No comments on my entries to the first edition of The Midnight Collection, OK.  I wasn’t going to do this originally, but I’m posting what I consider to be the best story from the book.  Written by Joseph Kelly (not me or my ‘nyms), it compares favorably to Clive Barker.  Check it out.  My post here is just going to have the start of the story with a link to where you can finish reading it on The Midnight Collection’s website.  If you love or hate this story, or love expressing your opinion even when that is “meh,” leave a comment either here or there…

SAPSUCKER

Joseph Kelly

Content Warnings:  Loss of Autonomy, Quasi-erotic Horror, Messiness, Mutilation, Murder, Mild Ableist Language.

He dreamt of cutting a body to pieces.  Like a butcher breaking up a pig carcass: this part for chops, that part for bacon.  An awful dream, repulsive.  Not just gross, but he was more disturbed by how he’d behaved in the nightmare: passive, apathetic, annoyed at the chore.  His stomach churned when he woke, sitting up in the rental cabin’s bed.  Sick.  What the hell was wrong with his brain?  He didn’t even enjoy watching horror movies, let alone that gore shit.  And he wasn’t prepping a Thanksgiving turkey recently or anything; he’d been vegetarian since junior high, save the occasional accident.

He fumbled around the cabin, knocking his hip into the cluttered furniture.  Cute place though.  Cozy.  Six days remaining, pre-paid, but he still felt the money draining minute-to-minute.  At least he’d gotten up early, after leaving the bedroom curtains open so the sun could wake him.  The kind host had made good use of the cleaning fees: the carpets shampooed, the upholstery Febreze’d.  Even left a stack of board games and puzzles by the sofa.  But who’d drive two hours into the countryside to assemble a thousand-piece patchwork of kitten parts?  That wasn’t what he was here for.  His eyes wandered to the easel set up in the living room.  It waited with a blank canvas pre-toned in rusty burnt sienna, ready to receive his vision.  Not yet, not yet.  The mantra of his life.  Morning light streamed through the sliding glass door: a white overcast sky, warmth already hanging in the air.  Gonna be a real scorcher, he thought in his dad’s voice.

He broke out the loaf of bread he’d packed, made a PBJ with the complimentary jelly packets the host had left on the kitchenette counter.  A salad bowl-full, so deep he could bury his hand like he was fishing around in a trick or treat basket.  How much did they think he needed?  The Jelly-du-Jour was classic grape, squirted over his sandwich with a humorous squelch.  It’d be good to get outside early before locking himself indoors with the A/C blasting.  He took his breakfast out to the patio table to admire the view.  That’s what you paid for, the pics that enticed you to impulse-book a week.  A pond with croaking frogs, a patch of dense forest.  No neighbors to rev lawnmowers or kids tearing around on dirt bikes.  The sandwich gummed up his mouth, and he choked it down with a glass of tap water.  The modern monk, fueling himself for a day of illuminating manuscripts.  More like daubing around paint for twenty minutes then wiping it all off.  But you could hope.

He stood, stuffing the bread crust into his pocket.  Almost tossed it in the pond, but that’d give the ducks a stomach ache as bad as his own.  A nature walk sounded nice.  Clear his mind, be a chance to think.  He’d follow that rasping bird call, see what little weirdo was making it.  He set out, passing the pond, the frogs sleeping off last night’s concert.  The woods were cooler, made him glad he bothered with the flannel shirt.  He hiked over lumpy ground, still achy and groggy from poor sleep.  Chopping up a body, for fuck’s sake.  Sawing at an ankle, dead foot clammy under his palm.  Passive, emotionless.  He shuddered, shaking his head to knock the thought free.

Leaves rustled, branches creaked, and that distant bird-call rang out.  Squeaky, manic laughter: more birds chattering over each other, having a little shindig.  A streak of scarlet flitted through the boughs, a latecomer to the party.  Weep-weep, one of them bleated like a depressed dog toy.  He followed, taking a deep breath of fresh air.  A woody scent, that Christmas smell.  Expensive turpentine, not the cheap turps he bulked out his brush washer with.  He leaned against a trunk, closing his eyes to feel the peace.  Turning into a real Bob Ross out there, just needed a squirrel in his pocket.  Bob probably never got much into abstract expressionism though.

