Shortbus — my complete review

Shortbus1_1
So Adult Friend Finder magazine has given me permission to run my review of “Shortbus” (the original, unedited version) here on my blog now, without waiting the usual 90 days. So here it is. Enjoy!

The Holy Grail Is Filled With Lube
by Greta Christina

Shortbus. Starring Raphael Barker, Lindsay Beamish, Justin Bond, Jay Brannan, Paul Dawson, PJ DeBoy, Peter Stickles, and Sook-Yin Lee. Original music by Yo La Tengo. Written by John Cameron Mitchell, in conjunction with the cast. Directed by John Cameron Mitchell. 102 minutes. Unrated. Opens October 4 in New York, October 6 in San Francisco and Los Angeles.

Shortbus10
John Cameron Mitchell has done it.

He’s cracked the code. He’s found the Grail. Best known until now as the director/co-writer/star of “Hedwig and the Angry Inch,” John Cameron Mitchell has done the thing that it seemed was going to be done in the ’70s but never quite happened; the thing that those of us who care about sex and movies have been hoping for decades would happen but never really expected to see.

Shortbus9
He’s made a movie — a regular, non-porno, arthouse-circuit, movie-type movie — with real sex. Explicit, non-faked, “actors actually doing it” sex. Lots of it, not just a scene or two. And he’s made it good. The smart, funny, engaging, “stay up ’til two in the morning talking about it” kind of good. Serious, top-notch, deserving of many awards good.

And now nobody else can ever again say that it can’t be done.

Shortbus5
“Shortbus” is unquestionably about sex. I mean, come on — the working title was “The Sex Film Project.” But it’s not about sex in the way that, say, “Debbie Does Dallas” is about sex. It’s about sex in the way that “The Godfather” is about the Mafia, the way “Babette’s Feast” is about food. Sex is the hook, the peg to hang the ideas on. It isn’t so much about sex as it is about what sex means, how people use it, what place it has in our lives. It isn’t so much about sex as it is about the problem of intimacy — the problem of how to connect with other people without losing yourself.

Shortbus14
It digs into that question through seven main characters, who intertwine and intersect at a New York sex club/art salon called Shortbus. There’s Sofia (Sook-Yin Lee), a couples’ counselor/sex therapist, who’s never had an orgasm and fakes it dramatically with her husband. There’s Rob (Raphael Barker), Sofia’s sensitive and supportive husband, who has no job or direction — or indeed life — of his own. There’s Jamie (PJ DeBoy), a former TV child star with an unsettling attachment to his old TV catch phrase, who can’t let go of his former fame and who wants more than anything to “love everyone in the world.” There’s James (Paul Dawson), Jamie’s lover, a former hustler, who’s obsessively filming his life for the lover he’s getting increasingly detached from. There’s Ceth, pronounced Seth (Jay Brannan), a dishy young model in constant search of a husband, who hooks up with Jamie and James — and leaps giddily to the assumption that the two of them are the husband for him. There’s Caleb (Peter Stickles), a quietly creepy freelance proofreader who stalks/spies on Jamie and James and has become scarily obsessed with their relationship. And there’s Severin (Lindsay Beamish), a professional dominatrix and amateur artist, a woman with perceptive and profound insight into other people’s lives and problems — and an equally profound inability to connect with those people in a way that’s anything other than confrontational.

Shortbus11
And right from the beginning, you see these people’s characters — and their neuroses — sketched out in their sex lives. Sofia and Rob, who look like a perfect couple from a Gap commercial, start the movie having wild porn-star sex in every position in the Kama Sutra, followed by a smug little post-coital chat about how great their life is. (Sofia actually says, “I feel sorry for couples who don’t have what we have.”) But we soon find out that Sofia’s not getting off and is faking it so Rob won’t leave her… and a bit later on, we learn that Rob isn’t getting the one thing he needs to wake him up sexually and make him feel connected. James starts the movie masturbating into his mouth on camera, for the film he’s making for Jamie… but when Jamie comes home and wants to make love, James turns him away. Meanwhile, Caleb is watching James jerk off — actually, he’s watching James filming himself jerking off — through a telephoto camera lens from a neighboring building. Ceth starts his stretch of the movie using a hand-held electronic dating-service device to try to meet guys… while he’s at the Shortbus sex club and art salon, surrounded by amazing people of all genders and preferences. And Severin is half-heartedly whipping the ass of a smug trust-fund hipster who keeps pressing her with nosy questions that seem profound and probing on the surface but are actually glib and meaningless.

Now, the thing that strikes you right off the bat about the sex in “Shortbus” isn’t just what a natural facet of the characters it is. What strikes you about the sex in “Shortbus” is how natural it is, period — how authentic it feels, how much it looks like real human sex.

Shortbus13
I mean, if you’ve heard anything about this film, you’ve heard that it’s the Real Sex movie. And even if you’ve seen a lot of porn, you might expect to be somewhat startled by that, either shocked or titillated or both. But the very explicitness of the sex actually makes it less jarring. In most non-porn movies, when you see someone naked, it’s so fleeting — and so out-of-place — that you can’t help but be jolted out of the narrative while you stare at their goodies. But in “Shortbus,” the nudity and the sex are so upfront, so un-selfconscious, and such a fluid part of the story, that you almost immediately stop being surprised by it. The sex in “Shortbus” doesn’t push you away from the characters, to drool over them from a voyeuristic distance — it draws you in, to identify with the characters and care about them.

Shortbus3_2
And I think because of this, the sex doesn’t get used as a symbol of the characters and their strengths or flaws. In most movies, good sex and bad sex are handed out like lollipops or spankings — rewards or punishments for being the right or wrong kind of person. But in “Shortbus,” bad sex isn’t a finger-wagging punishment for being neurotic and troubled. It’s just one aspect of a neurotic and troubled life. The sex isn’t a consequence of these people’s lives. It’s part of their lives. It isn’t separate.

