All cultures are an instance in a continuum of cultures stretching into the past and future as far in each direction as the term culture can be used to describe what was or will be happening there, and they flow into and out of each other geographically as well.  Parisian urban culture circa 2025 is not the same thing as Parisian urban culture circa 2022 (to the extent you can even draw a line around what constitutes Parisian urban culture).  Close, but not exactly, and the more years pass, the more different those instances become.

Why did I feel the need to open this article with that pretentious shit?  It’s preface to say that art students from one decade to the next will be enamored of different artists from their own past and present, but you can point to any given class and say “those guys sure loved (Artist X).”  Back when the fascist Futurists were saying they hate Goya, you could feel, in that hate, just how popular Goya must have been with the art students around them.  They were being contrarian, and what they chose to be contra must have been well-loved.

I’m told that in the late 80s – early 90s, Francis Bacon was huge with art schoolies.  I’ve seen some evidence of that in the works of my college professors and of my older cousin Dave.  What was going on there, with that moment of Bacon Love?

This artiste du jour thing may be less true of the 21st century, where culture has become much more balkanized.  Can’t think of specific artists that reigned over the schools my husband and I attended.  At the commercially oriented one where we met, possibly the biggest artistic influence was Jhonen Vasquez, but there were lots of people that were not on that page.  My husband also attended a fine art school in the same city, with a lot more rich kids.  What were they into?  I’d term it “contemporary urban art” – the kind of shit you’d see in Juxtapoz and High Fructose magazines – and again, I can’t think of one specific artist with outsized influence.

Shit, where was I going with this?

Fuckin’ Francis Bacon.  Not that one, this one.  I never would have become familiar with his art if not for my husband.  Not because my husband was in art school when I was in high school, but because he has always sought out intellectual enrichment, even as a child, and started learning about fine art way before he actually reached college.  That guy downloaded Eraserhead on a 14.4 modem before I bought my first computer.  (To be clear, we didn’t know each other until later, when he was an adult.  I’m not that creepy lol.)

So my husband knew the works of Francis Bacon.  I might have glossed over them in magazines and textbooks on rare occasions in the years before we met, but the memories never stuck.  His work did not fascinate me, because while I am attracted to goths, I am not quite a goth myself.  Flash-forward to the early days of our relationship, 2005-2006.  We were sharing the things we love, and I was properly introduced to this great artist.

Francis Bacon – seriously stop thinking of that one right fucking now – was an Expressionist in a time of Postmodernists.  Maybe not philosophically – I’m much less familiar with his words than with his visual creations – but in practice, he painted emotion with intensity and a Symbolist nod to the classic.  This was how the original late 19th century Expressionists worked.

If you see the writhing horror of his art, you might imagine it was painted with an torrent of quick brutal strokes.  My husband has seen one of these works in person and says this is clearly not the case.  His canvas is evenly covered.  Someone who attacks the canvas like a method actor will leave exposed little white dots of fabric, or have thick impasto with dubious structural integrity.  Mr. Bacon had a furious vision of his subject matter, but a controlled hand in rendering it.

This might be the only time some of you see his work, so I should choose something to put the best foot forward… eh, my work alarm goes off in seven and a half hours, so this’ll have to do.  His most famous painting, after a Velázquez pope portrait:

Scream all you want, man; no one here gets out alive.

I came into this article imagining I could find lovely hi-res pics of his work all over the internet and was sorely disappointed.  The availability of such things on my bookshelves was misleading.  Maybe someday I’ll upload some pics from the art books we have.

Anyway, if you need an perfect visual representation of your pain, and haven’t found the one artist who will make you feel understood, give this boy a look.  Francis Bacon good.

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