“The Ledge” is smart, riveting, complex, emotionally engaging, visually gorgeous… and best of all, almost entirely unpredictable.
A young man walks toward the ledge of a tall building. He is clearly filled with trepidation and even terror; at the same time, he has an equally clear air of purpose and resolve. That resolve: To jump.
It soon comes out that the man is an atheist. And the audience’s first thought might be, “Oh, right. Atheism — depressing, joyless, no sense of meaning or life’s value. Why wouldn’t he just kill himself?” But the story unfolds in places that are miles away from any such predictable path. Far from being depressed or joyless, the potential jumper, Gavin (Charlie Hunnam), has a singular joie de vivre. Far from having no meaning, his life is filled with compassion and intense moments of connection, both large and small. And his suicide attempt is not, as it turns out, a result of his seeing life as valueless and meaningless. It is, instead, an expression of his deep sense of how precious life is.
For reasons I can’t tell you without giving away the ending.
Let’s get this out of the way right at the start: I enjoyed the heck out of “The Ledge,” and am recommending it heartily to pretty much everyone. Atheists, believers who are curious about atheists, people who just like good movies — I recommend “The Ledge” to all of you. Written and directed by Matthew Chapman (author of Trials of the Monkey: An Accidental Memoir and 40 Days and 40 Nights: Darwin, Intelligent Design, God, Oxycontin, and Other Oddities on Trial in Pennsylvania, as well as Charles Darwin’s great-grandson), “The Ledge” is smart, riveting, complex, emotionally engaging, visually gorgeous… and best of all, almost entirely unpredictable. Its characters are, well, human — likable, aggravating, tough, loving, damaged — and the story is unpredictable in exactly the ways that human beings are unpredictable. It’s not a perfect film — I’ll get to that in a tic — but its imperfections are ten times more compelling than most of the boilerplate crap regularly churned out by the Hollywood machinery.
Thus begins my review for AlterNet of the new atheist feature film, “The Ledge”: Sex, Love, Revenge … and Atheism? Finally, a Big New Film That Shows Non-Belief in a Positive Light. To find out more about what made this movie so compelling, what made it flawed, and whether I think it really is atheism’s “Brokeback Mountain” (as its producers have been pitching it), read the rest of the piece. Enjoy!