Minphis Don’t Play


U might not be aware, but several US cities have rap scenes with a lot of local pride.  One particularly infamous local rap scene which intrigues people to this day: Memphis, Tennessee.  Or as people with that accent call it, “Minphis.”  When I say “Minphis don’t play,” I’m quoting a random loudmouth I overheard on the bus a very long time ago.  As I recall, he also claimed that city invented pimping, for what that invention is worth.  I’ll accept this as truth.  Moving on…

I’ve mentioned the biggest success story from the Memphis scene a few times, The Triple Six Mafia.  And what did that success bring them?  A great number of Memphis rappers, famous or otherwise, are dead from drugs or violence.  Bad times, but maybe that has something to do with the intrigue.  For some reason, hipsters out for the “realest” music have latched onto the Memphis scene as Tha Source.

Why I am I fucking with it?  Isn’t rap homophobic and misogynistic and glorifying of violence and irresponsible use of chemical recreation?  True.  Some of it is worse than others.  Well, Memphis tapes are about as bad as any.  Call it a problematic fave.  I won’t justify it to you and you don’t have to justify yours to me.  I’m not the world’s biggest Memphis rap fan, but hipsterism hath perked up my ears to it.

I think it’s funny because this could just as easily been any city and any genre.  In my hometown of Auburn, Washington, we had a number of punk bands with moderate local success.  Some of them put music on CD, cassette, even vinyl.  Where are those albums now?  Will they ever receive this kind of love?  I really would like to see all the art of the world given that respect, no matter how pathetic or retrograde or disposable.

I’d love to see the internet become a true archive of the whole breadth of human experience, and of art, which was the cry of some nowhere people against the void – I matter right now.  Hear me make music about it.  But we can’t.  You literally can not find everything on the internet.  Even very recently created art has been lost forever.  As everything ultimately will be, so it’s not a cosmically big deal.  But it is kind of sad.

We don’t even have all the Memphis tapes – and mysteries abound.  Check out this blog post wherein a guy was researching the strange story of how one rap dude released some tapes with his voice pitch shifted, playing a lady rap persona seemingly inspired by an ex, and never copping to it.  Why did he do it?  Maybe we shouldn’t push the question, knowing one possible explanation is being trans, and you don’t want to push people out of a closet – especially now.  But that doesn’t seem likely to be the case here.  It’s just kind of funny seeing a guy named Skinny Pimp release a Chipmunk-styled song called Where the Big Dicks At?, then duck when people ask him about it later.

Maybe Minphis do play, after all.

Comments

  1. flex says

    I find the following tale liberating, others may find it depressing, but your post made me think of it….
    From The Food of Death – Fifty-one Tales by Lord Dunsany (1915;

    THE RAFT-BUILDERS

    All we who write put me in mind of sailors hastily making rafts upon doomed ships.

    When we break up under the heavy years and go down into eternity with all that is ours our thoughts like small lost rafts float on awhile upon Oblivion’s sea. They will not carry much over those tides, our names and a phrase or two and little else.

    They that write as a trade to please the whim of the day, they are like sailors that work at the rafts only to warm their hands and to distract their thoughts from their certain doom; their rafts go all to pieces before the ship breaks up.

    See now Oblivion shimmering all around us, its very tranquility deadlier than tempest. How little all our keels have troubled it. Time in its deeps swims like a monstrous whale; and, like a whale, feeds on the littlest things—small tunes and little unskilled songs of the olden, golden evenings—and anon turneth whale-like to overthrow whole ships.

    See now the wreckage of Babylon floating idly, and something there that once was Nineveh; already their kings and queens are in the deeps among the weedy masses of old centuries that hide the sodden bulk of sunken Tyre and make a darkness round Persepolis.

    For the rest I dimly see the forms of foundered ships on the sea-floor strewn with crowns.

    Our ships were all unseaworthy from the first.

    There goes the raft that Homer made for Helen.

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