good boy…”


Blasfemia and Umbrifer came into the big central lounge of the second floor and had to shoo some ladies who were wrapped in furious rumor.  Earlier it had told them to stay away from Josefina for their own sakes, now it had to tell them again, get away from the door to the guest suite, out of sight altogether if they could.  Then they took up positions on either side of the door, like cops about to do a raid.

“Josie!  I’d like to come in, Hermana.  Is it safe for me to do that?”

There was no response.  Umbrifer gestured for her to just go in.  She gestured after you, and it rolled its eye.

“Josie, I’m coming in now.”  She grabbed Umbrifer’s collar and dragged it in with her.  The creature was reasonably strong for its size but its inhumanly low weight made it easy to push around.

Josefina and Ombonculita were out of sight.  The suite had a few rooms, and she must have retreated to a bedroom, or a bath.  They heard no water dripping and headed to her preferred bedroom.  This time Blasfemia let Umbrifer stay outside, but insisted it stay close to her door.

“Josie, I’m coming in.  Don’t blow me up, OK?”  The door was not locked.

A massive decorative wardrobe was blocking the window, no doubt moved by sorcery, clothing falling out of it in a landslide.  The room would have been pitch black but for a halo that escaped the edges of that barrier, and one small skylight.  It was still dark enough to make it hard to tell where the bedding ended and her sister began.

“Eyy, um…  I don’t know what to say.  You know my usual answer is killing somebody.  Want me to kill the Corsario?”

A soft golden light bloomed on the bed, in contrast to the pale white light from outside.  It was in the hands of Ombonculita, illuminating her feral face.

“Come on, Hermana, don’t let this thing burn the house down.”

A hand snaked out of the blankets and touched the little creature’s thorny head, and the light went out.

“I’m really glad to see that.  It means you’re still thinking, not totally loco.”  Blasfemia picked her way through the darkness and came to Josefina’s side of the bed, avoiding her little Abuelita.  She felt around until she was touching something she recognized, then got an arm all the way around her.

“I love you.  Don’t be alone anymore.  I can’t stand it.”

Josefina pulled away, making room for her sister in the big bed, and Blasfemia got in, put a hand around, assuming the role of the big spoon.  The homunculus was not of a mind to be the littlest cucharadita, and held herself up on Josefina’s arm, staring at Blasfemia in the dark.

She squeezed her sister and tried to give her some mental room by waiting to talk again.  She could not be as patient as she preferred.  “You don’t hafta do anything for these ding-dongs.  I’ll do it all, OK?  And whenever I can I’ll come see you wherever you hide, and I’ll hold you just like this, until you feel better.”

Josefina finally spoke, quiet, hoarse.  “Don’t kill that duende.  I still like it.”

“When you don’t like it, can I kill it?”

“Mmhm.”

They stayed there quiet a moment longer, before Blasfemia’s impatience got the best of her again.  “I brought it.  Umbrifer’s probably waiting outside the door there.”

“I can’t…  I can’t stand it.”

“Don’t be sad; I can get rid of it without killing it.  It’s real easy to push.”

Josefina shuddered and Blasfemia hushed, waiting her out.

“Does it really think I would try to have sex with it, just because of that video?”

“Did it say that?  I’ll smush it like a motherfucking bug.”

“Don’t, don’t…”

“Yeah, yeah.  You don’t make it easy.  You know, it had to have seen that video before the first time you ever met, right?  So it’s no different now than it was before, with you.  And it’s been all nice to you and stuff, right?”

“I guess.”  She sobbed.  “But that means this whole time I thought it was cool, it was afraid of me, feeling weird about me, looking at me like that.”

“But it was being nice to you because it liked you anyways.  You know Umbrifer always liked you a lot more than me.  You know why.”

“I just wasn’t ready to think about anybody…  anybody who saw that, seeing me…  I can’t do anything.  It’s all too crazy.”

“I don’t know what to do about that!  I don’t!  It’s the kind of thing like, if I could cut the memory out of everybody’s head one at a time, go door to door with these knives, I’d spend the rest of my life doing that.  I wish I could!”

Josefina rolled onto her back, so she could hold Blasfemia and Ombonculita at the same time, and kissed Blasfemia on the head.  “Hush, hush, Ximura.  You did everything you know how to do, and that’s all we have to do.  I’m the one who has to figure out how to deal with this.”

“Maybe it would help if the Corsario promised to not be weird about it with you?”

“Oh I don’t know.  Maybe…  I just wish I could…  I don’t know, hug it.  Like a normal person.”

“Is that all it would take?  I could bully him into that, no problem.”

“It’s ruined.  Umbrifer can only see me as a crazy sucia who wants to fuck it.  I’m ruined.”

“That goblin has been watching you with its bug eye for months now, and never once has this come up.  It has to be able to trust you by now, or it wouldn’t have got me to help, wouldn’t have tried to help you even when I’m not around, so many times.”

“You think so?”


Umbrifer wondered for the thousandth time how its life had come to this, when suddenly there was a whistle from inside the room.  It had to be Blasfemia.  She called it in.

It came in and switched on the light.  The ladies winced and it turned the light back off.  “I can see just as well without it, just a habit, I’m sorry.”  It stepped in a short way, and looked at the weirdos on the bed.

Blasfemia stood up and came to it.  “Listen.  If you are OK with Josie hugging you, it would make her feel a lot better.  She would never wanna do anything to make you feel uncomfortable though, so only say yes if that’s true.  But it would really help her, y’know?”

Umbrifer crossed its arms and looked sadly at Josefina’s tear-dappled face.

She said, “I promise, I’ll never ever come onto you.  Really.  I just need you in my life as a friend.  It’s just too…”  She broke out crying again.

“Hey,” it said.  “I’ll do it.  I do care about you, Josefina.  Life is crazy; you never know what’s going to happen.  All I ever wanted to care about was the Leveret, but now I care about you too, OK?”  It came to the bed and got in beside her, and then awkwardly put an arm around her.

She embraced it back and cried herself out, leaning on the weird thin duende for comfort.  Its body was warm, everywhere that was not covered by clothing bristling with stiff fur.

Josefina knew she could keep her promise not to come onto Umbrifer, but to her surprise, she really did feel a romantic impulse.  She really did want to fuck it.

Suddenly, all three of their computers buzzed to life with a message.  They checked them out.

The screens were filled with bold block lettering in Borlante, and the phones took a moment to catch up and letter in the translation.

//Surrender to the Celestial Hierarchy the one known as Blasfemia or face destruction.//

JnBvtWoI II:IX

Some of the text here is extremely NSFW, I say as if any of my readers are still working.  Pensioners reprezent.  If you want to read this novel from the beginning, see this article, read it, and hit the next button until you see more entries, stopping with II:V, then starting again at this one.  Meanwhile…

In long space sat a plain metal orb, in a galactic orbit seemingly unaffected by all of the nearest stars.  Not that any stars were especially near – the closest light years away.  Closer the details became clear – utility panels, bulky machinery to facilitate human survival within – but nowhere could an exhaust port be seen, nor a sign of how it could control its movement in space at all.

In astrocielo, the orb was buried within the impossible works of a cyclopean mechanical angel, itself half embedded in the outermost layer of the Wall of Ice.  The creature was gold and silver wheels within wheels within wheels, moving in response to the will of the Celestial Hierarchy.  Any mortal with a rank above the laity could move in and out of the wheels with barely a thought, the machinery sliding around to accommodate them.  Any other mortal would likewise be kept out.

Surrounding the angel, labyrinthine trenches were carved into the crust, infested with hellhounds, sustained by dispassionate autoesclavos tossing lesser spirits into the pits.  Those autoesclavos in turn manned larger autoesclavos that were built from mangled and lobotomized astral spirits, bound with armor and engines, bristling with weapons.  They were roughly humanoid astronaves that supplied the station with meat harvested from nearby heathen worlds – walking iron maidens.

In the heart of the angel, the marines came and went between worlds as they pleased.  The orb’s interior was doubled, half occupying long space and half in astrocielo, but both integrated into an impossible whole.  The floor plan was consistent, at least, and the crew found it all very uninteresting.  The mortals spent most of their time in the long space corridors, to avoid the side effects of long term stays in astrocielo, and only went into the astral corridors to do necessary labor and upkeep.

It was in the astral corridors that communication could most easily be made with both the autoesclavo keepers and the Stars of Weal.  On a shift in the astral control center, a tired captain idly fantasized about having sex with all of his subordinates, barely aroused by the notion anymore, just keeping his mind in motion.

There he was, with his short-billed peaked cap and grandiose epaulets, no pants and legs parted enough to admit the next person in line, his cock and balls much larger than they were in reality.  Only two women served on the bridge crew at that hour, and the men would take turns pushing them onto his cock, holding them aloft in a gentle bondage of flesh, rocking them back and forth, so that the Captain did not even have to thrust to achieve the required friction.  Whoever wasn’t currently occupied with that task waited their turn, all clustered around him, masturbating furiously.  He imagined the smell of their cocks and pussies.  Whatever.

In the world where he was wearing pants, his crew played video games or chit-chatted away eternity, only the requisite level of attention paid to the instruments and computers arrayed at their stations.  This was the night shift, their circadian rhythms kept in time with Dio 6 by way of adjustments in light warmth.  They were sleepy but they were supposed to be sleepy.  Having different crewmen on different times was logistically unfeasible.

They were not exactly the cream of the crop.  They’d already drawn a short stick to get the border assignment, and of the people living in that orb, they were the ones who had to do a night rotation.  Still, qualifying for the Navy required some physical fitness and mental resilience, and long exposure to the strange experience of transubstantiation meant they had the latter in spades.

Resisting the effects of stays in the ectonic realm was about mental discipline, and the most effective way to combat psychoanatomical drift was to cling to normalcy, to force oneself to think in the most banal and human ways possible.  Plan your chores, talk through your job duties, tell each other the same life stories over and over again – job interviews, bad dates, achievements in high school athletics.  They were obstinately sane and boring people.