A tapping sound emerged—tonk-tonk-tonk, like tiny wooden mallets.  Woodpeckers?  Pockmarks studded nearby trunks, holes seeping gooey sap.  Looked like they’d been mowed down by gnomes with tommy guns.  There—more red, a riot of woodpeckers swarming an old stump.  Ten of them maybe, all crowding in.  He watched them and laughed.  Too bad he left his phone on the nightstand; Dad would love this.  But you couldn’t pack that shit around if you really wanted to unplug.  The birds went to town on that stump, hammering away, cramming their beaks into the gnarled wood and gulping tree blood.  A new scent—something sweet, maybe whatever got those little guys so amped up.  Apples… baked apples, fresh out of the oven.  And an animal musk, like a fox marked its territory.  Wasn’t the birds.  Birds didn’t smell, did they?  They were so absorbed in their meal, you could reach out and grab one.  He crept forward.  How close would they let him get?  Closer, though he couldn’t move like a ninja.  Leaves crunched under his boot, but the birds didn’t flinch.  Another woodpecker arrived, fighting for space at the buffet.  The bird it displaced squawked and waggled its long, creepy tongue.

He was right on them, ready to live that childhood dream of sneaking up and petting a seagull.  Did he dare?  He reached for one, its back turned.  Close enough to see the stark mosaic of its wings, the crimson head, total Woody Woodpecker style.  Inches away, his hand poised, wavering.  He went for it, biting back a smile.  The bird’s feathers were silky smooth, its skin warm beneath.  Man, what Snow White shit was this?  He stifled a childish giggle.  Another one, feathery soft.  It vibrated, boring a hole into the wood.  The scent—stronger now—apple cinnamon Pop-Tart, like when he was a kid.  They didn’t even make those anymore.

A flow of sap trickled down the knotted bark.  The stump stood hip-height, roughly torn, the wood crackled and grey.  A dead tree, rotted apart.  Why was it dripping sap then?  Had to be something alive in there.  He reached for a rivulet, and a bird shrieked and flapped at him.  He jerked back, not wanting a hole in his painting hand.  The animal smell grew stronger, like sweat?  Fresh sweat, not rank B.O.  Apples and sweat, a little vanilla.

A ray of sunlight peeked through the canopy, lighting the sap a brilliant crimson, candy-red.  His stomach ache vanished, and now he only wanted a taste of that stuff.  The woodpeckers wouldn’t clear space, crowding every inch.  An impulse struck him, tingling down his arms.  He lunged forward, kicked the stump, waved his hands and shouted.  But why?  What an asshole move, scaring off some creatures enjoying their breakfast.  They stayed rooted longer than he expected, but flapped off in time, trilling and screeching.

All for him now.  He knelt, eyes tracing over the twisted wood.  This was what got them so hot and bothered?  A pool of the sap glistened translucent scarlet, and he dipped his finger in.  He thought it’d feel like stand oil—sticky as honey.  But it was slick, and he dove to lick it off before it dripped down his shirt cuff.  You’d imagine maple syrup, the expensive stuff, but it wasn’t sweet really, almost savory.  Apples cooked in salted butter?  The taste changed in his mouth, even with one drop.  Apples, to a salty, musky taste on the afterburn.  He dipped into the pool again.  Wouldn’t drown your pancakes with it, but there was something compelling there.  He sucked on his fingers, rolling his eyes around like an amateur sommelier, considering the flavor.  No, it was sweet now, more cinnamon sugar.  He took another sample, laughing: pretty Winnie the Pooh of him.  He had to pull himself away, wipe his hand off on his pant leg.  Maybe he’d find a jar and get a souvenir to take home.

