Film review: Everything Everywhere All At Once (2022)

I watched this film that has garnered a number of awards and eleven nominations for this year’s Academy Awards. It takes the intriguing scientific concept of the multiverse as its basic premise, that the universe splits and branches at various points and hence there are a huge number of parallel universes, of which ours is just one, that have different degrees of similarity to our own depending on how long ago those universes split away and evolved independently. As far as we know, if the multiverse exists, there seems to be no known connection between the various universes but in this film, the main characters can move between them.

Given the acclaim that the film has received and that the multiverse is the driving idea, I anticipated enjoying it but found the film to be a huge disappointment. It started out trying to make some points about why some people are moving from universe to universe (because they are trying to stop a very bad person from doing some very bad thing) but about two-thirds of the way through, the screenwriters seemed to lose interest in that and instead turned the film into a fairly standard family drama involving the strained relationships in families and the way they play out in the various universes.
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Gina Lollobrigida (1927-2023)

The Italian film star has died at the age of 95. She was stunningly beautiful and was constantly being pursued by men including her co-stars. I am sure that I am not the only one of my generation who would go to see her films just to see her.

Mostly famously, rich recluse Howard Hughes, based on some photos that he had seen of her, tried everything in his power to try and persuade her to divorce her husband and marry him, including asking her to come to the US for a screen test.
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Norma Desmond reincarnates as Donald Trump

During the holiday season, even the most dense politician knows enough to send out a message to everyone containing the usual bromides about wishing for peace in the world and hoping that everyone enjoys time with their family and friends. The message from Joe and Jill Biden followed this template, saying simply, “Jill and I wish you a very Merry Christmas. We hope you and your loved ones are surrounded by love, happiness, and cheer this holiday season.”

But not Donald Trump. For him this is yet another time to whine and rant about how terrible things have become since he was kicked out of office and how mean everyone is to him. Here he is on one of his many Christmas messages .

“We had the most SECURE Border in our history, versus the ‘horror show’ that is happening now, with record setting numbers of people, many of them hardened Criminals (including Killers, Human Traffickers and Drug Dealers), POURING INTO OUR COUNTRY at a rate the likes of which we have never seen before. The USA is dying from within!!!”
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“Just two years ago we were Energy Independent, had almost Zero Inflation, there was no war with Russia and Ukraine (would NEVER have happened!), ISIS was defeated, our Military was rebuilt and respected (before the disaster of Afghanistan), our Border was Strong, the Economy was GREAT, the China Virus was in retreat (Operation Warp Speed was considered a modern day ‘miracle’), and we weren’t the laughing stock of the World,”

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Film review: Glass Onion (2022) (No spoilers)

Yesterday Netflix released the second in the series of whodunits featuring Daniel Craig as the brilliant detective Benoit Blanc, playing him with a caricatured Southern accent, vaguely reminiscent of Peter Sellers’ outrageous French accent as Inspector Clouseau. The writer snd director Rian Johnston is a self-admitted devotee of the Agatha Christie-style murder mystery novel and he clearly brings that sensibility to his films. The first one Knives Out (2019) followed the classic form of the genre, taking place in the large country home of a wealthy person, so that the suspects are limited to being few in number.

The second takes the same form except that location is more exotic, the luxurious home on the private Greek island of a billionaire tech entrepreneur who invites a group of his friends and collaborators for a weekend to take part in a murder mystery game. During the event, old animosities surface because of the arrival of the billionaire’s former collaborator who claims that he cheated her by stealing the idea that made him rich, and that the others colluded with him.
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The magic of the Muppets

50 years ago, Sesame Street showed this clip of Kermit the Frog and a little girl named Joey singing the alphabet song, with Joey goofing it up. What is amazing is that though Joey could see Jim Henson crouched down below the camera level and manipulating and voicing Kermit, the power of his performance is so great that you can see that Joey interacts with Kermit as if he is an autonomous agent.