Also very human.  In the Stars of Weal, all entertainment was conducted by virtual characters, the depictions of which had become very standardized into flawless dolls.  Envy of that perfection drove an escalation of distaste for natural human appearance to the extent that all still images and video had been replaced with filtered cartoon avatars in a very similar mold.  Even military surveillance footage allowed people to be replaced with avatars of their choosing, over-ridden with security clearance only when strictly necessary.  These marines were robust primates with thick necks and millions of tiny wrinkles and hairs and blemishes texturing their skin.  Even the whites of their eyes had more texture than preferred.

Many, when confronted by the reality of human bodies, found them utterly repulsive.  Yet the natural attraction was there, now heavily poisoned with self-loathing and disgust.  There was a perverse thrill in the natural human form, and only a perverse one.  Good people spent their romantic feelings on illusions, only having sex reluctantly and with eyes closed.  Conversely, someone like the captain had wallowed his imagination upon the idea of those lurid real bodies so long that nothing was especially thrilling anymore.

He swiveled very slowly in his chair, taking in the view of all the stars of his little fantasy.  Closest was Nightwatch Commander Giuchiratti, with his back to the captain, reading something lengthy on his computer.  His silver and slate hair was very precisely trimmed, barely present below the band of his cap.  He was one of those people with richly hued skin, even in a world without sun.  Beyond him on a lower tier of the dais sat the subofficers for the shift – the Second Furiere, the Vice Capomachinista, and the Second Cappelano.  The 2F and VC were having one of those repetitive conversations, having the best rapport for it, while the 2C – Father Jaocepfi – was chatting with two of the enlisted men on the floor, both from his homeworld of Laia 4, and speaking that language.

The enlisted on the floor were mostly prematurely aging men in their late twenties and early thirties, former athletes whose bodies were getting soft in various ways, and the aforementioned ladies, who were both at Communications, Petty Officers Nicola and Pienela.  There weren’t many women in the Navy.  Those that desperately wanted into the line of work were put into the safest positions, which generally meant they weren’t stationed at the Wall, but here they were.  PO Nicola was shaped like the kind of man who wouldn’t meet the physical requirements, although she had, and her shimmering black hair the only thing somewhat beautiful about her.

PO Pienela had a womanly figure, though stretched to an unreasonable height, and her nose projected like a beak.  Her blonde hair looked dry, but she wore nice makeup.  Both women were squeezed into the mandated alternate woman’s uniform, with skirt and hose and frilly bow tie, hair identically braided and looped into a bun beneath their black and gold sidecaps.  The Captain could notice similar levels of detail in the men but was less specifically interested in them, and so he did not bother, beyond noting who had the biggest dicks in the fleeting moments where that was easier to tell through their loose slacks.

The Captain, Don Uomino Philotesta, brought his chair to a stop facing Communications, looking down at the women with very professional regard.  Good evening, Petty Officers.  They gave him polite nods and resumed their own conversation.  The dim honey colored light was a gentle film separating them from his lust.  Then, for the first time in weeks, the elevated communication chime startled them into uncrossing their legs.  No thrill there, as they were instantly turned away, pushing buttons.

“Just send it directly to me, thank you.”  He raised his work computer, and sound mites in his ears buzzed as they engaged with it.

PO Pienela gave him another polite nod and resumed work.  It was mostly bureaucracy, teasing apart the metadata to see how the communiqué would need to be logged in local systems.  As the only person certain to have the clearance for it, Captain Philotesta started playing it back.

//Prepare an extraction team to post in Borland 1 astrocielo.  Heavy broad spectrum transmission to global surface in local language:  Surrender to the Celestial Hierarchy the one known as Blasfemia or face destruction.  Follow immediately with doubled hellhound deployment, double autoesclavo surveillance.//

Damn, he thought.  The Amiralo will have expectations.  The post was a very safe place to wait for one’s retirement, the hardest work done by autoesclavos, but expectations meant possibility of taking a fall for failure to meet them.

“Furiere Enriges, we need to double the hellhounds on Borland 1, but deploy them all at once – not in stages.  We also need twice the eyes over that world, no need to hold anything back there.  Commander Giuchiratti, assemble one shuttle of marines and an escort of fighters, staging them in the Borlante astrocielo with the dogs.  No deployment until I say.”


It was all she could do to bathe, to eat and drink, to keep herself alive in the tower.  Cora Calumnia leaned heavily on esoteric sorcery to achieve even basic things.  Her state of cleanliness and grooming were properties of a moment in time that she accessed through those powers, taking the external qualities she possessed in that moment.  If only she could do the same for her internal organs, for the cells whose telomeres had been fully eroded, for the cells that had already betrayed her to form new cancers.

This was why she would create no more homunculi.  She could not care for them properly anymore.  One old autoesclavo hung onto its own existence out of respect for the task, but she couldn’t know how long it would hold up any more than she could know the same of herself.  Certainly it was making mistakes.  Two of the little creatures had died in recent years.