Back to the cabin, and the color of that sap stuck in his mind.  It’d look good on the sienna.  Just add some black and white streaks like those crazy birds.  He slid onto the stool, picturing the composition already.  Yeah, a dark rectangular frame, then red in concentric circles.  The colors were barely on the palette before he was laying them on the canvas.  He worked steadily, only stopping to switch brushes, dab more medium.  Didn’t even need music to get in the zone.  He stretched back, and sweat trickled down his spine.  Christ— he was still in his flannel, and the sun was blasting through the window.  The thermostat read 89F.

He tore off his shirt, set the A/C to full bore.  No way it was that hot already at…  The wall clock read ten till noon.  Hours had passed like nothing.  He stuck his head under the kitchen faucet and let cold water run down his neck.  Felt great with the A/C rushing on his wet skin, but how’d he let it get this bad?  Was the work really so absorbing?  He turned back to the easel, staring in amazement.  Halfway done, maybe more.  Remarkable headway for a canvas that size.  Looking sharp too, that black, white, and red so striking with the sienna peeking through.

He slumped onto the leather sofa, eyes drawn to the painting, itching to return to it.  How long had it been since he was this focused?  The next move was obvious: get the palette knife in there and make some vertical streaks like the birds’ feathers.  He forced himself to choke down another PBJ before returning to work.  Nobody back home would’ve dreamed he’d make good on his talk of getting away and finally finishing something.  Probably thought he’d be jacking off 24/7 and crying about the Wi-Fi.  But it didn’t matter what they thought.  This was what he paid for, what he took time off for.

The day drained by, and he was still focused enough to swap that finished canvas for another.  Cobalt and Hansa yellow now, in overlapping triangles like the gleams in the starlit sky outside the window.  Night already!  The frogs had been singing for hours, and his back screamed at him for spending all day on that awful stool.  He hobbled to the living room couch and refueled himself with a bag of gummy worms.  Gelatin wasn’t vegetarian, but they were sitting on the counter and he couldn’t be fucked to make another PBJ.  Sorry horses, or whoever’s bones got boiled.  He looked back at his work, shaking his head.  Now this canvas was almost done too.  Crazy, absolutely crazy.  The creative bug got him again, like the old days of studio all-nighters, only stopping when campus security came around to kick him out.  Maybe it was as simple as getting out of the house.

The painting still called to him, but he’d be crippled tomorrow if he didn’t rest his spine.  He scraped layers of paint from his forearms and flopped on the stiff bed, mind buzzing.  Corny decorations clustered the room: wooden unicorn, a framed bible quote.  That lame print of a pink sailboat on a purple ocean—you could do something with those pastel colors.  Break out the silver paint and palette knife, scrape it on thick for texture.  Let some black streak through: the shadows beneath those mellow waves.  Exhaustion overtook him, and his plans interspersed with dreams.

Carving pumpkins at the kitchen table, scooping out their slimy guts, seeds raining on the newspaper Dad had laid out.  Smelled like sour tomatoes, but he’d imagined pumpkin pie or Mom’s nice autumn candles.  Back in the old house, but he wasn’t a kid.  Orange goo clung to his hands, strings of slime hanging down.  The dream changed and Dad became someone else, watching him with an unkind presence.  Maybe Kyle; he didn’t get it.  Ab-ex is for boomers, he’d say as a joke.  That’s art, huh?  Splashing paint around like a 1950s alcoholic?  Rothko wanted to do realism.  Kind of sad, yeah?  And then he couldn’t change.  Everyone wants color fields forever.  What if you got stuck that way?  Couldn’t make anything real, just blobs until you die.

Wasn’t Kyle though, with his lip-ring accenting that permanent smirk.  It was a stranger.  How’d they get in the cabin?  The doors were locked.  No one should be there.  Yet, there they sat in the old IKEA chair, just out of sight, just on his periphery.  Their presence was overwhelming, vibrating, like fingers working into the whorls of his brain.

