Q&A with FTB Blogger Megan Rahm, Author of Free to Roam: Poems from a Heathen Mommy

FTB From the Ashes of Faith blogger Megan Rahm’s poetry collection, Free to Roam: Poems from a Heathen Mommy, was released last week.  I spoke with Megan about her book, which is published by Freethought House.

Freethinking Ahead: The poems in your collection, Free to Roam, examine what it means to be a nonbeliever in a believing society, particularly what it means to be a woman and a parent. Why did you choose poetry as a medium for this exploration? And what do you hope your readers come away with after reading your collection, especially if they tend toward prose rather than poetry?

Megan Rahm: I have only been writing poetry for about two years. It was something I was experimenting with and enjoyed very much at the time I began writing the book. Using poetry for Free to Roam felt like creating a mosaic out of little bits and pieces of stories. I felt it worked very well to give an overview of my life as an atheist mother.

I think my poetry is different from the work of many present-day poets. I feel a lot of poems are difficult to decipher. I want to make art with my poetry, but I want it to make sense, too. This is why I think people who tend toward prose might enjoy my poetry.

I still really enjoy writing poetry and I’m currently writing erotic as well as inspirational poems.

FTA: The image of curls appears again and again in your collection. In the first section, “Curls and Cornfields,” we see curls that “burn,” “hit the earth,” and “screamed / as they were straightened.” Later in the book, curls appear again, this time in hopeful form, for example in “The Curls” in which “they are a part / of something radiant— / a little girl.” We see them again in “Weekend Aftermath,” “Alphabet Soup,” and “Dance for Strangers” in this joyful light.

I was struck by a sense of returning, as curls wind around and seem to return to a starting place but not quite. What sparked your use of the curls images, and did your view of the image change as you wrote the poems in the book?

MR: I chose to use curls because my daughter and I both had curly hair. I say “had” because since writing the book my daughter’s hair has gotten a lot longer and her curls have grown out.

When I was little my family made a big deal out of my curly blonde hair. When I was older I was always trying to straighten my hair to fit in with the other girls at school. Now I consider my curls a part of my identity and I wouldn’t have it any other way. I feel bad for trying to straighten them in the past.

In “Curls and Cornfields” I talked about being raised in a conservative rural area where I often felt trapped. I was different from everyone else and I didn’t think I would ever make it out. That’s why my curls took so much abuse in that section. It symbolizes the judgment I received from others.

Later in the book, I talk about my daughter’s curls as something joyful and innocent. I would describe my daughter as a free spirit, a state she’s in free of judgment. She doesn’t mind being silly, funny, and trying new things. I felt the opposite growing up. My daughter is growing up in a place that is way more diverse than where I grew up. I’m hoping that in a way that might make her feel comfortable in her own skin.

FTA: The poems follow a chronological path from childhood to adulthood into parenthood. Did you write them in roughly the order you have them in the book, or did you move around in time as you wrote each poem? What surprised you most in writing and ordering the book?

The poems were written mostly out of order. My poems often start out as words and phrases from whatever is on my mind. Then they tend to have a life of their own. I think it would have been impossible to write anything in order.

MR: What really surprised me about the book was how well the sections worked. I can’t believe I could come up with something structured out of an unorganized pile of poems. I had an end goal but I was surprised when everything worked out so well.

FTA: Which poets do you enjoy reading? Are there any poets who were particularly influential to you as a freethinking poet and a “Heathen Mommy”?

MR: It seems challenging to find freethinking poets, but I really enjoy the work of Mark Doty and Sharon Olds.

Creativity for Skeptics Episode 11: The Artist’s Way Week Five Recap and Week Six Preview

In this episode of Creativity for Skeptics, I’ll recap week five of The Artist’s Way and preview week six. Since task #5 involves sending postcards, I mention A Month of Letters at lettermo.com.  Transcript below.

Or download here.


Hello, skeptical creatives and creative skeptics. Tammy here. This is episode eleven of Creativity for Skeptics. Another quick one today, just recap of week five of The Artist’s Way, and a preview of week six.

How did your week five go?

My major light bulb moment wasn’t from the tasks or from the Morning Pages, but from the Artist Date. Or the thing I’m calling an Artist Date because of the pandemic but wouldn’t otherwise call an Artist Date.

On Friday, I had to run some errands in a part of town that I used to go to daily, but I haven’t driven through for almost a year. It was weirdly familiar, but enough of it had changed that it wasn’t quite. Anyway, why am I calling this an Artist Date? First off, it was the most “out of the house” I’ve been all week, so there’s that.

Second is the aha moment I mentioned. For me, and maybe for you too, the pandemic sheltering in place and physical distancing has changed the way I think about where I am. Before all this, if I were driving somewhere, if you ask me if I’m in place A or if I’m just driving through place A, I’d say I’m just passing through. Now, it’s different. Maybe because I haven’t been there in a while, I felt more present even just driving through. The upshot of all this is that because of the pandemic, being somewhere in my car feels more like being there than it did previously. I’m curious about how you’re affected by a sense of place after nearly a year of sheltering in place.

On to week six. The first section, “The Great Creator” section is, of course, full of god-talk. But as I’m rereading this, I kept thinking, “This isn’t an artist problem, this is an America problem.” If you’re listening from outside the US, I’m curious about whether or not this first section resonates with you.

I do love the “Luxury” section, just pay attention to the idea of authentic luxury and luxury’s connection to play. The two exercises are helpful as well, but the first one, about counting what you spend, that will be interesting for a lot of us when we’re trying to be out as little as possible.

Again, great tasks for this week. In a nice coincidence with task #5, February happens to be A Month of Letters, and I’ll link to that in the show notes. It’s just lettermo.com. For years, I’ve said, I’m going to do that, and I never have, so maybe I’ll do five days this week.

So that’s it from me today. If you have any questions about creativity you’d like me to address, feel free to send me an email, info@tdwalker.net. Or post a comment over at my blog, freethoughtblogs.com/freethinkingahead

Thanks for listening to Creativity for Skeptics. For more information about the show or to listen to past episodes, go to creativityforskeptics.com. We’ll talk creativity again soon.