So I was heading home today from a couple of pre-surgery errands. (Yes, I know, I have friends who will run errands for me right now… but I wanted the exercise and the outside time, especially since I have a stretch of house-bound boredom and cabin-fever ahead of me.) I was feeling tired and worried, sad and shut down, wanting nothing more than to be home on my sofa watching bad TV and turning off my brain.
And I saw this.
And I thought: I get to see this.
I get to be alive.
It sucks that I have cancer. It completely sucks that I got diagnosed with cancer two weeks after my father died. And it’s okay for me to feel shitty, to feel tired and sad and like I need to take a brain-break from everything.
But I get to be alive, here, and now.
And I get more than to be alive. I get to be alive in this neighborhood: so alive and so freaky and so very much a neighborhood. I get to be alive in this city, where art like this is welcomed and celebrated and has a home. I get to be alive in this century, when I have have a life expectancy of 80 and not 35, when endometrial cancer can be caught early and doesn’t have to be a death sentence.
Richard Dawkins said it really well:
We are going to die, and that makes us the lucky ones. Most people are never going to die because they are never going to be born. The potential people who could have been here in my place but who will in fact never see the light of day outnumber the sand grains of Arabia. Certainly those unborn ghosts include greater poets than Keats, scientists greater than Newton. We know this because the set of possible people allowed by our DNA so massively exceeds the set of actual people. In the teeth of these stupefying odds it is you and I, in our ordinariness, that are here.
I get to be alive. No, I don’t get to be alive forever: this cancer is very treatable and will be behind me pretty soon, but mortality is going to catch up with me eventually. But I get to be alive. And I get to see huge, expansive art that is entirely made of joy.
“Picturesoteric,” by Sirron Norris. Corner of 18th and Bryant in San Francisco. Lots more details from the mural after the jump. Click. It’s worth it.
P.S. I love all the cameras in the piece. It’s as if the artist knew people would be taking photos of the mural… and created a mural that’s looking out at us, taking photos of us right back.