A song—he didn’t recognize it, but it fluttered in and out on a fuzzy connection, playing on a decrepit, tinny speaker—Got to get to you, baby—the pumpkin vanished, the table vanished—Honey, come set me free—nothing in the dining room but a face it hurt to look at, like peering at the sun…

READ THE REST HERE,

Or purchase the whole Midnight Collection e-book through Ko-fi or Amazon.  A physical copy in paperback is available through Lulu.  You may be able to purchase it through other sites soon, but it’s nice to not give Bezuggs a cut, and purchase on Lulu gives more money to the cause.  And lastly, you can just read the collection for free at the Collection’s website.

Alright you busters, time for my last post about the first issue of The Midnight Collection.  Nobody has seemed much interested, but this story is my personal best.  Didn’t like the last two?  Give this a spin.  My post here is just going to have the start of the story with a link to where you can finish reading it on The Midnight Collection’s website.  If you love or hate my story, or love expressing your opinion even when that is “meh,” leave a comment either here or there…

SUPPLY CHAIN BANDITOS

Bébé Mélange

Content Warnings:  Capitalism, COVID-19, Poverty, Gun Violence, Murder, Robbery.

My name’s Diana and the first time I thought about this kind of thing, I was, like, twelve years old?  This had to be about 2020.  Covid was new, and it was weird vibes.  The “boomer remover” joke was funny, but it didn’t matter, you would catch serious nerves off the grown-ups.  They were bouncing from one freak-out to the next one, like whatchacallem, bumper cars?

My family had an apartment and you know, it had a lot of mildew.  Is it mold or mildew?  It was probably bad for us, but you don’t smell it unless you leave the house and come back to it.  I didn’t have a bed.  I was sleeping in the living room, on the couch.  Well, I don’t really remember sleeping because the lights, and sometimes people would come in and play TV or video games, and I’d be in and out of sleep so much.  But when you’re a child, that’s OK.  You’re good at it.

I remember the room was pretty small; even small as I was, it looked small.  But when you’re all sunk in the couch cushions and close to the ground, you can imagine it’s bigger.  The carpet was light brown like desert sand—dirty too—so I dreamed it was a big desert.  The biggest thing in front of me was one of those wall TVs nobody put on the wall, sitting on cinder blocks with all the wires and video games around the bottom.  In my dreams, that was a big old rock like the ones they have in the Southwest.

The gamer chair and bean bag would be smaller rocks, and the junk like shoes and grocery bags would be little boulders.  Littler stuff like socks and tiny bits of paper and crumbs of dry food that get in the carpet.  Well, you know…

The sky was blue where the TV touched, mixed rainbow from the LED string stuck on the back of it.  That was like the day and the night sky all together, over my little desert.  Tiny people, sometimes tiny me, we’d be out in that desert—going here or there.  It didn’t mean anything.

Anyway, my mom’s boyfriend Peter woke me up that night, cussing softly in the kitchen.  He made a little noise, then came out to sit in the gamer chair—one of those rocking things with no legs that sit right on the ground.

He remembered I was there and turned the chair halfway to see me.  “I’m sorry, girl.  You wanna watch me play GTA?  Have something to eat?”

“No,” I said.  “I mean, I’ll be OK.  I can see from here if I want to.  Go ahead.”

He sighed and grumbled again.

“What’s the matter?” I asked.

“I don’t have my burritos.”

He was talking about those cheap microwave burritos.  I should have known he was mad that he didn’t have those, because I didn’t smell them.  They smell like cat poop, so much that my mom would think the cat farted, before Peter came out with two burritos on a paper plate.

“Did Mom forget to buy them?” I asked.

“Naw, baby.  It was the supply chain.”  He emphasized it, like it was real significant—a revelation.

I was interested, but still kinda dreaming about my desert.  “What’s the supply chain?”

“I shouldn’t tell you about it.  It’s grown-up stuff.  Scary stuff.  Covid stuff.”

“You have to tell me now.”