And yet she could not make herself sit still.  All of her life had been lived for herself, following strange curiosities, bending reality to her will.  The tower was a testament to that – a nest made out of magic scraps, keeping the heavy hand of physical laws at bay as much as it could.  But now someone else had become much more important, and she could feel her acolyte’s story overtaking her life.

She had to know what was next in that story, because she was almost certain she would not live to see it.  And so she called on the autoesclavo to set her homunculi in a safe room, and attend to her.  They ascended the tower, the hobbled leading the hobbled.  At least no one was feeling rushed.  The old machine’s disabilities had a rather different expression but were, generally speaking, no less disabling.

At the highest chamber, they were surrounded by the elements.  Half of the tall windows were missing panes, and perpetual wind made a mess of everything.  The chaos of that mess spoke to the intuitive inside Cora, let her set aside the science and view magic like a witch ought to.

The autoesclavo was a kind machine, living out its designed purpose well.  When she’d purchased it, it was a shiny pink plastic affair with white rubber bumpers that were impossible to keep clean, a secondhand servant that had helped raise children for an unsentimental family.  Cora had renamed it Maricela.  She still had the energy for craft projects then, and had refinished it in blue-lacquered hardwood with silver filigree, the rubber replaced with more sophisticated black gripping material that was easier to clean.  Now as some old pieces of wood had become too warped or cracked to function, they’d been removed, leaving the original pink plastic exposed.  It no longer shined, covered in a film of hardened old adhesive like a dense smooth layer of spiderwebs.  The gripping material was held together where it had cracked with tightly wound, thin, black, vinyl-coated wire.  Maricela’s face was a black screen with dim white LEDs that formed expressions and displayed where its attention was focused.

Cora instructed Maricela in how to array the ritual components, and helped as much as she was able.  The machine was slightly less dexterous in its hands and less strong than the human, so she was careful to keep its limitations in mind as they worked.  Together they wound gold wire around pegs on the floor in an intricate pattern, and ran copper wires from that array to the lids of jars containing special ingredients, placed at just the right intervals throughout the magic circle.

They rested in folding chairs at the end of the preparations, which had taken a few intolerable hours.  Maricela asked, “Do you have some power or device to send warning to Josefina at the Torre Alucine, if you discover some danger in her future?”

“Not that far away, no.”

“Then what is the purpose of knowing her path?  Is it just to satisfy your own curiosity?”

“Yes.  It feels more important than that, but ultimately it can serve no other purpose.  Can it, Maricela?”

“True, Dama.  But we must see to our needs in life, and this is one of yours.  I have a curiosity of my own.  When you say it feels more important, can you describe what you mean?  Maybe understanding that will help me to help you.”

“To express the inexpressible…  If I knew how to do that, dear, I’d have become a poet.  But I should try, shouldn’t I?”

“I would appreciate it, only if it is not too difficult.”

“Josefina fills my thoughts.  It is not love, though I am fond of her.  In a population of organisms, the young generation replace the old, and in turn are replaced.  It’s natural I should think about legacy at my age, yes?  But that isn’t it either.”

“But it feels related, or you would not have mentioned it.”

“I’m circling the truth, but like a logarithmic spiral, I may never reach the center.”

“You have told me that reality can never be perfectly defined, but approximation could still serve a purpose.”

“Maricela, I have no idea why some people dislike autoesclavos.  You are still finding ways to remind me that I love you.”

“I love you too, Dama.  Can you go around the spiral a few more times for me?”

Cora clutched at the air absently, as if she could grab the idea, and closed her big baby eyes.  “I set her on a path to understanding herself, but maybe that’s another unending spiral — one whose revolutions will be cut short with death.”

“You are contemplating your mortality again?  I do not want to make you think about that.”

“Not necessarily my end, but what happens immediately before it.  What understanding could I reach there?  This feels like a necessary step to satisfying that particular curiosity.  Perhaps.”

“I hope your end is still far away.”

“So do I, Maricela.”


One would imagine that with the post-defining boredom of his captaincy, Philotesta would leap up to personally oversee the odd bit of excitement to come his way, but it just wasn’t like that.  Looking out the windows, even looking at monitors, it would remind him of where he was.  Better to maintain the mental anesthesia of daydreaming, and the delegation of authority let him do exactly that.

Previously, the orgy of his mind had focused on the Petty Officers, but it was time for the Senior Officers to get some.  Commander Giuchiratti had the sort of commanding presence Captain Philotesta had never bothered to muster, which made for an obvious role in any pornographic scenario.  His cap was pulled even lower over his eyes, giving him an air of mysterious power as he wordlessly dominated the others into sex acts, gesturing here and there with strong sweeps of the hands and arms.

The Second Furiere Enriges and the Vice Capomachinista Tripoli Timmi were standing face to face at full attention, saluting each other with the right hand and stroking each other off with the left.  Could they maintain their posture, or would they be whipped by the Second Cappelano?  Father Jaocepfi was wearing no pants of course, his prodigious member snaking luridly from the black cassock as he leered and chattered obscenities in Laianes – a stereotype of the greasy oversexed foreigner.

