How to Say Hari Kondabolu

Hari Kondabolu posted an audio pronounciation guide for his name on Tumblr yesterday, adding:

My career goal is to make people say my name properly. This kind of success is called THE GALIFIANAKIS. Hopefully this post will help.

Hari is such an easy name I can’t understand why someone wouldn’t pronounce it correctly (after hearing someone else say it correctly). Kondabolu is harder, but just like Hari, there aren’t any syllables in it which don’t exist in English and most modern languages right? It should to be easy to teach yourself to say Hari correctly. Just say hurry. Or say hubby and replace the b sound with an r sound.

My experience in the UK was that most people said Soooo-nil for some reason – and it grated like hell. This despite them hearing me say it any number of times. The u in my name is actually pronounced like foot, and the i is pronounced either like eel or ill – I use the former, though most Sunils seem to use the latter.

I think it’s a basic courtesy to pronounce someone’s name the way they pronounce it, provided you can say all its syllables. If you can’t say them all, at least say the ones you can – make a “good faith” effort. If you’re not sure, ask! Some of my Indian friends don’t pronounce my name with the pronounciation I use either – I wish they would. (I also have friends who don’t say my name at all – I don’t want to think about what that means.) I’m not immune to this myself; but I try to correct myself. When realisation dawned that I’d been mispronouncing one of my oldest friends’ name for years, I corrected it overnight. When I had a colleague named Sarah I taught myself to say it – “say stair-ah and remove the t“. I’m not sure how to pronounce Chimamanda Ngozi Adichie‘s name, but I’m confident that once I hear someone say it correctly, I’ll learn that correct pronounciation.

The phenomenon of name mispronouncation takes on a more serious tone when the person whose name is being mispronounced belongs to an out-group – say immigrants or ethnic minorities. I did some searching on Google Scholar and came across this thesis The Racialisation of Names: Names and the Persistence of Racism in the UK by sociologist Emily Jay Wykes, which examines the racialisation of names including mispronounciation. It’s interesting stuff and there’s free access to the PDF, do take a look.

 

 

An Example Of Getting It Right

A friend of mine told me about this new American TV Series ‘Ironside’ that has just started. I haven’t seen it yet so this isn’t a commentary post on the show. If in case you have, do share your views.

The plot looks interesting. An investigator who is a wheelchair user. And its nice to see a black man lead. Knowing about this show reminded me of a recently watched but not-so-recent film named ‘The Bone Collector’. It stars a black quadriplegic homicide detective, Lincoln Rhyme (Denzel Washington) and a white female patrol cop, Amelia Donaghy (Angelina Jolie). Here are a couple of things about the film that stood out and made it really worthwhile..

1. Black men as protagonists itself are not that usual, but a disabled black man? Only once I’ve seen that.

2. It was ‘HIS’ story. I’m not saying that simply having a disabled character means it should be all about them. But since he’s the lead here. And what’s impressive is that it was done properly. He wasn’t this inspiration porn trope where he ‘overcomes’ his disability by doing ‘amazing’ things or is simply there as some sort of a lesson for non-disabled characters (and non-disabled viewers indirectly). He was lively, happy, sad, angry, funny, etc and doing what he had to do. Neither were the disability-related hurdles he would naturally experience brushed aside. So as a character, he was complete.

3. Now usually what happens if there is a male disabled character is that the female gets portrayed as somehow double inferior than regular. I don’t know if I’m right, but I’ve felt this at times. It’s like their saying, ”See this guy is ‘disabled’. What woman would fall for him? Obviously a really “stupid” type!” That’s like hitting both of them (the man for his disability, and the woman for simply being female). I saw this movie in Malayalam just few days before seeing The Bone Collector (which could also be one of the reasons I immediately liked it). Same, main character is quad. But mainly there to ‘inspire’ others with his cheerfulness and happy-go-lucky attitude. Also it seemed like the writer made him disabled to get away with objectifying women. (”Because c’mon, poor disabled fellow, who cares if he’s sexist. He’s anyway not going to have a woman like him.”) Ugh! So this Rhyme-Amelia relationship was done well in that respect. It showed both their sides and their affection grew in the course of the film.