He told me about how the pandemic was making it so we run out of random things, because truck drivers got sick, and there weren’t enough cops to stop thieves.  Last time him and my mom went for groceries, they didn’t have his cat poop burritos, or sour cream, or trash bags.  If it kept up, he said, there’d be nothing left.

“What happens when there’s nothing left?” I asked.

“Total anarchy, like some Mad Max-type shit.”

“Oh.  Like GTA.”

“Oh yeah.”  He didn’t think about the game he was playing, how it was like he said.  You steal stuff and the cops can’t stop you.

He finished his baloney sandwich on the loading screen for San Andreas, with all the cool tattooed cartoon people, and I went back to dreaming under the TV-colored sky.

The bean bag would be the place where the bandits would strike.  I think in my dream it was like, a little bit Wild West, a little bit Grand Theft Auto.  The target was a big rig with wagon wheels, sticking to the trail behind Gamer Chair Rock—for the moment.  The bandits waited by Bean Bag Rock, loading their pistols one bullet at a time.

So that’s why I was thinking about it when I was only twelve.  Peter was a Samoan guy, very Christian, but maybe he didn’t always say the right thing to children?  It was probably fine.  I was fine.

There was a ridge on Bean Bag Rock where the banditos sat in a little row.  They had the high ground, and they were going to shoot up the truck from there.  Bean Bag Rock was in the shadow between blue day and the night of rainbow constellations, so the men could not be seen.  They were something drab and gray, between all the colors.

Why did I say men?  Of course, any kind of people can be bandits.  But when you’re a kid, you don’t know everything, so in my mind they were all men.  They were in sombreros, vests, and chaps.  One of them was real pretty, like Lil Nas X.  They were tiny so he would be lil Lil…  I’m sorry.

Anyway, the big rig wagon was chugging along, headed their way.  I figured there would be a guy on the passenger side with a shotgun.  Peter told me that’s why it’s called shotgun.

I didn’t want Lil Nas to get hit with a shotgun, because it can blow your whole head up.  That’s just gross.  So the bandits had to be smart.  The top of the truck was not bulletproof, and shooting downward with pistols has more range than shooting upward with a shotgun.  They just had to shoot when the truck was close, but not gone by yet, because you couldn’t get bullets through the back part of the cab as easy.  It’s heavy there, full of truck parts?  And the trailer is right there too.

Lil Nas held up a hand.  His arm was bare, but he had a cool pink glove with embroidered black patterns and two tassels.  He waved for the guys to get ready, and they all pointed their guns at the truck.  Some had pistols, like those big long ones you see in old western movies.  A few of them had rifles, with that part you cock to put out the shell and load another one?  Very cool.

It’s sad that the wagon driver and the shotgun man had to die.  But you can’t think about stuff like that, or you’ll never get your cat poop burritos and trash bags.  Or anything.  That’s what it all comes back to, in the end.  We all need to eat, but there isn’t enough stuff for everybody, so somebody has to lose…

READ THE REST HERE,

Or purchase the whole Midnight Collection e-book through Ko-fi or Amazon.  A physical copy in paperback is available through Lulu.  You may be able to purchase it through other sites soon, but it’s nice to not give Bezuggs a cut, and purchase on Lulu gives more money to the cause.  And lastly, you can just read the collection for free at the Collection’s website.

When posting about The Midnight Collection, I’ve been hoping to see people’s opinions about the collection as a whole.  But I can understand, slow times on FtB, not a lot of people ready to read a rando dark fiction collection at the drop of a hat.  Well then, at the very least, curious to see people’s opinions about my own contributions.  I’m going to post them here, one at a time.  My posts are just going to have the start of the story with a link to where you can finish reading it on The Midnight Collection’s website.  If you love or hate my story, or love expressing your opinion even when that is “meh,” leave a comment either here or there.  My stories are quite different from each other, so if you hate this one, maybe the next will be more to your liking…

FOUR

Christopher Scott Shelton

Content Warnings:  War, Mutilation, Death, Vomit, Disease, Gun Violence, etc.