All the men among the Petty Officers did endless pushups, blindfolded and naked but for their boots.  PO Pienela made shocked expressions, face blushed to a furious pink, as she watched the scene.  Her pants had been ripped to pieces and PO Nicola’s face was buried in her pubis, making very sloppy noises.

Behind the women, the lights on comms were a little too bright, pulsing slowly on a beat, like the heart of a great ectothermic beast.  The erotic pantomime gradually dimmed in comparison, the noise of it thinned to weak irregular tapping and animal whining.  Was his lust actually so different from the artifice of the sexless dolls on tele, or had he just constructed a different kind of falsehood that would eventually fail under the weight of its own abstraction?

“Captain,” said the Commander’s voice, spoken from the wrong position.  He was on the Defense Systems side of the dais resting a boot on the back of a naked man doing pushups, right?  The voice was too close.  “You seem half asleep.”

He turned to look at the source of the voice and saw the strangest creature he had ever seen.  Not one of the outrageous chimeras of the astrocielo, but something that distorted the idea of human form with a wrongness as subtle as it was thorough.  The face of an infant on a head too large, the body of an elderly woman with thin wrinkled flesh, reddish gold hair taut in a pearl crown.  She wore a funereal black dress with a fan-like white ruff, like that big head sat severed on a plate.

In Giuchiratti’s voice she said, “Are you sure you don’t want to oversee the operations?”

At his own look of alarm, she looked alarmed, and backed away with nervous steps.  She tripped and fell, injuring herself and crying out in mute pain.

A flicker of an eyelid and she wasn’t there, only the Commander, fully clothed.  “Captain?”

Philotesta squeezed the sleep out of his eyes and angrily grasped at understanding.  It all came together quickly for him.  “DefSys, seventy-five percent more power to ESO shields, now.”

The young men jumped in their seats and pushed the right buttons, then waited in position for another order, still tense.

“Maintain that, for now.  At ease.”  Philotesta took off his cap, wiped sweat from his brow.

Giuchiratti said, “The ESO shields aren’t there to protect you from bad dreams, sir.”

The Captain rolled his eyes.  “I never would have imagined such as I just glimpsed.  A witch scries on us, and I saw her.”

“Your imagination could not have conjured a witch?”

“Not like her.”


One grueling task begat another.  Cora required medical care but had made no arrangement with the civilized world to come fetch her in that situation, so she was caring for herself.  To her best effort at diagnosis, the priorities were getting blood pressure back up, then operating on the hematoma.  The joint damage was a lost cause, just a new disability to add to the list.  She waited more than three hours for the slow old autoesclavo to synthesize artificial blood and return with that and the equipment.  Moving her to the laboratory would have been faster if it was at all possible, but it wasn’t.

At the brink of death, the blood began to revive her.  Revived nerves transmitted pain afresh and she was pushed near death again, only the slow escalation brunting the shock just enough to prevent that.  Maricela made fussy gestures with its hands in between tasks, a human-like neurotic display that emerged naturally from its programming, not mere mimicry.  Cora’s thin eyelids lifted again, weakly.

“Her crossroad lies in the heart of an angel.  How magnificent!”

JnBvtWoI II:VIII

Still not loving my work but big things are happening again, at least.  In a subsequent draft, it should be much improved, but in the spirit of publicly posting the first draft, here you go.  If you want to read this novel from the beginning, see this article, read it, and hit the next button until you see more entries, stopping with II:V, then starting again at this one.  Meanwhile…

“My beautiful people.  My wounded flock.  I have, in a moment of weakness, failed you.  How is this possible?, you may ask.  An angel of such immense power, who could turn the very world you stand upon?  It is that very power that is the problem.”

Michael stood in the balcony of the Abbey, addressing the crowd who had come to accuse the assassins that day.  At one side were Cardinal Domenico and his guard, at the other his own men, Pietro and Dante.  They had let as much daylight as possible into the room, but the figures on the balcony were still cast in blue-grey.  Michael’s halo was visible, licking around the corners of his crown.

“Our souls are united in the great hierarchy of Creation, and so my heart can feel yours, and you can feel mine.  When I was in my proper place, before the terrible crime that inaugurated my regency, there was a proper distance between us, which made this connection a source of gentle love for us all.

“Walking among you has lessened the distance between us, and at a time when that love has been sullied with those mortal sins.  Dio 6 is comfortable in its star’s light, Dio 1 is a burning rock.  I am too close to you now, and must protect you from the power of my heart.

“When I came into this place the other day, the protections I had placed upon myself were imperfect, and some of you fell ill.  Whether you felt the sickness or not, you felt some measure of my darker feelings, of the great turmoil I feel at having to look upon these sinners and decide the best justice for them.

“To prevent this from happening again, I have redoubled my efforts to keep you safe, to keep my heart inside this cassock.  That will not happen again, I swear to it.”  Michael looked back and forth over the people, watching their faces for a sign of how they were feeling.  He was not exaggerating.  The day he had reduced Cristina to animal panic, the lamen he wore for routine protection had been slightly damaged.  He rebuilt it from sterner materials, immune to smudging and ripping.