Shortbus6
There are so many examples of this, and I could gas on at great length about every single one. But my favorite is the remote control vibrator. After going to the Shortbus sex club on her own, Sofia brings Rob along — along with a remote control vibrating egg, the egg portion of which she tucks into her panties, and the control portion of which she hands to her husband. The idea is that they’ll wander around the party on their own, but when he wants to connect with her, he can give her a little remote control buzz, and she’ll feel it and know that it’s his touch.

But Rob is distracted and uncomfortable at the party, and he sticks the remote in his back pocket and pretty much forgets about it. He does set it off, several times — but he does it by accident, without even knowing he’s doing it, leaning against a door or flopping down on a sofa. Eventually he loses the remote… and it gets picked up by someone else at the party, who tries to flip channels on the TV with it.

Shortbus15
So Sofia keeps thinking that Rob is sending her happy little sexy “I love you” messages by remote control… but in fact, he’s not. He’s in his own little world, and isn’t really thinking about her at all. And the buzzes keep going off at exactly the wrong moment, interrupting connections and conversations that Sofia’s having with other people, turning moments of genuine intimacy into awkward erotic faux pas. Once Sofia discovers that Rob has lost the remote, every shred of her therapy-speak “own your own feelings” relationship style gets blown into shrapnel. She flies into a rage — probably the most honest and direct communication she’s had with Rob in ages — and smashes the egg into pieces.

In other words, the device that’s meant to create a loving and sexy connection between them winds up just being sexual static — the illusion of a connection without a real connection — that gets in the way of any closeness they might have with other people, without fostering any intimacy between the two of them.

Kind of like their marriage.

Shortbus7
That may sound depressing and grim. But “Shortbus” is anything but. It’s a serious movie, yes, and at times it’s fucking tragic. But it’s also funny and clever, touching and sexy, engaging and sweet. And it’s hopeful. This is actually one of the things I like best about the movie — it’s positive about sex, without being deluded about it. It doesn’t pretend that good people will always be rewarded with happy sex; it doesn’t pretend that all sexual problems are easily solved with the right toy or technique or even the right partner; it doesn’t pretend that sex will save the world. It acknowledges how complicated sex is, how wrong it can go, how badly it can hurt when it goes wrong. It sees all that — and it still sees sex as joyful, and necessary, and worth trying to do right. It sees sex as an essential form of human connection — and it sees human connection as worth doing, maybe the only thing worth doing, even when it’s difficult and frustrating and doesn’t go right.

Shortbus8
I could go on an on. This could easily have been a five-thousand word movie review, and I’d still have felt like I had more to say. I could talk about the recurring theme of documentation and self-documentation: how everyone in the movie is filming and photographing themselves and each other, so busy trying to connect through art and technology that they wind up making themselves distant and self-conscious. (Like having your primary form of connection with the world involve sitting at a computer by yourself at two in the morning telling everyone what to think, just for example…)

I could talk about how non-simplistic that theme is, how the movie isn’t just a heavy-handed ironic screed about the isolation of the modern world. I could talk about how the tools people use to connect in the movie do sometimes help them connect, even when they’re crossing their wires… and how the crossed wires sometimes turn into real connections.

Shortbus12
I could talk about how, unlike almost every other movie ever made about love and sex, “Shortbus” doesn’t view every dissolved relationship as an unredeemed tragedy. I could talk about how rare it is for a movie to acknowledge that some relationships make people unhappy — even good people who are trying their best — and that sometimes a break-up is the beginning of a happy ending.

I could talk about the fact that all the jobs the main characters have — actor, model, sex worker, proofreader, therapist — are all jobs that are about communication and connection… and yet are also about keeping a leash on self-expression, molding the face you present into something other people need.

Shortbus4
I could talk at great length about the repeated theme of boundaries and boundariless-ness: the delicate balance between too much distance and not enough, the question of how to keep reasonable boundaries without building impenetrable walls, and how to let the world penetrate you without losing your own skin.

I could talk at very great length about how fluid sexual identity is in the movie, and how naturally people from different sexual identity groups connect and interact. The lesbians and gay men and straight people all have their little worlds; but this is a modern American city, and these worlds all overlap, and these people all know each other. This is actually one of the most striking things about “Shortbus,” and it’s a little depressing to realize how unusual it is. There’s no Gay Best Friend in an otherwise totally straight movie; there’s not the One Lesbian Couple at the party, or the Tranny Comic Relief who shows up for five minutes to be laughed at and disappear. There’s just gay men and lesbians and straight folks and bi folks and transfolk, and they all know each other and like each other and irritate each other and get tangled in each other’s lives. You know — like real life, in any major city anywhere in the Western world.

Shortbus2_1
I could talk about the fact that, for once in my goddamn life as a movie viewer, I didn’t feel insulted by the depiction of sadomasochists. I could talk about how sadomasochism isn’t used as a sign of evil or craziness or misery in “Shortbus,” but is shown as just another way to be sexual, with its own special pleasures and complications, and as much potential for trouble and joy as any other way.

I could talk about how the movie seems much longer than it is — not because it’s dull or sloppy, but because there’s so much going on. The movie is so rich, with so much nuance and complexity and detail, that it doesn’t seem possible that it all got packed into just 102 minutes.

Shortbus16
And I could talk about the places where the movie doesn’t quite work — the false notes, the plot turns that feel forced, the character developments that don’t seem plausible. There are undoubtedly a few of these: the therapist who smacks her client in the face and then spills out the details of her fucked-up sex life; the clients who then invite her to the sex club; the voyeur/stalker who turns out to be just another caring guy who needs love and connection. The dead body in the Jacuzzi that nobody notices until they bump into it. That sort of thing. “Shortbus” is not a perfect movie, and I like and respect it too much to pretend that it is.

