Hello, world. I’m in the Pacific Northwest, feeling pacific, enjoying the mild weather, and reconnecting with family. I’m not doing much, which is rather soothing, and just watching the days go by, as one does in paradise.
So yesterday my sisters sprung a surprise on me — a gigantic box containing the battered remains of the old balsa wood model airplanes I used to build in middle and high school. This really was a huge surprise, like the dead rising from the grave to walk and remind me of my past sins. I had told them to get rid of them years ago, and honestly thought they’d been trashed, but no, my sister Tomi had wrapped them in bubble wrap and stashed them in her house. She had not needed to do that.
In my teens, I’d had a solitary hobby. I’d build these Guillow balsa and tissue paper model planes. I’d get one, take it up to my grandmother’s attic where she had some space, and spend a few months carefully assembling it. I didn’t fly them, and I didn’t put them on display at modeling shows. I’d finish them, put them in a jumble with the others, and move on to the next.
It was the process. I’d cut out the ribs and forms from balsa sheets and glue them together on sticks and struts over templates. I liked the engineering of the airplane skeletons, and enjoyed the finicky work of, for instance, carving and sanding the wing leading edge to get a perfect curve. Sometimes I’d go outside the instructions and shave the ribs down so I could overlay them with a sheath of 1/32nd inch balsa, just because it was more form fitting and stronger.
I spent hours with an X-Acto knife and the finest grade of sandpaper, making sure there were no bumps or deformations. They were beautiful bones.
Then I’d clothe them in tissue paper, lightly moistened to shrink as it dried. Layers and layers of dope would be applied, until the surface was smooth and shiny like metal. But it wasn’t. It was perfect when you could tap the taut surface and it sounded like a snare drum.
Then painting. Hours of painting, many coats. I’d research the planes and pick one exemplar I’d mimic.
Once it was done, it was done. I’d throw it in the pile in the attic; at that point, I only scrutinized it for its flaws (there were always lots) and plan to do better with the next one. But I never planned to fly them or show them. The joy was in the building, in the process of becoming, and I didn’t need them beyond that.
It was a zen thing, I guess. Every teenager should have a zen thing.
Time passed. I moved away. I went to college. I got married. I had kids. Sometimes, when I visited my grandmother, the kids would go up to the attic to look at the airplane graveyard their weird dad had built. More years passed. My grandmother died. Her house was being sold. What did I want done with my model collection, I was asked, over the phone, far away. I don’t care, I said, stomp on ‘em, set ‘em on fire, I finished them years ago.
They didn’t! I guess there was such obvious care as detail in the models, that they thought there must be some value in them, but no. The value was all in quiet hours alone, thinking and shaping and painting, in Grandma occasionally bringing up a plate of cookies, in clean breezes when I opened all the windows while doping, in the satisfaction of seeing wood come together in flawless joints, in the quiet rasp of sandpaper. The important part was done and gone! It’s memories now, not objects.
It was a nice surprise to see the objects again yesterday, but I’m unattached. They can go.
My three year old grandson came to visit. I let him play. He wasn’t trying to wreck anything, but as you might expect, he snapped a wing off; he stepped on a tail plane; he wrenched off landing gear and tried to stuff it in the cockpit. He tried to make them fly, but I never built them to fly. Bits snapped off.
I was actually gratified to see how well they held together—the major structural elements were strong, despite being nothing but hollow shells of soft wood and paper. I built well. It was fitting to sit there with my son and watch my grandson bang them against the pavement, 50 years after I built them. It’s all part of the process, you know. Half a century ago I began a habit of quiet contemplation and today I watch my handiwork become a plaything for a grandchild. It turned out pretty well, I think. Fourteen year old me would even say it came out perfect.
That’s all the news from the family homestead, I guess. I have no plans for today, which is excellent. This weekend the whole clan is heading off to the ocean for more memories, and Monday I fly back to rejoin my other half in Minnesota and get back to living in the now.








