I didn’t really get the fact that recognition is a feeling and that feeling can be utterly mistaken, until I witnessed a guy having auras all day, ahead of his first grand mal seizure. He kept “remembering a dream” in drowsy moments, followed by a rising sense of nausea. It felt like he was remembering a dream, but he clearly was not. One of them referred to a piece of media we had consumed together after the last time he had been asleep.
So déjà vu. Being reflexively materialist, believing in nothing supernatural, I presumed there was an explanation for it that nobody bothered to mention, and this was it. You can feel like you’re remembering or recognizing something that you have no prior experience with, very easily. This can be associated with epilepsy, so get yer brain scanned if you have that feeling a lot.
That brings me to the point of the post. There are other feelings that can be misled, can be a trick of the light. The sense of the profound, of deep emotional meaning, that one can feel in a dream or in a piece of surreal art – that feeling can be total bullshit. Yet it moves. In fact, I’m kind of a junkie for it. I love surreal art. Touch the dreamsauce, feel some type of way. It feels deep, but it almost certainly is not.
Does recognition of this diminish its power? Perhaps. Then I have to move onto the hard stuff. David Lynch not enough, gotta pound Andalusian Dog into my weary veins. That’s just consumption of the stuff; what about production? I’d like to make art that feels important the way returning Excalibur to Betty Boop can feel important when you’re asleep.
How can I do that if I don’t genuinely believe it is important? It’s like writing romance when you feel unromantic, writing comedy when you have cancer. All I have for this right now is a question. No answer. If you have any ideas, hit me up.
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