Shortbus17
Because this is much better than a perfect movie. This is a great movie. This is a true movie. This is a unique movie. And this is an important movie. This is a movie about sex that’s explicit, not just in the standard sense of the word, but in every sense. It tells the truth about sex, as clearly and precisely and honestly as it can.

And that, all by itself, makes it invaluable.

Shortbus — my complete review
{advertisement}

Shortbus: The Holy Grail Is Filled With Lube

Shortbus1
John Cameron Mitchell has done it.

He’s cracked the code. He’s found the Grail. Best known until now as the director/co-writer/star of “Hedwig and the Angry Inch,” John Cameron Mitchell has done the thing that it seemed was going to be done in the ’70s but never quite happened; the thing that those of us who care about sex and movies have been hoping for decades would happen but never really expected to see.

Shortbus2
He’s made a movie — a regular, non-porno, arthouse-circuit, movie-type movie — with real sex. Explicit, non-faked, “actors actually doing it” sex. Lots of it, not just a scene or two. And he’s made it good. The smart, funny, engaging, “stay up ’til two in the morning talking about it” kind of good. Serious, top-notch, deserving of many awards good.

And now nobody else can ever again say that it can’t be done.

Shortbus3
Thus begins my review of “Shortbus” — a movie I’m tremendously excited about — which just got posted to the Adult Friend Finder magazine. Lately I’ve been putting my Adult Friend Finder reviews in their entirety here on my blog — but my contract with AFF says I have to wait 60 days to do that, and since the movie opens this weekend, I thought y’all would want to read it now. I’m not ecstatic with the editing on it, and I’ll almost certainly post the original version in its entirety here at some point… but in the meantime I’ll tell you that you absolutely cannot miss this movie. If you care about sex and movies, you have to make seeing it a high priority. And I’ll leave you with how I closed my review:

Shortbus_4
This is much better than a perfect movie. This is a great movie. This is a true movie. This is a unique movie. And this is an important movie. This is a movie about sex that’s explicit, not just in the standard sense of the word, but in every sense. It tells the truth about sex, as clearly and precisely and honestly as it can.

And that, all by itself, makes it invaluable.

Shortbus: The Holy Grail Is Filled With Lube

Domesticity and Degeneracy

Note: This post include descriptions of my personal sex life. If you don’t want to read that, please don’t read the rest of the post.

Spanking
So on Saturday, Ingrid and I went to the “Perverts Put Out” erotic reading, where I read my “college girl gets spanked by her professor” story… which turned out to be one of the gentler stories in a program that included humiliating gang-bangs and Brady Bunch porn and burly ex-Marines in pink rhumba panties. It’s been a while since the last “Perverts Put Out,” and every one of the readers was in rare form.

Afterwards… well, I’m not going to tell you exactly what we did when we got home last night, but I will tell you that it’s now Sunday night and I’m still sore.

Crock_pot
And today, we woke up surrounded by cats, and we had breakfast and read the Sunday paper at our favorite local diner, and we went to the stationery store and the grocery store and the cheese store, and we made chicken stock and vegetarian chili while we wrote our last few much-belated wedding-gift thank-you notes and watched the Simpsons.

White_picket_fence
I’m not sure why I’m telling you all this… except it’s gotten me thinking about degeneracy and domesticity. I think people often assume that the one precludes the other. We tend to assume that when you make sybartic sensual pleasure a priority in your life, you have to accept instability and chaos as part of the package. And we tend to assume that when you settle down with a partner and a mortgage and a Sisyphian list of household chores, you have to accept that boredom and predictability are the natural result.

But I don’t think that’s true.

I think you can have both. I know you can have both. I’ve had both, just in the last 48 hours.

Bookers
What I do think is that when you try to have both, you don’t get to have either one to the most lavish extent that you might. Marriage and a mortgage has definitely put a dent in (not to say virtually eliminated) my slutty, casual-sex catting around. I just don’t have time. And making sure that we have sex and dancing and and parties and good food and good liquor and porn writing and reasonably frequent cultural outings in our life does mean that our home life is rather more chaotic than one might like, with piles of junk all over the living room and a chore list that’s just getting longer and nowhere near enough sleep. The domesticity isn’t as domestic — and the degeneracy isn’t as degenerate — as I might have hoped for in a perfect world.

Yin_yang
But that’s okay. I refuse to accept that the pursuit of loving domesticity means boredom and quiet desperation, and I refuse to accept that the pursuit of sensual pleasure means restlessness and instability. And I adamantly refuse to accept that the two things are incompatible and that I have to choose one. I do, however, accept that the pursuit of both means compromise. I can have it all, as long as I accept that none of it will be perfect.

Domesticity and Degeneracy

Perverts Put Out returns — and I’m reading!

Greta
Come hear me read dirty stories — along with faboo sex writers Simon Sheppard, Carol Queen, Kirk Read, Charlie Anders, horehound stillpoint, and Lori Selke — when Perverts Put Out returns to San Francisco! Perverts Put Out was a long-running sex-writer forum/salon thing, which ended prematurely when host Bill Brent inexplicably decided to do what he wanted with his life and moved to Hawaii. But now Simon Sheppard and Carol Queen are reviving it as a benefit for the Center for Sex and Culture — and they very kindly invited me to be one of the readers at its debut!