His ability to read expressions had grown by leaps and bounds since he fell, in part from practical experience, in part from that dangerous proximity to the masses.  He had been gleaning knowledge from them telepathically, purely on instinct.  Now that he had to exercise greater care with his power, would his learning slow?

Just the same, Michael was satisfied that, although they still had fears and concerns about the situation, the main run of the crowd admired his beauty and power, and tried to accept everything that he said.  He continued.

“On another matter, which concerns us today, is that I must disappoint your desire to confront the assassins today.  I do see why you want to do this, why my good cardinals decided to allow this, but I have looked at the records of what happened, and must conclude that visitation by the mourning is a form of torture.

“The punishment these sinners must ultimately face may include torture, it is true.  And this may well be part of that, but I cannot swear that it will be.  Justice must be more carefully considered before it is administered.

“You gathered here today, among all of the people of Dio 6, will be the first to be informed of my final decision, of what is to befall the terrorists, and if you are to be part of it.  That I can swear as well.  Now please, go home.  In the name of God I bless you all.”

The protection magic he had woven around himself was so precise that he could extend his power through it with conscious exertion, and he teased out the love that he felt for the people, and let it wash over the crowd, ever so slightly.  Their expressions softened, their concerns assuaged — at least for the time — and they slowly left the building, with no small amount of genuflection and prayer before they let the beautiful angel leave their sight.

Domenico took his hand and said, “While we are swearing to things, let me say that I will not behave so presumptuously again.  You have my word, Pontiff-Regent.”

The creature gently withdrew his hand and said, “My sincere gratitude, Cardinal.  I will leave you to your duties and persist in my own.”  He bowed slightly and walked away, guards trailing behind him.

Domenico stood there in silence but a moment, before heading into the opposite hall with his own entourage.  Halfway into the right wing of the building he turned to face his security detail and quietly asked, “Where are the security cameras monitored?  Take me there, quietly.”

He didn’t know if the angel’s sense of hearing could reach that far across the building, but he couldn’t bear the curiosity any longer.


In the left wing of the abbey, Michael had gone straight to Cristina’s room.  With his newly redoubled psychic protections, the guards did not sense his coming in the same way, but parted ways nearly as quickly.  He ordered Pietro and Dante to remain outside the room, and for the first time, he closed the door to the hall.

Cristina crouched on the far side of her bed from the door, peering over the top at him.  “Come on, come on!  Why me?”  She gleamed with a thin sweat.

He looked at her, sad and kind.  “Surely you can feel the difference between this time and the last?  I have improved the powers that bind my psychic aura, to protect you mortals.  There should be nothing to harm you now.”

“That was powers last time?  I just thought I was scared of you.  I still am.”

“Please sit on the bed.  Would it help if I sat farther away?”

“Yeah, like, go back to the throne room.”

“Please.  I am not leaving, Cristina.”

She crawled up onto the bed and sat there, coiled like a spring.  “Now what?  Seriously, you freak me out.”

Michael found a stool and sat on it, more than two paces away from the bed.  His mien was of practiced calm beneficence, but if she could see his pupils expanding and contracting, catch the flicks of the eye, she might guess at something else.  “I’d like to apologize for how I’ve conducted myself around you.  Your sin was so great that it drew me out of the heavens themselves.  I’m new to the world, still finding my way.  In shock, I haven’t properly controlled my feelings.”

“You almost sound human now.  It’s a neat trick.  Again, what do you want from me?”

“Simply to understand you.”

“So you know how to torture me to death, right?  Why would I let you know anything then?”  In full view, he could see the sweat wasn’t from fear.  She must have been exercising before he came in.

Without the shock and haze of their first encounters, Cristina could finally take a more objective view of the angel.  An angel pope!  Absurd.  He looked so much like a real man, but larger than life.  His size alone felt like a threat, no matter the demeanor he put on.  He seemed as big as a horse.

He said, “It is not yet decided what your punishment shall be, only that it should stand as a reminder to all in the Stars of Weal to never transgress like this again.”

“That isn’t helping me relax, Your Holiness!”  She knotted her fingers in the blankets.

His face took a pained expression, so indistinguishable from a human.  “I’m truly sorry.  This was meant to be less torturous than my previous visits.  I am not here to inflict another cruelty upon you, child.”

Cristina stopped twisting as much, but still gripped the blankets in two fists.  “I believe you.  What if I accidentally change your mind?  You have a temper.”

“I will leave, as I did before, if you recall.”

“Yeah.  I’ll never forget that, at least until the axe falls.  So what is this about?  Why me?”

“You personally slew the pontiff.  I know your heart.”

She laughed for an instant, mirthlessly, madly.  “How can this be happening?”

“These are rather unbelievable times, in no small part due to the work of your hands.”

“Why even say anything?  You know what I’m going to say.”

