The Probability Broach, chapter 8
After debating alternate histories with Ed, and contemplating the possibility that his own universe no longer exists to return to, Win is sleepless with worries:
I had a hard time sleeping that night. I was exhausted, and not only from exertion and gunshot wounds. Clarissa’s wonderful machines were healing me at a rate that taxed my reserves and made me ravenous about every forty-five minutes. But sleepy I was not. Lying around in bed all day wired up like Donovan’s brain is not exactly conducive to a solid night’s hibernation.
I’m not the warm-milk type, and booze has never helped me sleep. This anarchist’s Disneyland apparently hadn’t any prescription laws. Ed’s medicine cabinets contained everything from aspirin to morphine.
I’ll give Smith points for consistency, at least, for highlighting an implication of his worldbuilding that some authors might shy away from depicting. In an anarchist society, there’d be no such thing as controlled substances. Anyone who wanted any drug, from cocaine to heroin to crystal meth, would be able to buy it over the counter.
Now picture it from the other side of the cash register. In an anarcho-capitalist society, there’s nothing stopping you from making drugs that are as addictive as you can possibly make them and selling them to everyone, including kids.
Given what we know about how capitalism works, every company under the sun would rush to do just that. Why struggle with competition, why subject yourself to the whims of the market, when you can rake in obscene profits by cultivating a customer base that literally can’t stop buying your product?
We’ve seen this exact thing play out in the real world, most infamously with tobacco companies. For decades, they schemed to get their customers addicted. They deliberately took steps to make cigarettes more addictive: genetically modifying tobacco plants to contain more nicotine, or adding bronchodilator chemicals to speed the absorption of nicotine into the body.
Another destructive story of corporate greed producing human tragedy is America’s opioid epidemic. By many accounts, it began with OxyContin. Purdue, OxyContin’s manufacturer, promised it would provide 12-hour pain relief with minimal addiction risk. However, many people complained that it wore off too soon, leaving them to suffer as they counted down the hours.
Instead of having patients take the drug more frequently – which would surrender their claimed advantage over other painkillers – Purdue told doctors to prescribe bigger and bigger doses. This created a rollercoaster of highs and lows that, for many people, was a prelude to addiction. Instead of providing a steady level of relief, it trains the brain to crave the next hit of the drug. This paved the way for desperate people in withdrawal to seek out even stronger opioids, like heroin and fentanyl.
Last but not least, there’s Feel Free. It’s a tonic sold in gas stations and smoke shops. Its manufacturer describes it as a “plant-based herbal supplement” and markets it as a healthy and natural alternative to alcohol, and it comes in a blue bottle that looks like an energy drink. But it’s not caffeine: it contains kratom, a plant with natural opioid-like compounds.
Many consumers of Feel Free report an intense addiction that sets in almost immediately, coupled with debilitating withdrawal symptoms if they try to stop. A class-action lawsuit has been filed against the maker for allegedly concealing its health risks and addictive potential.
But, again, in an anarchist society, there’s no such thing as consumer-protection laws. There wouldn’t even be these safeguards, as flimsy and inadequate as they are. Makers of dangerous, addictive drugs could conceal the risks, could market and sell them in any way they like, and there’d be nothing that anyone could do about it. This makes it all the more implausible that there are no poverty-stricken or homeless people in Smith’s North American Confederacy: you can easily blow any amount of money and ruin your life on drugs.
As I’ve said before, I’m not a prohibitionist. I’m skeptical of any law that tries to control what consenting adults do with their own bodies. Addiction isn’t a sign of poor character; it’s a medical problem, and it should be treated as one.
Of course, people who drive drunk, steal or commit other crimes to feed a drug habit may have to be imprisoned, both for everyone else’s safety and so they can be compelled to get treatment. But putting people in prison simply for using drugs doesn’t solve anything. It makes a bad situation worse by forcing addicts into the shadows and making them afraid to get help. It furnishes a ready excuse for aggressive overpolicing of minorities and the poor. It feeds a black market where criminal gangs wage turf wars over territory and adulterate their products with toxic additives – all problems that America has experienced firsthand during its long, violent history of prohibition.
However, here’s where I draw the line: there are good reasons society shouldn’t permit some people to profit off of other people’s addictions.
In my ideal world, no recreational chemicals would be banned. But advertising would be forbidden, there’d be stringent safety regulations, and drugs with high addictive potential (especially alcohol and tobacco!) could only be sold at cost, not for profit, with added taxes to fund the treatment of those who need help. This eliminates the incentive for companies to try to get their customers hooked.
Getting back to the book: for whatever reason, Win chooses not to avail himself of Ed’s medicine cabinet. He lies awake, tossing and turning. However, in yet another of those author-scripted convenient coincidences, his insomnia saves his life:
Lying restlessly in the dark, I tried arguing Ed’s terminal out of something to read. Then I heard it: a humming, soft but unmistakable. I might have slept through it. I turned. In the dim backlight of distant street lamps, I could make out a shadow against the windowpane.
…The window, hinged at the top, opened outward. A shadow silently threw its leg over the sill. One step across the floor, two, three. Starlight glinted on naked steel.
Win has a derringer – a miniature gun with only one shot – under his pillow. He tries to draw it without alerting the intruder that he’s awake:
He was on me! A huge knife swung in a glittering arc and I twisted the gun to bear as his blade tangled in the wiring around me, skittered along the cast on my arm, and was deflected. The derringer went off in a blinding explosion, missing his face by a handspan. I dropped the gun from stinging fingers, grabbing at his wrist. He jerked it back-I let him, pushing the razor-sharp edge toward his face. It caught under his jaw, pivoting where it bit, slicing flesh and corded muscle, spraying us both with blood.
…Suddenly he let go, ripped himself from my failing grasp, and dived head-first out the window as—Slap! Slap! The glazing dissolved in a million crystalline shards.
The lights came on. Ed slumped against the door frame, a spidery wisp of smoke drifting from the muzzle of his .375. I sagged back into the sweat-soaked bed; Clarissa’s careful circuitry a dangling ruin. The bloody knife lay on the blanket, millimeters from my shaking, gun-bruised hand. Ed’s glance traveled from my blood-streaked face to the foot-long blade. “Don’t you know better than to try shaving in the dark?”
The fact that Ed is so nonchalant about a home invasion – going so far as to make action-hero-style quips about it – suggests that he’s used to it. That would make sense. In a society with no police and no government, where the only law is what you can get away with, these kinds of crimes ought to be common.
As we’ll see in a later chapter, L. Neil Smith implausibly insists this isn’t the case and that crime is actually very rare in his lawless, laissez-faire paradise. But if the average citizen of the North American Confederacy never has to fire a gun at a would-be murderer, why would his protagonists be so unfazed?
Smith probably didn’t mean anything by this line, other than trying to establish the badass credentials of his heroes. But in a meta sense, it could be seen as a big, glaring hint that this world isn’t as peaceful as its author wants us to believe it is.
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Other posts in this series: