I had been eagerly anticipating the release of this film ever since I heard about its debut in England lost November. This is because it is the creation of Armando Iannucci, who has a string of successful political satires such as the British TV series The Thick of It, the American TV series Veep, and the transatlantic comedy film In The Loop (2009) that dealt with how the American and British governments colluded to sell the phony case for the invasion of Iraq. Iannucci is a writer of sharp insight and dialogue and the topic of this film, dealing with all the political infighting for power immediately following the death of Stalin, got rave reviews on its release.
Sadly, I was disappointed. The film had its moments but was not as funny as I had expected it to be. I think I know why. The ruthlessness of Stalin and his purges of enemies are well known and in this film they are taken as a given. Stalin dies early in the film and the person who is the real villain is Lavrenty Beria, the head of the secret police and the person who carried out Stalin’s wishes and ordered the torture, murder, and internal exiles of perceived enemies, going well beyond what was required of him, including rapes of women. He was notorious for his cruelty. But he is not that well known to the general public and the filmmakers spent some time at the beginning establishing his evil character by showing his actions. But that grim beginning made it difficult for me to laugh at the later humor.
This has always been a problem for me with comedies that have violence. If violence is necessary for the story to make sense, I prefer if it is just referred to and left off-screen. It is quite possible to show that a character is evil without making it manifest. In my mind, a film can be violent or it can be funny. It cannot be both.
An interesting aspect of this film is the accents. There is always a problem when a film is set in a country where the language spoken is not English but the film features an English-speaking cast, like this one. A device that is often employed is to have the speakers talk in English but with the kind of accent that speakers of that country would have if they spoke English, the idea being to make the viewer think that the speaker was speaking in that other language but that we can somehow understand it. It never works for me.
In this film, they decided to let all the actors speak with their own accent. So Stalin had a British working class (Cockney?) accent while Nikita Khrushchev (played by the always excellent Steve Buscemi) had an American accent, and so on. After the initial surprise, the mix of accents did not, for me at least, distract from the film and was less grating than listening to them speak English with faux-Russian accents.
Here’s the trailer.
“In my mind, a film can be violent or it can be funny. It cannot be both.”
Because of my Anarchists leanings when I read this I thought:
A government can be violent or it can be virtuous. It cannot be both.
Yet the Majority for either their own vested or selfish interests want to irrationally believe otherwise.
I apologize that my musings departed from the OP’s specific thoughts.
Roj Blake says
A very enjoyable film. I found the accents grated the first few minutes, then they added another level to the humour, thinking of Stalin as a Union Shop Steward and Khrushchev as American. 🙂
I differ slightly with our esteemed host. I thoroughly enjoyed it, especially Zhukov striding in with his take no prisoners northern accent.
Whilst it is satire, and not a documentary, the violence is part of the story, it is what actually happened.
What? You’re telling me you didn’t enjoy Jackie Chan’s Police Story series?? Madness!
Reginald Selkirk says
I saw this on the recommendation of a friend. I think I’m not quite old enough (born more than 8 years after Stalin’s death), or not politically well-read enough to ‘get it.’ About the only one of the major characters (besides Stalin) that I had heard of was Khrushchev. The major players seemed to be stereotyped (this guy is completely amoral; this guy is vain, etc.), but I didn’t know enough background to understand which actions were real, and which were exaggerated for effect.
Reginald Selkirk, I have a very similar point of view (and age). What makes it even worse is seeing what is currently happening in the US making it difficult to differentiate between what is satire and what is fact. The Trump world is at least as ridiculous and horrible (not in having people directly killed but in different ways that ruin people and their lives).