Hate speech: it’s got a funky beat, and I can bug out to it!


 

One of the frustrating things about delving into the world of anti-racism is that you will inevitably run into someone who makes a completely unbalanced equivocation between the racism that people of colour (PoCs) encounter and the discomfort associated with race relations from the point of view of a white person. “I live in an all-black neighbourhood – I can’t even ride the bus without feeling people stare at me!” And while trying to be careful not to minimize their discomfort, some poor sap has to explain that when you get off that bus outside your neighbourhood, it is in every conceivable way better for you to be  white person than the black people who make you feel like the ‘victim of reverse racism’.

Within the construct of North American racial relations, there are really very few examples of legitimate anti-white racism. If one comes from the perspective that racism is the product of prejudice and power – that is, that racism must have some real force behind it to be meaningful – then there are essentially none. I don’t personally subscribe to that definition, but it does have a lot of merit in specific contexts (I won’t go further than that for now. Maybe another time). Critics of anti-racism, therefore, conflate the approach with simply being “anti-white”, which is about as accurate as saying that feminism is anti-male (but of course there are many who think that as well).

Therefore I am, in a weird way, happy to present you with the following:

South Africa’s high court has ruled that the anti-apartheid song Shoot the Boer is hate speech and banned the ruling ANC from singing it. Afrikaans interest group Afriforum had complained about ANC youth league leader Julius Malema singing the song, which refers to white farmers. Mr Malema and other ANC leaders had argued that the song was a celebration of the fight against minority rule. They said the words were not meant to be taken literally.

Long-time readers of this blog will be familiar with my sometimes-fraught relationship with hate speech. While I am a proud progressive liberal, my stance on free speech is something of a digression from my fellows, who believe that speech inciting hatred can be and should be legally curtailed. My problem with hate speech controls comes from a variety of sources – first of all I am unconvinced that we can define and enforce a consistent standard of ‘hate’. Even if we could, there is incomplete evidence to suggest that hate speech restrictions reduce the amount of hatred in society, rather than simply shifting it underground (where it is arguably more dangerous).

That being said, I don’t think we should simply call all speech good simply because it exists. There is absolutely hate speech, and it is always deplorable. We should criticize ideas vigorously and unashamedly. We should treat the people who hold those ideas as our fellow human beings, with all the fundamental rights we would like for ourselves and those we love. As much as I am happy to criticize religious zealots, or racists, or climate change denialists, or any group that holds positions that I think are destructive, the moment that someone attempts to treat those people as anything other than humans deserving of respect I will take up a placard and demonstrate for their rights.

Not so for Mr. Malema. My attempts at prognostication are usually simple idle speculation, but having read a bit of his background, I think that when a man like Julius Malema gains real political power, it will be the dawn of a dangerous era for South Africa. While he may not harbour legitimate hatred of white people, he is not above fanning the flames of hatred in those that do, and who see their violent hatred reflected in his speech. While his calls to “shoot the Boer” are, to hear him say it, simply a nod toward the history of the ANC, they are also a very specific call for violence. At that point we have left the realm of political speech and entered into criminal territory.

The song can be heard here (although it won’t mean much to you if you don’t speak Afrikaans):

Whatever you think about the content, you’ve got to admit: it’s catchy.

Like any demagogue worth her/his salt, Malema has managed to frame this censure as an illegitimate organization trying to silence the voice of truth coming from the common man:

Mr Malema said he would push for reform to the court system, which he said had not changed since the apartheid era. “If not being transformed means it’s racist, then so be it,” said Mr Malema, youth leader of the African National Congress (ANC). “Once again we find ourselves subjected to white minority approval. Apartheid is being brought through the back door.” He said he wanted liberation songs to be protected by law. “These were the songs of resistance and they will never die,” he said.

I have no problem with preserving historical artifacts, even if they’re racist. I might go so far as to say we should be more protective of the distasteful parts of our history, since they are the ones we need to learn the most from. If the question was whether or not the song can be discussed and the court ruled that the song must be banned altogether, then Mr. Malema would have a valid point. However, what he is doing instead is using deep-seated racial tension to bolster support for his ridiculous and disastrous social and economic policies – a Southern Strategy for South Africa.

Removing for a moment the discussion of who can claim responsibility for the simmering racial resentment that seems to define the political reality for South Africa, it is trivially easy to highlight this as an example of legitimate anti-white racism. A political case is being built around the exclusion and, apparently, violent suppression of the white minority in South Africa. While there are a million issues to tease out from this story – how much of a minority white South Africans really are, for example – even an anti-racist like myself can point to this as a clear case of racist hate speech.

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