“In societies where modern conditions of production prevail, all of life presents itself as an immense accumulation of spectacles. Everything that was directly lived has moved away into a representation. ”
– Guy Debord, The Society of the Spectacle
In the afternoon light of a busy London street, two young men smash their car directly into the fragile flesh of a third; jump out, and hack his broken body into pieces. Hands red with blood and heavy with weapons, they linger over their victim, awaiting reaction.
Women of unimaginable courage impose themselves between killers and killed, preventing further desecration of a lifeless corpse, which lies in a T-shirt proclaiming “Help For Heroes.”
All around camera phones are held in shaking hands, freezing the scene as jpeg, liquidising it as mpeg. Exclusive interviews granted to random lenses, a garbled manifesto of anger, hate, despair and confusion.
Sirens, helicopter, state-sanctioned bullets, more blood.
A million tweets and updates hail down with ostentatious bravado.
Around 6pm a source close to government issues the official kite-mark of a capital T. This was not an act of criminality and hate, not a moment of horror but an act of Terror. Gloves off.
Fascists gather to gleefully parade their anger and display their drunken might. Black and brown neighbours shelter at home, fearful of violent reprisals from those who declare their opposition to Terror with a strictly capital T. Brave defenders of decent Christian values mask themselves behind matching EDL-branded balaclavas and hurl bricks at the police.
Hot from the presses, the papers prepare to grace the breakfast tables of the nation. From the front page of the world’s leading liberal voice stares the eyes of a killer, black-clad, black-skinned, red-handed, his words afforded banner status: “You people will never be safe.” An act of terror with a strictly lower-case t.
Meanwhile a young man about whom we know nearly nothing lies dead, unseen, unnamed, all but forgotten; no different to the countless bodies from either side littering the landscapes of Afghanistan and Iraq. But unlike them, he is a casualty not of war, not of hate, not of anger, not of madness, not of religion, not of politics. He is a casualty of spectacle.
About 12 hours after I posted this blog, the victim of the Woolwich attack was named as Drummer Lee Rigby, from Crumpsall, Manchester, aged 25, and father to a two year old son named Jack.