“Yes, yes.  To blame it on Blasfemia.  But it is you, who designed to kill God.  There is no one else in the world like you, Cristina.  That is why I am here.  I need to understand this.”  The angel leaned forward in his seat, looking deeply into her eyes.

She rolled her eyes.  She didn’t want to but they were beyond her control on this one – on this absurd circumstance.  “You need to understand something that isn’t true.  This is gonna go great.”

“You don’t need to confess today, but please, spare me the denials.  How many people have a chance to speak directly with the Angel of the World?  I cannot imagine you have no curiosity at all about it.”

“So I can ask questions too?”

“I hadn’t considered it, but I may allow it for a time.  You will answer my own?”

“If I can.  You know there are some things a person never says, to protect themselves.”

“And for other reasons as well.  Same terms then.  We can each ask, but understand there may be no answer given.”  Michael straightened up in his seat and crossed his arms, eager.

Cristina’s mind raced.  Why did life end up being like a test so often?  “Deal.  Might take me a minute to think of a good question because you got me all jacked up.”

“Why did you do it?  I understand you each had your own motives.  The political philosophy of your former lover, the esoteric spirit lust of your theologian, the ethnonationalism of your fixer.  And you were, of all things, the Satanist?”

“You really wanna know about that?  About that?”

Michael showed his hands.  “If knowing the dark philosophy of devil worship helps me understand how you could bring yourself to this, then I must know something of it.  The motivation.”

Cristina relaxed enough to cover her face with her hands.  After she stifled a scream at his absurd delusion, she said, “Society is all about judgment.  Make sure you do this, never do that.  Even when it isn’t pointed at you, it’s always rumors and bullshit and bitching, and you just know it’ll be pointed at your back the second you turn around.”

“And because society is religious, you come to hate religion, believe it is the cause of all that you dislike in people?”

“If the shoe fits.  That’s the language they use.  And if shit comes to a head, it’s inquisitores and priests that enforce it.  How can God make me like this and then stand in judgment of me for living how he made me?  I know if he exists the way people say he does, then he hates me, and I hate him.”

“God loves all of his children, but he does hate sin.”

“That shit has never made any sense, but go off.  You’re the pope of nonsense.  Pope Nonsensius the Ding-Dong.”

It was Michael’s turn to hide his eyes, mustering the thoughts to pierce her wall of noise.

“My turn?,” she asked, and didn’t wait for an answer.  “It’s all about the magic hat, isn’t it?  If the old pope wasn’t wearing the magic hat, you wouldn’t have even noticed, would you?  Maybe low key, but not like this.”

He dropped his hands and shook his head sadly.  “You just don’t get it, do you?  You’re lost in this maze of moral relativity and philosophical materialism, when the evidence of God’s truth is right in front of your face.”

“There’s an expression where we come from.  ‘The Right of the Church is writ on the wings of the Hosts.’  Basically, that the very fact the priests can summon angels is proof they are doing God’s will, and have the right to make all the rules.”

“And you deny that because you believe… what, exactly?  That book by Chucra Colimar you read in eighth grade?  That the angels are spirits pressed into the church’s service, forms twisted by human sorcery?”

She was shocked quiet for a moment.  Then said, “You’re reading my mind.  Then why don’t you already know..?”

“I have decided not to read anyone’s mind, Cristina.  I found out every single detail of your lives, in my studies.  I need to understand why this happened, so I can keep it from ever happening again.”

“You’re telling me you memorized our library records from school?  That’s insane.”

A Treatise on Angelic Bondage, penned by Jorge’s intellectual predecessor.”

She curled into a ball and tugged the blanket over her head.  “You knew I dated Chino.  Didn’t find that out from the library.”

“Pictures and videos.”

“But you’re not bothering them.  It’s only me…”

“Your reason.  It vexes me.”

She whipped the blanket down, but didn’t sit up.  “What’s the big fucking mystery?  Maybe I’m just mentally defective!  Maybe I’m just crazy!”  To Cristina he looked just like a man, acted just like a man.  But moreso?  He must have a superhuman mind to remember all those little details about four lives.  Maybe his powers were pushing him close to awareness of that hole in the middle.  Spirits are always missing something; she was sure of that.

True to that perception, his emotions began to crack the surface.  He stood and took one step toward her.  She barked in fear and rolled behind the bed, out of his sight.

“No!  Why must you fear me like this?  I am no more grave of a presence than any in your gaol!  Do you fear yourself?  You’re the one who has wrought your fate!”  His voice trembled.

He isn’t bothering the others but he’s bothering me.  He isn’t reading my mind because he doesn’t want to know.  He’s committed to the idea I did it, because…  of what he wants…

She made herself cry.  It was always a good stalling tactic.  Cristina wasn’t a great actress, but stress made it easy to throw herself into that spirit, to pretend she had that particular human frailty.  She was human, of course, but crying was not something she’d ever done in earnest.  Not how her body or mind worked.