I have seen Jim Henson and Frank Oz being interviewed on talk shows and talking through their characters and even adult interviewers seem to get caught up in the magic and talk with the muppets and not the humans behind them.
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I loved watching Sesame Street with my children and especially enjoyed the segments with Muppets which were often hilarious. This particular one has become iconic and is absolutely adorable.

Hey! Don’t forget The Pips!

The backup vocalists of singers are often overlooked. The excellent 2013 documentary 20 Feet From Stardom that I reviewed here some years ago focused on some of the people who provided the rich texture to many of the greatest pop songs but were largely anonymous.

I recently watched this documentary about the anonymous vocalists who sing backup for the featured musical stars, providing harmonies and visual excitement by dancing and swaying along with the music. In the 1950s and earlier, most of the backup singers were white women who sang more sedately and tended to follow the written music score.

But black women grew up singing in the gospel churches where improvising, harmonizing while dancing, and the ‘call and response’ form of preaching and singing provided a natural training for a more vibrant form of backup vocals. The people who utilized this most in the early days were the British rockers like the Rolling Stones and Joe Cocker who had discovered American blues music and found that these singers added an authenticity and energy to the music that they themselves did not have. They encouraged these women to let loose and give it all they got and they did, changing music forever. We then had backup singers being partially featured with groups like Diana Ross and the Supremes, Smokey Robinson and the Miracles, Tony Orlando and Dawn, Martha Reeves and the Vandelas, Gladys Knight and the Pips, and so on.

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TV review: Inside Man (2022)

The four-part mini-series each lasting one hour debuted last week on Netflix. I watched it because the premise seemed interesting and it had good actors. It features Stanley Tucci as a criminologist who brutally murdered his wife and is now on death row in the US. But it turns out that he has powerful analytical skills and a superior knowledge of human psychology and this enables his to solve crimes even while in prison. The prison warden allows people to consult him on unsolved cases. A fellow death row inmate in the adjacent cell happens to have an almost perfect memory and accompanies him during these interviews to serve as a recorder. David Tennant is a vicar in the UK dealing with a troubled verger in his church. (A verger is someone who serves as a caretaker and attendant in the church, assisting the vicar in his duties.) Although the vicar and the convict never meet, their stories become intertwined because a British journalist visits Tucci to try and get him to solve the disappearance of someone the journalist knows who happens to be the mathematics tutor to Tennant’s son.
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Film review: Last Year at Marienbad (1961)

My tastes in art are decidedly lowbrow. I am the kind of person who would benefit from reading certain authors (James Joyce, William Faulkner) and poets (T. S. Eliot) and seeing the films of certain directors (Luis Bunuel, Frederico Fellini) within the framework of courses taught by experts in those areas who can explain to me what the hell is going on. If ever I needed to be reminded of this, my recent viewing of this film by director Alain Resnais and screenwriter Alain Robbe-Grillet certainly did so. I had heard of this film ages ago and was intrigued by the fact that some film connoisseurs rave about this film (it has a 95% rating of critics at Rotten Tomatoes) while others have placed on the list of the fifty worst films of all time. So when I finally got a chance to stream it, I did so.

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Midsomer Murders takes on atheism

As long time readers know, I am a fan of TV detective stories, especially the genteel type of story set in quiet settings where the villain is unmasked at the end. The British police procedurals are a significant sub-genre and one of the most venerable is the series Midsomer Murders that began in 1997 and is now in its 24th season. Set in a fictitious rural county in England, it follows a set formula and that very familiarity is part of its appeal.

I have seen all 22 seasons and noticed that over time it has developed a certain campy quality as the writers seem to be trying to introduce ever more bizarre ways of having the murderer kill their victims. You would think that any reasonably competent murderer would try to make it quick and clean in order to avoid getting caught. But these murderers seems to be artists who want to make a statement and thus seem to spend a lot of time creating increasingly exotic ways of staging victims, even in places where they are likely to be found doing so. The campiness has reached a point where the discovery of the victims makes me laugh out loud.
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