Perverts Put Out always had a great and hilarious variety of sex writing — fiction, non-fiction, poetry, queer and straight, kinky and somewhat less kinky — and the return engagement promises to keep that tradition alive. I’m thrilled that it’s back, and I’d be going even if I weren’t reading. It’ll be on Saturday, September 23, starting at 7:30 pm, at CounterPULSE!, 1310 Mission St. (that’s at Mission and 9th, near Civic Center BART) in San Francisco. Admission is a $5-$15 sliding scale to benefit the Center for Sex and Culture, but no-one will be turned away for lack of funds.

I’d give you a taste of what I’m going to be reading, but I haven’t decided yet. Probably the story about the college girl getting spanked by her professor, but I might change my mind…

Perverts Put Out returns — and I’m reading!

Are We Having Sex Now or What?

My apologies to my RSS people who get this twice. Something screwed up with my FeedBlitz feed, so I’m posting it a second time. Enjoy!

Seven
When I first started having sex with other people, I used to like to count them. I wanted to keep track of how many there had been. It was a source of some kind of pride, or identity anyway, to know how many people I’d had sex with in my lifetime. So, in my mind, Len was number one, Chris was number two, that slimy awful little heavy metal barbiturate addict whose name I can’t remember was number three, Alan was number four, and so on. It got to the point where, when I’d start having sex with a new person for the first time, when his cock first entered my cunt (I was only having sex with men at the time), what would flash through my head wouldn’t be “Oh baby baby your cock feels so good inside me,” or “What the hell am I doing with this creep,” or “This is boring I wonder what’s on TV.” What flashed through my head was: “Seven!”

Four
Doing this had some interesting results. I’d look for patterns in the numbers. I had a theory for a while that every fourth lover turned out to be really great in bed, and would ponder what the cosmic significance of this phenomenon might be. Sometimes I’d try to determine what kind of person I was by how many people I’d had sex with. At 18, I’d had sex with ten different people; did that make me normal, repressed, a total slut, a free-spirited bohemian, or what? Not that I compared my numbers with anyone else’s — I didn’t. It was my own exclusive structure, a game I played in the privacy of my own head.

Big_numbers
Then the numbers started getting a little larger, as numbers tend to do, and keeping track became more difficult. I’d remember that the last one was Seventeen and so this one must be Eighteen, but then I’d start having doubts about whether I’d been keeping score accurately or not. I’d lie awake at night thinking to myself, well, there was Brad, and there was that guy on my birthday, and there was David, and…no, wait, I forgot that guy I got drunk with at the social my first week at college…so that’s seven, eight, nine…and by two in the morning I’d finally have it figured out. But there was always a nagging suspicion that maybe I’d missed someone, some dreadful tacky little scumball that I was trying to forget about having invited inside my body. And, as much as I maybe wanted to forget about the sleazy little scumball, I wanted more to get that number right.

Backrub
It kept getting harder, though. I began to question what counted as sex and what didn’t. There was that time with Gene, for instance. I was pissed off at my boyfriend David for cheating on me. It was a major crisis, and Gene and I were friends and he’d been trying to get at me for weeks and I hadn’t exactly been discouraging him. So I went to see him that night to gripe about David. He was very sympathetic of course, and he gave me a backrub, and we talked and touched and confided and hugged, and then we started kissing, and then we snuggled up a little closer, and then we started fondling each other, you know, and then all heck broke loose, and we rolled around on the bed groping and rubbing and grabbing and smooching and pushing and pressing and squeezing. He never did actually get it in. He wanted to, and I wanted to too, but I had this thing about being faithful to my boyfriend, so I kept saying No you can’t do that, Yes that feels so good, No wait that’s too much, Yes yes don’t stop, No stop that’s enough. We never even got our clothes off. Jesus Christ, though, it was some night. One of the best, really. But for a long time I didn’t count it as one of the times I’d had sex. He never got inside, so it didn’t count.

Martyr
Later, months and years later, when I lay awake at night putting my list together, I’d start to wonder: Why doesn’t Gene count? Does he not count because he never got inside? Or does he not count because I had to preserve my moral edge over David, my status as the patient, ever-faithful, cheated-on, martyred girlfriend, and if what I did with Gene counts, then I don’t get to feel wounded and superior?

Years later, I did end up fucking Gene and I felt a profound relief because, at last, he definitely had a number, and I knew for sure that he did in fact count.

Lesbian
Then I started having sex with women, and boy howdy, did that ever shoot holes in the system. I’d always made my list of sex partners by defining sex as penile-vaginal intercourse. You know, fucking. It’s a pretty simple distinction, a straightforward binary system. Did it go in or didn’t it? Yes or no? One or zero? On or off? Granted, it’s a pretty arbitrary definition; but it’s the customary one, with an ancient and respected tradition behind it, and when I was just screwing men, there was no really compelling reason to question it.

Hitachi
But with women… well, first of all there’s no penis, so right from the start the tracking system is defective. And then, there are so many ways women can have sex with each other, touching and licking and grinding and fingering and fisting — with dildoes or vibrators or vegetables or whatever happens to be lying around the house, or with nothing at all except human bodies. Of course, that’s true with sex between women and men as well. But between women, no one method has a centuries-old tradition of being the one that counts. Even when we do fuck each other there’s no dick, so you don’t get that feeling of This Is What’s Important We Are Now Having Sex, objectively speaking, and all that other stuff is just foreplay or afterplay. So when I started having sex with women, the binary system had to go, in favor of a more inclusive definition.

One
Which meant, of course, that my list of how many people I’d had sex with was completely trashed. In order to maintain it I’d have had to go back and reconstruct the whole thing and include all those people I’d necked with and gone down on and dry-humped and played touchy-feely games with. Even the question of who filled the all-important Number One slot, something I’d never had any doubts about before, would have to be re-evaluated. By this time I’d kind of lost interest in the list anyway. Reconstructing it would be more trouble than it was worth. But the crucial question remained: What counts as having sex with someone?

