Accepting the Absurd–My Latest for Splice Today

I’m writing on the 16th anniversary of 9/11. Rather than tick off the obvious: where I was, changes in American culture and discussions about religion, I’ll relate how 9/11 first brought me face to face with the Absurd.

I first discovered existentialism shortly before 9/11. A friend at the time had a blog called “On Being and Nothingness,” and while she said there was no real reason for the title, I went to the library and started reading Jean-Paul Sartre, Albert Camus, and Soren Kierkegaard. Sartre’s Being and Nothingness was too much for me at the time, but I instantly connected with Camus’ more approachable style. It was Camus who first taught me about the Absurd: humankind’s futile attempt to find meaning in a life that has none. I was a Christian back then, so I thought Camus was just a nihilist and didn’t take him too seriously.

Then came 9/11. In the days following the attacks, I felt this deep unease in my stomach, as if all illusions of a moral arc bending towards justice suddenly disappeared. It didn’t help that 9/11 happened during my second week of college. Childhood was over, and I was entering an adult world full of violence and chaos, one falling apart underneath an apathetic sky. Maybe Camus was right all along, I thought.

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The Spin Off #1: In the Court of the Crimson King

Well, friends, it’s finally here: my new side-project podcast, The Spin Off! It’s a monthly podcast where Jeremiah Traeger from The SJW Circle Jerk, Chris Watson from The Podunk Polymath, and I review our favorite prog rock albums. In our first official episode, we review King Crimson’s 1969 debut “In the Court of the Crimson King,” arguably the first prog rock album.


Listen to “The Spin Off #1: In the Court of the Crimson King” on Spreaker.


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