4. Bonus Point! Prominent and complex black character #2 – Thelma (Queen Latifah). Black and fat actually. And no, she wasn’t just sitting around eating or acting foolish. She was his nurse, a woman who was clever and resourceful.

5. The ending of the film was particularly good. When Richard Thompson, the killer, arrives at Rhyme’s house with the intention of killing him, Rhyme puts up a very practical fight and causes serious injury to his opponent. He wasn’t simply killed with no sign of resistence. Instead, he fought on until Amelia suddenly arrived at the apartment and shot Thompson down.

One minor complaint I had with the film was that initially Amelia had to be given directions for the even the most basic stuff like picking up some evidence on the crime scene (which one would think is lesson #1 in training academy for cops?) Guess they just wanted to show Rhyme’s character as ‘dynamic’ and ‘big bossy’ (as a man). That was unnecessary, but thankfully Amelia’s character evolved later on.

Being happy and having a positive attitude towards life is essential for anyone’s mental peace. No denying that. Likewise, demeaning and insulting words being thrown at disabled people is also no less of a reality. But what differentiates the portrayal of these from reinforcing negative attitudes is how they are responded to in the very same films. If the character, who is obviously living in an ableist environment, appears to be constantly happy and not showing any resentment towards the oppression they face, then it means the oppression is normalized, it’s no big deal. If hurtful and insulting dialogues are met with silent acceptance (or worse, laughter), then it’s just a big screen reminder (or celebration) of the actual prejudices that actually exist. So I think its important to show *some* of the marginalizations at least. Otherwise it becomes unrealistic. And unrelatable for the ‘real’ people with those disabilities. Which means, in reality, their stories are still waiting to be told.

Social Capital and Cultural Capital

In April of this year, the results of the BBC’s 2011 Great British Class Survey were published (free PDF available here). It’s quite a landmark study – it’s the largest survey of social class ever conducted in the UK, and consisted of a web survey having 161,400 respondents, as well as a parallel national representative face-to-face survey having 1026 respondents. The summary of the findings is:

Using latent class analysis on these variables, we derive seven classes. We demonstrate the existence of an ‘elite’, whose wealth separates them from an established middle class, as well as a class of technical experts and a class of ‘new affluent’ workers. We also show that at the lower levels of the class structure, alongside an ageing traditional working class, there is a ‘precariat’ characterised by very low levels of capital, and a group of emergent service workers.

An important and interesting feature of the study was what they measured as an indicator of class. We’re used to thinking of class inequality in terms of income. But the study instead used a more modern approach, where they measured three different kinds of “capital”: economic capital, social capital and cultural capital:

[…] a new, multi-dimensional way of registering social class differentiation. A highly influential scheme is that developed by French sociologist Pierre Bourdieu (1984), which argues that there are three different kinds of capital, each of which conveys certain advantages. He differentiates between (1) economic capital (wealth and income), (2) cultural capital (the ability to appreciate and engage with cultural goods, and credentials institutionalised through educational success), and (3) social capital (contacts and connections which allow people to draw on their social networks). Bourdieu’s point is that although these three capitals may overlap, they are also subtly different, and that it is possible to draw fine-grained distinctions between people with different stocks of each of the three capitals, to provide a much more complex model of social class than is currently used. This recognition that social class is a multi-dimensional construct indicates that classes are not merely economic phenomena but are also profoundly concerned with forms of social reproduction and cultural distinction.

[Read more…]

“Race is Not Biology, Race is Sociology”

I’m currently reading the book “Americanah” by Nigerian novelist Chimamanda Ngozi Adichie, and loving it.

"African Negro" - Popular Science Monthly - 'The Races of Mankind', July 1881

“African Negro” – Popular Science Monthly – ‘The Races of Mankind’, July 1881
(Image shows a portrait sketch of a young black man in a suit and tie. The journal identifies him as “Jacob Wainwright, Livingstone’s faithful boy”. Image in Public Domain; links to source.)

There’s a segment in the book where a fictional blog post by the main character talks about what “race” means in America, which I just had to transcribe so you can read it: [Read more…]