Question_mark
It was important for me to know. I mean, you have to know what qualifies as sex, because when you have sex with someone your relationship changes. Right? Right? It’s not that sex itself has to change things all that much. But knowing you’ve had sex, being conscious of a sexual connection, standing around making polite conversation with someone thinking to yourself, “I’ve had sex with this person,” that’s what always changes things. Or so I believed. And if having sex with a friend can confuse or change the friendship, think of how bizarre things can get when you’re not sure whether you’ve had sex with them or not.

Dividing_line
The problem was, as I kept doing more different kinds of sexual things, the line between Sex and Not-sex kept getting more hazy and indistinct. As I brought more into my sexual experience, things were showing up on the dividing line demanding my attention. It wasn’t just that the territory I labeled “sex” was expanding. The line itself had swollen, dilated, been transformed into a vast grey region. It had become less like a border and more like a demilitarized zone.

Juggling
Which is a strange place to live. Not a bad place, you understand, just strange. It feels like juggling, or watchmaking, or playing the piano — anything that demands complete concentrated awareness and attention. It feels like cognitive dissonance, only pleasant. It feels like waking up from a very compelling and realistic bad dream. It feels the way you feel when you realize that everything you know is wrong, and a bloody good thing too, ‘cuz it was painful and stupid and really fucked you up.

Explorer
But for me, living in a question naturally leads to searching for an answer. I can’t simply shrug, throw up my hands, and say, “Damned if I know.” I have to explore the unknown frontiers, even if I don’t bring back any secret treasure. So even if it’s incomplete or provisional, I do want to find some sort of definition of what is and isn’t sex.

Orgasm
I know when I’m feeling sexual. I’m feeling sexual if my pussy’s wet, my nipples are hard, my palms are clammy, my brain is fogged, my skin is tingly and super-sensitive, my butt muscles clench, my heartbeat speeds up, I have an orgasm (that’s the real giveaway), and so on. But feeling sexual with someone isn’t the same as having sex with them. Good Lord, if I called it sex every time I was attracted to someone who returned the favor I’d be even more bewildered than I am now. Even being sexual with someone isn’t the same as having sex with them. I’ve danced and flirted with too many people, given and received too many sexy would-be-seductive backrubs, to believe otherwise.

Brain_1
I have friends who say if you thought of it as sex when you were doing it, then it was. That’s an interesting idea. It’s certainly helped me construct a coherent sexual history without being a revisionist swine and redefining my past according to current definitions. But it really just begs the question. It’s fine to say that sex is whatever I think it is; but then what do I think it is? What if, when I was doing it, I was wondering whether it counted?

Arousal
Perhaps having sex with someone is the conscious, consenting, mutually acknowledged pursuit of shared sexual pleasure. Not a bad definition. If you are turning each other on and you say so and you keep doing it, then it’s sex. It’s broad enough to encompass a lot of sexual behavior beyond genital contact/orgasm; it’s distinct enough to not include every instance of sexual awareness or arousal; and it contains the elements I feel are vital — acknowledgement, consent, reciprocity, and the pursuit of pleasure. But what about the situation where one person consents to sex without really enjoying it? Lots of people (myself included) have had sexual interactions that we didn’t find satisfying or didn’t really want, and unless they were actually forced on us against our will, I think most of us would still classify them as sex.

Two_brains
Maybe if both of you (or all of you) think of it as sex, then it’s sex whether you’re having fun or not. That clears up the problem of sex that’s consented to but not wished for or enjoyed. Unfortunately, it begs the question again, only worse: Now you have to mesh different people’s vague and inarticulate notions of what is and isn’t sex and find the place where they overlap. Too messy.

Bad_sex
How about sex as the conscious, consenting, mutually acknowledged pursuit of sexual pleasure of at least one of the people involved. That’s better. It has all the key components, and it includes the situation where one of the people involved is doing it for a reason other than sexual pleasure — status, reassurance, money, the satisfaction and pleasure of someone they love, etc. But what if neither of you is enjoying it, if you’re both doing it because you think the other one wants to? Ugh.

Intercourse
I’m having a bit of trouble here. Even the conventional standby — sex equals intercourse — has a serious flaw; it includes rape, which is something I emphatically refuse to accept. As far as I’m concerned, if there’s no consent, it ain’t sex. But I feel that’s about the only place in this whole quagmire where I have a grip. The longer I think about the subject, the more questions I come up with. At what point in an encounter does it become sexual? If an interaction that begins non-sexually turns into sex, was it sex all along? What about sex with someone who’s asleep? Can you have a situation where one person is having sex and the other isn’t? It seems that no matter what definition I come up with, I can think of some real-life experience that calls it into question.

Sex_parties
For instance: A couple of years ago, I attended (well, hosted) an all-girl sex party. Out of the twelve other women there, there were only a few with whom I got seriously physically nasty. The rest I kissed or hugged or talked dirty with or just smiled at, or watched while they did seriously physically nasty things with each other. If we’d been alone, I’d probably say that what I’d done with most of the women there didn’t count as having sex. But the experience, which was hot and sweet and silly and very special, had been created by all of us, and although I only really got down with a few, I felt that I’d been sexual with all of the women there. Now, whenever I meet one of the women from that party, I always ask myself: Have we had sex?

Flogger
For instance: When I was first experimenting with sadomasochism, I got together with a really hot woman. We were negotiating about what we were going to do, what would and wouldn’t be ok, and she said she wasn’t sure she wanted to have sex. Now we’d been explicitly planning all kinds of fun and games — spanking, bondage, obedience — which I strongly identified as sexual activity. In her mind, though, “sex” meant direct genital contact, and she didn’t necessarily want to do that with me. Playing with her turned out to be a tremendously erotic experience, arousing and stimulating and almost unbearably satisfying. But we spent the whole night without even touching each other’s genitals. And the fact that our definitions were so different made me wonder: Was it sex?

