Star Wars: The Last Jedi was one of the better ones, actually, which isn’t saying a heck of a lot, but it does mean you won’t be embarrassed by it, as you were by the horrible prequels or the patent marketing ploy of the Ewoks. It also survived the most unpleasant test of a movie ever.
About halfway through the showing here in Morris, someone in the theater crapped their pants. It wasn’t too near me, so all I suffered through was the occasional eddy of air passing through bearing the odor of hot buttered popcorn and poop, and fortunately I hadn’t bought any popcorn or snack food, so it was only sporadically unpleasant — but no one left the theater. Not the poopy pants person or anyone seated near them. So I think we can say the movie was at least that engaging.
Just a hint of etiquette, though: you may think it’s a good idea to test the dedication of an audience, but still, when you’ve shat your drawers please excuse yourself and clean up.
The burning question, though, is about the plot. No spoilers here, but remember how the last one was practically a remake of the first Star Wars movie, A New Hope, and you could slot all the characters into analogs of the first movie’s cast, with some of that cast also making significant appearances, and the plot was just “blow up the Death Star”, only with an even bigger Death Star? Yeah, this one shows it’s bones are the same as the second movie, The Empire Strikes Back. Those bones have been creatively jiggered around, so you’ll still get some surprises. The ice planet battle with rebels in trenches fighting the oncoming, ponderous army of massive imperial battle machines is still there, it’s just been put near the end instead of the beginning, for instance.
It’s such a clone that there’s even a scene where the whiny Darth Vader copy, Kylo Ren, breaks the heart of the Luke version, Rey, by informing them of their parentage during a climactic battle. Don’t worry, though, it’s not something like, “I, Kylo Ren, am your third cousin twice removed” and Rey goes, like, “NOOOOOO. It can’t be!” It’s a little more realistic than that.
Also, the movie is overstuffed with irrelevant side-conflicts and tangents and sudden swordfights which turn the whole story into a sloppy turducken of confusion, but it’s OK, they’re entertaining, just go with it.
The porgs were clearly tossed in as comic relief. They weren’t very amusing. That’s the level of humor we’re working at here, so don’t expect much to laugh at. Do not buy the inevitable porg toys, or I will have to unfriend you.
The primary plot devices are all about Force magic. The hokey religion angle is wearing thin, but OK, it’s a fantasy story, I guess we need to allow it.
By the way, is it now a requirement that every sf/fantasy movie include one character rendered so badly that it breaks all suspension of disbelief? In this one it’s Yoda. He still looks like a cheesy foam puppet made in the 1970s, and his scene just goes on and on. He’s dead. He’s a Force ghost. Let him rest in peace, ‘k?
Bottom line: if I were twelve years old again, I’d probably be saying “This is the greatest movie ever!!!” I’m not, unfortunately, so I’m just going to say it’s fine, light, forgettable entertainment. It would be improved by having an audience that could control their bowels, but otherwise it’s exactly what it says on the label and as long as you don’t expect depth or greatness, and it truly is a nice representative of the Star Wars genre.