From a very early age, I was enraptured by the mystery genre, devouring novels mostly by British writers whose style, less noir and more cerebral than their US counterparts, appealed to me. I particularly enjoyed the Sherlock Holmes canon by Arthur Conan Doyle, and read all of the stories at least twice, and have watched many adaptations of the stories for films and television.
One experiences a sense of sadness when the author of stories that you like dies and you know that there will be no new ones coming and I am certain many aficionados of Sherlock Holmes wish that there were more stories to enjoy. When Conan Doyle, tiring of being stuck in this series, killed off his much-loved character in one short story The Final Problem, the resulting outcry pressured him to bring him back three years later in another short story The Adventure of the Empty House, using a highly contrived plot device to explain how he hadn’t really died.
The Holmes canon is so well known and the character so iconic that many authors have written stories based on him as well as other characters that appear in the stories and copying the style of writing, a literary form known as pastiches, a high-brow version of fan fiction. I have resisted reading them, thinking that they would never be able to accurately recreate the atmosphere of the stories and thus would be a disappointment. Then I heard that the Conan Doyle estate had authorized Anthony Horowitz, a well known mystery writer in his own right, to write new Holmes novels. I just read the first one The House of Silk (published in 2011) and it was very satisfying. Horowitz not only portrays Holmes in a way that is consistent with my impressions of him, he also captures well the writing style of Holmes’s biographer Dr. John Watson.
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