The valley was cold, but the soldiers had fire.

They had battled all spring and summer.  The spring rain, then the summer melt of mountain ice, had by turns rendered the plain into stinking mire, and the contribution of blood and rotting men was not insignificant.

Late summer dried the earth, late fall firmed it, and the fighting had at last thinned to nothing.

The valley was cold, but the men welcomed the firmness of the earth, the way it did not invade every inch of their clothing, bearing leeches, fleas, and maggots.

The valley was cold because the hot blood of men was no longer spilled upon it.  So great had been the summer slaughter that the barricades and trenches were fortified with bone and dried flesh as much as earth.

And yet soldiers still lived there, with fire to warm them, hiding in a pit, feeding on rats and wild birds.  The war had forgotten them, and they loved it.  They missed bread but would not dare to give voice to complaint, lest they be heard by heralds and scouts and generals, sent to where flesh was still split for territory and ideology, for monarchy and for its enemies.

They quietly ate their rats and birds and contented themselves, until the day when a hussar appeared on a shining white horse with filthy black and grey hooves, his lance low and swinging as if to spear any dogs or beggars that he should chance upon.

The hussar wore a hat like the iron-plated prow of a warship, tall and narrow.  His livery was drab green with faded silver buttons and braids layered thick as chain armor, his high boots a strange ivory suede besotted with the same grime as his steed’s hooves.  They had both walked earth more pliant than the frozen pack of the soldiers’ shelter, of their wasted battlefield.  He sneered through an orange moustache and rode by the men.  They cringed away from that lance.

“Cowards, traitors, hiding in holes.”  Was he Prussian?  Belgian?  None recognized his accent or uniform, but all sensed his authority.

“Nonesuch,” said the sergeant.   “We were ordered to hold this field, and that is what we are doing.”

The hussar pivoted his mount expertly, and it pranced past the men again.  “I suppose the war here is won, and the prize of that struggle is the peace you now enjoy?  Yet elsewhere, men still try their valor.  Elsewhere, men still suffer and die for what is right.”

“We answer to an officer of greater station within our army.  Send one to us, if it pleases you.”

At the end, the horse stamped, turning in place but not walking their line again.  Her master was stone in his saddle, unmoving despite her agitation, demonically resolute.

“Far be it from me to question their command.  If you are to hold this field, then hold it.”

The hussar spurred his steed into a jump, traversing the trench in one motion.  As he passed over the men, he split a saddle bag and something terrible splashed loose.  They quailed away, and the foul substance splattered at their feet.

He rode away, and they beheld his strange offering.  The bag had been filled with bilious vomit.  What bizarre sort of man would have such a thing?  The soldiers quickly buried it in whatever soil they could dislodge from the frozen firmament.

They had quickly buried it, yet the miasma somehow escaped that soil, tendrils creeping into men’s bodies in the night and day that followed.  None were spared.  Each in turn became vomitously ill, a few nigh unto death.

Throughout the ordeal, thoughts that had been carefully secreted away in their survivor reverie were at last given voice.  Should they try to go home?  Find another place to hide?  To truly desert, where heretofore they had merely allowed themselves to be deserted?

The sergeant saw that the first men to fall ill were soon to recover, and with bitter scorn for the mad hussar, dismissed the idea he’d pose any further risk to them.  He ordered the infantrymen to stay with him in the trench.

In truth, none were so hale as to seek an unnecessary march at that time, and they were relieved to have the decision of apathy made for them.

Anon, the hussar returned with a yet wealthier cavalier—a dragoon in deeply black wool with white silk appointments, riding a brilliantly red stallion.  The high iron pot of his helmet was lacquered black, gleaming like a river under a crescent moon, topped with an outlandish silver crest.  He was so heavily laden with swords that it would no doubt be more hindrance than help in combat—blades of every size and description—but his chief weapon was a long, heavy, and intricately carved cannon.