Lusty_lady
For instance: I worked for a few months as a nude dancer at a peep show. In case you’ve never been to a peep show, it works like this: The customer goes into this tiny dingy black box, kind of like a phone booth, and they put in quarters, and a metal plate goes up, and they look through a window at a little room/stage where naked women are dancing. One time, a guy came into one of the booths and started watching me and masturbating. I came over and squatted in front of him and started masturbating as well, and we grinned at each other and watched each other and masturbated, and we both had a fabulous time. (I couldn’t believe I was being paid to masturbate — tough job, but somebody has to do it…) After he left, I thought to myself: Did we just have sex?

Quarter
I mean, if it had been someone I knew, and if there had been no glass and no quarters, there’d be no question in my mind. Sitting two feet apart from someone, watching each other masturbate? Yup, I’d call that sex all right. But this was different, because it was a stranger, and because of the glass, and because of the quarters. Was it sex?

I still don’t have an answer.

Copyright 1992 Greta Christina. Originally published in The Erotic Impulse, edited by David Steinberg, Tarcher Press.

Erotic_impulse
A lot of you may have read this already. This is probably my best-known, most influential, and most widely-read piece of writing. It’s been reprinted numerous times (including a butchered version that appeared in Ms. Magazine with the references to kinds of sex they don’t approve of taken out), and it gets studied and assigned in several college and university courses. (Google “Greta Christina” + “Are we having sex” if you don’t believe me.) But Susie Bright suggested that I put it on my blog as well as my Website, since this is where a lot of people are finding me these days. And I think she’s right — I always tell people that if you were just going to read one piece of my writing, this is the one to read (this or Comforting Thoughts About Death That Have Nothing to Do with God), and I try to make it as widely available as I can.

Are We Having Sex Now or What?

Spanking for Stagefright

Spank_3
I don’t generally expect to get turned on by the New Yorker. But I just read this in the 8/26/06 issue, in John Lahr’s article about stagefright:

“(Carly) Simon has found that physical pain often trumps psychological terror. ‘If you have something that’s hurting you physically, the pain is the hierarchy,’ she said. To that end, she has been known to take the stage in tight boots, to jab her hand with clutched safety pins, and even, just before going on, to ask band members to spank her. At a celebration for President Bill Clinton’s fiftieth birthday, at Radio City Music Hall, in 1996, Simon, terrified of following Smokey Robinson, invited the entire horn section to let her have it. ‘They all took turns spanking me,’ she says. ‘During the last spank the curtain went up. The audience saw the aftermath, the sting on my face. I bet Olivier didn’t do that.'”

Horn_section
So does anyone else find this (a) totally hot, and (b) somewhat baffling? I mean, I get that stagefright is freaky-ass stuff, and I get that not everyone obsessively eroticizes spanking the way I do. But if I were suffering from severe stagefright and looking for some physical pain to snap me out of it, I’m not sure that “ask the entire horn section to spank me” would be the solution that would leap to mind.

I’ll have to remember it, though. The next time I do an erotica reading, I’ll have to insist on getting a spanking beforehand to cure my stagefright. Of course, I’ve never suffered from stagefright in my life… but that’ll be our little secret.

Spanking for Stagefright

For Better or Worse: “Taboo: Forbidden Fantasies for Couples”

Taboo
In an attempt to inject some more sex into what is ostensibly a sex writer’s blog, I’m going to start posting some of my smut-and-sex-toy reviews here. Don’t worry — I’m not abandoning the rants and musings about skepticism and politics and music and weird dreams and Harry Potter and stuff. But since I am primarily known as a sex writer, I thought some of you might want to read some of my thoughts about, you know, sex.

This review originally ran in Adult Friend Finder magazine, where I’ve been writing for about a year and a half now. I’ve done a lot of good work for them, but this is one of my favorites. It uses a dirty book review as a jumping-off point to think about the anatomy of a dirty story, and how porn fiction works — or doesn’t. Enjoy!

For Better or Worse
by Greta Christina

Taboo: Forbidden Fantasies for Couples
edited by Violet Blue
Cleis Press, $14.95

Ocean
I realize that calling an erotica anthology uneven is like calling the ocean wet. It’s practically built into the definition of the thing. When you have a couple dozen or more stories by a couple dozen or more writers, you’re going to have ups and downs, higher points and less high points. And in an erotica collection, you’re naturally going to have stories that turn you on and ones that don’t, stories that cater to your favorite delectable desires and stories that cater to other people’s weird-ass kinks (or their totally boring ones).

But while all erotica anthologies are uneven, some are more uneven than others. Some hit a consistently high note, ranging from damn good to fucking great; others wobble about in the range from mediocre to pretty decent. And some, like Taboo, are all over the damn map, with stories that send you flying… and stories that make you wonder why even the writer cared.

Sweet_life
Taboo was put together by the editor of the Sweet Life anthologies, and it’s in a similar vein: stories about (and for) committed long-term heterosexual couples acting out fantasies and exploring new sexual possibilities, aimed at a couples’ audience and meant to both arouse and inspire. But Taboo has an important twist. While the fantasies in the Sweet Life books are on the gentle, not-very-threatening side — first-time spankings, three-ways, dildos, and the like — the stories in Taboo are kinkier, edgier, more extreme. Taboo has public sex, public kink, medical scenes, rape scenes, gender-fuck, sex with strangers, sex with guns, and heaps upon heaps of heavy-duty hard-core dominance, submission, and sadomasochism. It’s all about couples consensually exploring fantasies together — but there’s a huge variety in the fantasies and fetishes that the couples in the stories are exploring.

