Fantasy writers like J. K. Rowling who want to interweave the magical with the ordinary face some serious challenges. As long as you stay purely within the world of magic at Hogwarts, you can create a self-contained world obeying its own rules. But there is clearly some added drama that accrues when you can contrast that world with the world we live in, because that helps readers to identify more with the characters. Having wizards live among Muggles opens up plenty of opportunities for both comedy and dramatic situations. It also enables us to imagine ourselves in the story, to think that there might be a parallel world that we get glimpses of but do not recognize because we do not know what to look for. Maybe our neighbors are witches and we don’t know it.
The situation faced by authors like Rowling in coming up with a realistic scenario that convincingly weaves the magic and ordinary worlds is not unlike the problem facing religious people who believe in a parallel world occupied by god, heaven, angels, etc. For this parallel religious world to have any tangible consequences for people in the normal world, the two worlds must overlap at least at a few points. But how can you make the intersections consistent? How can god, who presumably exists in the parallel universe, intervene in the natural world and yet remain undetected? In a previous posting, I discussed the difficult questions that need to be addressed in making these connections fit into a coherent worldview.
In Rowling’s world, one connecting point between the magical and normal worlds is the pub The Leaky Cauldron whose front door opens onto the normal world and whose back has a gate that opens onto Diagon Alley, a parallel magical world. Another connecting point is at Kings Cross railway station where the brick wall between platforms nine and ten is a secret doorway onto platform 9 ¾, where the students catch the train to Hogwarts. A third is the house at 12 Grimmauld Place, and so on.
But this plot device of having gateways connecting the two worlds, while amusing, creates problems if you try to analyze it too closely. (This is the curse of many, many years of scientific training, coupled with a determinedly rationalistic worldview. It makes me want to closely analyze everything, even fiction, for internal logical consistency.)
For example, although platform 9 ¾ is hidden from the Muggles in some kind of parallel world, the train to Hogwarts somehow seems to get back into the real world on its way to Hogwarts because it travels through the English countryside. I initially thought that this countryside might also be in the parallel world, except that in one book Ron and Harry catch up with the train in their flying car, and they started off in the normal world. In another book we are told that Hogwarts is also in the Muggle world but that it is charmed so that Muggles only see what looks like a ruined castle. We also see owls carrying mail between Hogwarts and the normal world. So clearly there must be many boundaries between the magic and Muggle worlds. What happens when people and owls cross these other boundaries?
When I read the books, such questions are for me just idle curiosity. I like to see how the author deals with these questions but the lack of logical consistency does not bother me or take anything away from my enjoyment of the books. Rowling is not sloppy. She respects her readers’ intelligence, and she gives the reader enough of a rationale for believing in her two-worlds model that we can be taken along for the ride. The logical inconsistencies she glosses over are, I think, inevitable consequences of trying to create this kind of parallel universe model. To her credit, she is skilful enough to provide enough plausibility so that the reader is not troubled (or even notices) unless he or she (like me) is actually looking for problems.
But the problems Rowling faces in constructing a two worlds model that is logically consistent is similar to that faced by people who want to believe in a spiritual world that exists in parallel with the physical world. Since Rowling is writing a work of fiction and nothing of importance rides on whether we accept the inconsistencies or not, we can just close our eyes to these minor flaws and enjoy the books.
But the same cannot be said for the similar problems that confront two-world models that underlies most religious beliefs that have a god, because we are now not dealing with fiction but presumably real life. And being able to construct a two-worlds model (with gateways between the spiritual and physical worlds) that is logically consistent is important because it may determine whether people believe or disbelieve in a god. It was my personal inability to do so that finally pushed me into atheism.
As usual, political cartoonist Tom Tomorrow gets to the heart of the Judith Miller-New York Times-WMD story.