This dragoon spoke with a yet different foreign accent—was he Aragonese?  Alsatian?  “My brother spoke true.  There are worms here, where once warriors drew arms.  Sickening.”  He was olive skinned with oiled black moustache and blood-red lips.

The hussar replied, “I would have said no such thing.  The appearance of knavery is merely an appearance.  Their sergeant spoke of a purpose in their repose.”

“Ah yes,” said the dragoon.  “To hold the field.  Can you hold this field, sergeant?”

In his anger, the sergeant gained some courage, but not so much as to stand up, expose his body to attack.  His furious head peered from the trench like a badger backed into its burrow.

“I’ll not waste time in parlay with vagabonds in shiny suits.  To precisely which army do you belong?”

A ball tore his head apart, having passed through the shoulder of another soldier on the way to its mark.  Scraps of his face flapped in the air momentarily like a discarded orange peel, then his body slipped away.  The dragoon had fired with perfect accuracy, despite taking no effort whatsoever in aiming.  It had been truly fired from the hip.

The officer’s men all scrambled to load their fallow rifles, and end this terror before it could take them.  But the dragoon stopped them with a single hand clapped on his own great cannon.  They understood his meaning.  The weapon had two barrels, and at least one of the soldiers would die in the effort.

Fear and fatigue broke their courage, and they let their arms rest.  Nobody dared to speak—to take the place of their leader.  The soldier with the wounded shoulder frantically tried to dress it, with no aid.

The dragoon calmly reloaded his spent barrel and still the soldiers did not try the same.  “Good, good.  That is discipline.  It takes more courage to follow orders than it does to resist.  For in resistance you risk some pain, a quick death, and in following your leaders, that pain need be endured a thousandfold.”

As he spoke, the hussar removed a saber from one of the many scabbards on the dragoon’s horse, and ran the blade through the stale vomit in his slashed saddlebag.  He tossed the sword down where the soldiers could reach it, then drew another and did the same.

“I’d like each of you to take up one of my swords.  They are all quite strong and sharp, I assure you.”  They still hesitated.  “Take them up.”

He slapped his gun and the soldiers complied, each taking up a poisoned blade as soon as the hussar laid it down.

They were all so armed, emptying the dragoon’s supply.  The trench was wide enough for two men to stand abreast, and as they looked at each other, they had a good idea of what was coming next.

“Without that mouthy sergeant, you count off a nice, even number.  Face your nearest fellow and raise your guard…”

READ THE REST HERE,

Or purchase the whole Midnight Collection e-book through Ko-fi or Amazon.  A physical copy in paperback is available through Lulu.  You may be able to purchase it through other sites soon, but it’s nice to not give Bezuggs a cut, and purchase on Lulu gives more money to the cause.  And lastly, you can just read the collection for free at the Collection’s website.

My man Joseph Kelly has finally published the first volume of The Midnight Collection, a compilation of dark fiction I’ve previously mentioned. He was originally intent on it being sold at zero profit, but in order to get an ISBN there was a minimum price that results in some amount of profit. Fear not, Mr. Kelly will surely not even make minimum wage on the effort it took to make this happen. You have a few options on how to read it – and one is completely gratis. I’ll explain that later.

The Midnight Collection is aiming to go quarterly – the next volume already in progress – and this first installment is themed “Feast & Famine.” I’m pimping this because I’m a contributor, and I’d love to hear what you think of my stories. Although I am really curious what reviewers, casual or serious, will think of all the stories. I have a personal opinion about which story is the best, and wonder how well that lines up with the consensus view.

This is a truly unusual collection. Despite the uniting theme, it’s as diverse as the members of our secret cabal of writers. There’s poetry, comedy, LGBT+ representation, and dark fiction ranging from traditional ’80s style horror to fantasy and sci-fi. Some of the writers are more conventional, some quite avant garde or ferocious. A little tour of the table of contents:

PEOPLE POT PIES – Brett Elijah Shelton
This short horror poem was written by my brother a very long time ago. Should it have been published? Is the world ready? You decide.