And there’s a huge variety in the quality of those stories. Taboo is so interestingly uneven that you could almost use it in a writing class, an object lesson in what makes porn fiction work — and what doesn’t.

Speculum
Lesson 1: You can’t write a good porn story by just describing a series of physical events. Really effective porn gets inside the characters’ heads and bodies, makes the reader feel what they’re feeling. “After Hours” by Dante Davidson does this exquisitely. One of the better and more twisted stories in Taboo, it describes a medical scene between a doctor and a nurse, a gynecological exam with a sexual edge that gradually crosses the line from nasty, forbidden thoughts to nasty, forbidden deeds. Davidson does a remarkable job of conveying how the doctor feels, the line he walks between detached professionalism and intense arousal and invasion — so much so that it takes a while to figure out that this is actually a consensual, planned-out scene between an established couple. And Davidson doesn’t just get you inside the doctor’s head — he gets you inside the nurse’s as well, conveying not just the man’s excitement but his awareness of the woman’s as well.

Cucumber
On the other very disappointing hand, we have “Forbidden Fruit” by Pearl Jones. This is a prime example of the “series of physical events” theory of porn writing. In it, a couple has a series of sexual encounters involving fruits and vegetables. The woman masturbates with a cucumber, and later on her husband fucks her with a cucumber, and then they go to the grocery store and buy more sexy fruits and vegetables, and then he goes down on her with the cucumber inside her, and then they eat raspberries off each other’s bodies, and then she cuts a hole in a melon so he can fuck it, and then… and it goes on like this. Jones gives detailed descriptions of each act, occasionally even describing the couple’s physical sensations… with no sense at all of what it means to them, what it is about fucking their produce that they find naughty or sexy or special, how it all feels to them emotionally as well as physically. Admittedly, the “sex with food” thing doesn’t do much for me (and frankly, I’m hard-pressed to see what’s so all-fired taboo about it). But I’m not particularly into the medical fetish, either; yet “After Hours” got me inside that fantasy — and made me feel exactly what was hot about it.

Which leads me to Lesson 2: A porn story should be… well, a story. At the risk of sounding pretentious, it should have a narrative arc: it doesn’t have to have a lot of non-sexual plot, or indeed any, but the characters should be in one place at the beginning of the story, someplace else at the end of it. You can get away with a series of disjointed sexual images in video porn, since it’s such a visual medium; but unless it’s written by an exceptionally good experimental writer, a porn story has to unfold, with some suspense about where things are going. This isn’t just a literary nicety — it makes the porn hotter, making it easier to identify with the characters, and giving it a sexual tension right along with the dramatic tension.

James_dean
For an excellent example, take “James Dean, One Thousand Bucks, and a Long Summer Night” by Emilie Paris. “James Dean” starts out as a fairly standard (albeit unusually well-rendered) fantasy about a couple picking up a street hustler for a voyeuristic three-way. But as the story unfolds, the wife changes her mind about what she wants — and takes charge of the scene, directing it into an area she and her husband hadn’t anticipated or even agreed on. The moment when the wife takes control and shifts the fantasy from the standard “man watching his wife fuck another man” to the rather less commonly-seen “newly dominant wife watching her straight husband get fucked by another man” is a moment that’s both unnerving and fiercely exciting. The story gets across the essence of what makes taboos hot — not simply breaking society’s rules and boundaries, but breaking your own, with the excitement of genuinely unfamiliar territory that might actually change your life while it’s getting you off.

And of course, any good narrative has to have conflict. This may be the lesson Taboo was in the greatest need of. Far too many of its stories gloss right over the hard parts: couples venture into three-ways with never a blink of jealousy or insecurity, and try freaky new fetishes with pure eagerness and no hint of anxiety or doubt.

Babysitters
I could once again cite “Forbidden Fruit”: a twelve-page story, packed with multiple sex acts, in which absolutely nothing happens. It’s a near-perfect example of how the lack of development or conflict makes for truly boring smut. (I’m sorry to keep harping on this one story; it was just so pointless and rambling and dull that it actually stood out, making me wonder what on earth it was doing in an erotica anthology with obvious aspirations to quality.) But I don’t want to keep hammering on this one poor sad piece of supposed erotica. And I actually have a better example of bad conflict-less porn: “Sometimes It’s Better to Give,” a “couple fucks their babysitter” story by Bryn Haniver. It’s a fun fantasy (or it could be), loaded with potentially hot taboo elements: the depraved older couple seducing the innocent girl, the wicked employers taking advantage of their employee, the moment when the young woman’s surprise and resistance turn to curiosity and lust, etc. etc. But the author goes to an absurd effort to de-fang the nastier parts and make it all safe and nice. The babysitter’s actually their ex-babysitter, a horny and flirtatious college girl with loads of sexual experimenting already under her belt, and when the couple propositions her, she says yes with barely a blink of an eye. The author didn’t let her be shocked or reluctant or even surprised, not even for one paragraph. As a result, there’s no suspense, no conflict — and no tension, sexual or otherwise. And it’s not even remotely plausible.

Dark_alley
Admittedly, I have a personal bias towards smut fiction that’s plausible. It’s hard to lose myself in a sex fantasy if I’m picking holes in the backstory or thinking, “There’s no way she would do that.” But my desire for porn with real conflict and problems isn’t just about believability. It’s about sexual tension, the heat created by personal friction. As a marvelous counter-example, there’s “Dinner Out” by Erin Sanders, one of the best, scariest rape fantasies I’ve read. It works because it lets the rape be both terrifying and safe. It’s clear to both the reader and the “victim” that this is a couple acting out a rape fantasy and not a real rape — and yet it lets the victim feel panic and helplessness, violation and pain. And it doesn’t shy away from the tension in her own feelings, the unsettling and exciting disconnect between feeling violated by a stranger and feeling cared for by a loving partner. There’s also “In the Back of Raquel” by P.S. Haven, an entirely different “couple tries a voyeuristic three way” story that lets the scene be imperfect, that explores and even revels in its weirdness and jealousy and competitiveness — and that finds the fierce, driven, urgent intensity at the heart of the weirdness, the almost-angry tension that makes the story both arousing and believable.