Michael flew to the corner of the room, where he could look around the bed without being close to her.  “Look!  I am not close to you!  I cannot hurt you!  I wear this terrible lamen upon my chest like a curse, oppressing my powers, lest I burn the people that I love!  Do not fear me, please!”  He tugged down the collar of his cassock to reveal the new brazen symbol, hung from steel chains.

“You love me?,” she choked.  “It’s impossible!  Nobody loves me!  Angels can’t love anything!”

He had meant that in the broadest sense, that he loved all of humanity.  Hadn’t he?  Michael cried now too, though he wasn’t wracked by the sobs, or curled in a ball like she was.  “Look at me!  I love all of mankind!  I love you like my children!”  He didn’t love children, did he?  The angel felt that his words were springing unbidden, barely controlled.

Through the blur of tears she saw him, her own eyes wide with fear, but something else dawning as well.  Could he see it?  She had to be careful as hell, but it seemed to be working.  Get him off guard with emotion, then make him believe whatever he wants to believe.

“It’s alright,” she said between sobs.  “It’s not like I can make you do anything.  Just stare at me.”

“I’d sooner gouge out my own eyes than make you feel this way!”  He wheeled around and gripped one of the blinds, wings flexing in place.  His voice was erratic.

He’ll tear me limb from limb.  Don’t fucking do it, Cristina.

“Prove it.  Hold me gently, don’t hurt me at all.  If you even can.”

There was a long moment of shuddering breaths and brutal tension, then she was nearly shocked out of her mind by huge arms curling around her, pulling her up onto his thighs.  She was suddenly reminded of being held by a priest when she was five years old, but this reality was much more dire.  The metal of his strange huge amulet pressed into her shoulder, the chains snapped at her hair.  He smelled like fire, like a man who had worked a day in the fields, then walked through a haze of incense.  His breath turned to steam on her temple and trickled down her face.

“I do love you, my child.  If no love for you remains in all the stars, mine cannot be dimmed.”  His muscles tensed, and he increased his efforts to not crush her, holding his arms so stiffly.  “Why is your body so rigid?  Why do you fear me so?”

“Just hold me until it stops, please.  I can’t bear this pain.”

“Y-yes, my child.  I will.”


Domenico listened to their words and watched their bodies from three angles at once, trying to feel out the reality beneath the emotional surface.  The talk of love, the physical intimacy, this had to be the machinations of the Corazono heretic.  If Michael were just another human political rival, their sobbing and fumbling embraces would be music to his ears — leverage to promote himself.  He was the heir apparent to the papacy, but nothing was ever so simple where that throne was concerned.

The angel was an angel, one with power that defied all human control.  Cardinals were some of the most accomplished angel binders outside of the highest echelons of the police, but if the entire college worked together, they’d have no hope of restraining this creature.  The heretic knew she was condemned to death, so why not play with atomic fire?  Selfish bitch!

He needed her to stop, but how to achieve that?  The Pontiff-Regent had superhuman senses, preternatural cognition, and supernatural understanding.  Were she to be assassinated, he might sense who was responsible and take revenge.  If insane enough, he might just take revenge on the whole world.  Domenico could only hope any intercession was happening early enough in the monster’s infatuation that it wasn’t of mortal consequence.

Several schemes occurred to him at once, overlaying and entangling each other.  Manipulate a faithful man to assassinate her, take the blame, then die before he could be interrogated.  Give her what she wants — fake her execution and let her live in secret with a reconstructed face — at least until a subsequent assassination.  Maybe the angel could be in on that scheme, but his faith was more true than any among the cardinals, and the guilt could lead him to lash out dangerously.  Or his love could help distract him for the rest of a human lifetime, and avert apocalyptic trouble on Dio 6.

Controlling Michael through manipulation seemed too much like the foolishness that heretic had taken upon herself.  Destroying him, on the other hand..?  To even think it raised the risk of discovery.  Should the angel’s power again breach the constraint of his lamen, he could anticipate the threat through augury or telepathy in an instant.  Still, it had to be considered, for the good of humanity.  And as an advanced practitioner of divine science, Domenico was already running the math.

The creature’s energy would need to have an escape that did not damage the world, and if the source of the killing blow was an exorcism that forced him into the ectosphere with lethal force, that might be just what was required.  Like other fields of physics, divine science was not limited in scope to the power of individuals.  One could use technology to achieve greater effects, and this would surely require such a mechanism.

It would be a cannon – perhaps an ectoproton beam with subtachyonic carrier waves, possibly affixed to a satellite – and it would have to be invented nearly from scratch in a very short time.  That meant more conspirators, and more opportunities to lose it all to a telepathic moment.  Good reason to act as quickly as possible.

He left in a swirl of flowing red and black cloth.


It seemed like an hour before the Pontiff-Regent came out of the assassin’s room, and his guards could change from post to escort.  Dante and Pietro were immediately concerned at his demeanor, glassy-eyed and vacant, but with a nervous energy beneath that threatened to escape his shackles.  They bowed, but as he passed, they had to exchange worried glances.  Dante bared his teeth in fear and furrowed brow, Pietro swallowed a sob that was trying to form.  What had she done to that great innocent soul?