SATURNALIA – Lydia Moody
The first proper story in the book is a murder mystery featuring a nonbinary protagonist, in a style the author aptly dubbed “cozy splatterpunk.”

A GRIMM MARKET – Kirsten Aucoin
A modern take on Hansel and Gretel, of course, and as a child of poverty, I found something to relate to in the motives and experiences of these H&Gs.

BUTTERCREAM – Joseph Kelly
Like People Pot Pies to my brother, this is an older story by my lovin’ man, published here for the first time. A young character has been rousted into service at a child’s birthday party. Naturally the festivities take an ill turn. I find it very artistic. This might be the closest entry in the book to the genre of Literary Fiction.

ORTOLAN – Sascha Masoch
Another poem, this one penned specifically for the collection, and it couldn’t be more different from my brother’s opening act. The title refers to the ortolan bunting, a songbird most famed for being subject to very French cruelty.

BLOOD IS THICKER THAN BILE – Athena Victoria
The book’s dark fantasy tale. A fancy queen is harried by a demonic figure. This story brings the color – especially the red.

LOCUSTS – Bébé Mélange
My first entry, under my main nom de plume! I tried my hand at sci-fi poetry. I wonder what FtB’s own T.D. Walker would think. This is not my area of expertise as a writer, but I like to think the concept carries it – mad science used to resurrect capitalism in a world that had somehow killed it and moved on.

SAPSUCKER – Joseph Kelly
Another by my boyfriend, this one in a genre and style that compares well to Clive Barker – while still being its own gay thing. An artist has rented a cabin to get some paintings done, but a very sticky horror calls to him from the woods.

SUPPLY CHAIN BANDITOS – Bébé Mélange
It’s me again! Don’t worry. We have more contributors lined up for volume two, so it’ll have less of me. Here I try my hand at a kind of gentle dark comedy. A post-apocalypse scenario is gradually revealed, with roots in our present day lives.

EZEKIEL DRIFT – Damian Golfinopolous
Snowy weather for your late summer / early fall, Damian is a multi-talented artist from New Zealand, bringing post-apocalyptic sci-fi to the collection. Or is it supernatural? What’s really going on here?

FOUR – Christopher Scott Shelton
You might recognize this author’s name from the corners of these artworks. Possibly the most pretentious work in the collection, this one is a vaguely Napoleonic period piece about the horrors of war.

FRESSEN – Caesar Train Magenta
You might recognize this author’s name from here, or an early version of this short essay from here. The volume is brought to a close in a Rod Serling style monologue.

HOW DO I READ THE MIDNIGHT COLLECTION?

The way that results in the most direct support for future volumes is through Ko-fi. For a minimum three dollar donation, you can download the e-book in formats that work with most e-readers. The best way to view the interior illustrations, and have a nice artifact for your bookshelf, is by purchasing the paperback through Lulu. You may be able to purchase it through other sites soon, but it’s nice to not give Bezuggs a cut, and purchase on Lulu gives more money to the cause. And lastly, as promised, you can just read it for free at the Collection’s website.

There are a few original works by authors (nice!) but most of the illustrations are lovingly curated from public domain resources, like the picture to the right here – one of my faves. Some version of some of the illustrations are available on the website, more in the e-book, but yes, the best way to appreciate them is a hard copy.

I’d love to see reviews, either of the whole package or individual stories. For lowest effort you can drop some general thoughts in the comments below this article. You can also leave comments on the individual stories at the Midnight Collection’s site. And of course, you can review it wherever it is available for purchase. Thanks!

EDIT TO ADD:  Somebody international couldn’t use a card to purchase it through ko-fi so begrudgingly there is now an e-book on Amazon as well. Purchase your e-book there if you must, but know that if you do it on ko-fi, the format should work on any modern kindle as well.

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PS: I mentioned before I’m going to release my first novel soon, keep your eyes open for that as well…