Exam_table
And while we’re on the subject of plausibility, we have our final lesson: respect for the fetish or fantasy. The two medical-play stories in Taboo are perfect examples of what I mean. I’ve already talked about “After Hours,” (the perverse and lovely doctor/nurse medical exam fantasy) and how it made the gradual unfolding of the story feel like exquisitely tantalizing foreplay. But the story also works because it lets the characters get into their roles and act as if they were real. Their nasty thoughts and feelings are clearly there from the beginning, but they act like doctor and patient for a good long while, keeping the reader in suspense and sticking within the fantasy’s boundaries until almost the end. It lets you believe these dirty dirty things could really be happening, in a real medical exam — and this lets you have the fantasy, lets you crawl inside it and feel it down to your blood vessels.

Nurse_boot
In contrast, we have “Medical Attention” by Skye Black. In this one, the medical attention doesn’t get to be clinical and detached even for a minute before it becomes blatantly and explicitly sexual. It has no patience, doesn’t let you believe that this could really be happening even for a paragraph: it jumps to the sex right away, giving you the barest taste of the fantasy — and almost immediately smashing it to pieces.

Okay. All this babbling about the anatomy of a porn story is all very well and good. But it’s not helping you decide whether to buy the damn book or not. What’s my final verdict? Thumbs up or thumbs down?

Taboo_1
On the whole, I’d say thumbs up. While Taboo is seriously uneven, enough of the stories are good to make the book worthwhile — and several of the stories are better than just good. If you like porn that’s about taboo sex and edge play, do check it out. And if you’re intrigued and inspired by the idea of acting out edgy taboo sex fantasies in solid long-term relationships, then this is your baby. Just be prepared: you’re going to have to do some skimming. Even more than you usually would with a porn fiction anthology.

P.S. You can buy Taboo at Powell’s.

For Better or Worse: “Taboo: Forbidden Fantasies for Couples”

Bending and Bottoms: Erotic Reading by Greta and Others, Thursday 8/17

Threekinds
“She loved being bent over. More than any fiddling that might precede it, more than any fumbling sex act that might follow. The moment of being bent over was like a sex act to Dallas, like foreplay and climax blended into one swooning, too-short moment. A hand on her neck, pressing gently but firmly downward, felt like a tongue on her clit; a voice in her ear, telling her calmly and reasonably to bend over and pull down her pants, felt like a cock in her cunt.”

Want to hear more? Come hear me read it in person! The Inside Story Time reading series is having an evening devoted to the topic of Bottoms, which they’re describing as “a literary exploration of the theme of sexual submission.” I’ll be reading from my erotic novella Bending (excerpted oh-so-briefly above), which was published in Susie Bright’s three-novella collection Three Kinds of Asking For It. Other readers at the event include Carol Queen, Stephen Elliott, and players to be named later.

Greta_in_top_hat
So why should you come? Well, at the risk of sounding appallingly arrogant, I’m a really good live reader. I love doing it — I’ve never understood the “fear of public speaking” thing, to me it’s like eating bon-bons and getting a neck massage — and I do it extremely well. Dirty stories especially. And this novella, “Bending,” is easily one of the best things I’ve ever written. It’s smart, it’s funny, it takes its subject seriously, and it’s unspeakably filthy. I love it, and I love reading it aloud. (And it’s been a while since I’ve given a reading from it, so I’m no longer sick of it.) Here are a few of the nicer blurbs, about “Bending” in particular and “Three Kinds of Asking For It” as a whole:

Kirkus_cover
“Greta Christina’s ‘Bending’… is a surprisingly moving odyssey of exhaustiveness and exhaustion.” -Kirkus Reviews

Annie_sprinkle
“A smart and delicious trio of erotic novellas — a must-read in bed with towel near by. I’ve been a long-time fan of Greta Christina’s writing, and here she is at her very best — and in excellent company. I was inspired, and perspired.” -Annie Sprinkle, Ph.D.

Sarah_silverman
“The perfect book for intellectual sex freaks… Even the ones I thought were disgusting aroused me wildly.” -Sarah Silverman

Cleo_dubois
“‘Bending’ is amazing. Kept me from sleeping. Truly brilliant.” -Cleo DuBois

Pwcover
“Who needs a beach for this summer treat? Bright’s imprimatur guarantees heat sufficient to melt an ice floe.” -Publisher’s Weekly

M_christian
“This is not a good book, or even a great book, but rather is an excellent book. The writers here have managed the near-impossible by presenting stories that are not just touching, amusing, amazing, evocative or poignant but also powerfully erotic. I cannot recommend it too highly!” -M. Christian

Alan_ball
“Intense, unjudgmental, hilarious and wise.” -Alan Ball (yes, that Alan Ball, creator of “Six Feet Under” and writer of “American Beauty”)

The “Bottoms” reading will be on Thursday, August 17, from 7 to 9 pm, at the Rickshaw Stop, 155 Fell Street in the Hayes Valley district of San Francisco. $3-$10 sliding scale. If you can’t come, you can read a more extensive excerpt from the novella on my Website. Plus, of course, you can buy the book at Powell’s.

And if you can make it to the reading, please say hi afterwards — I’d love to meet my blog readers. Hope to see you there!

Bending and Bottoms: Erotic Reading by Greta and Others, Thursday 8/17