Recommended reading: Captain America, autistic adults, white privilege in Islam, good cops, bad cops and the prisons system

Shut up, sometimes a normal-length title won’t do.

Five things to read if you missed them the first time round:

  • ‘Captain Dark Thirty?’, by Jonathan Lindsell (Haywire Thought)
    Steve Rogers is never asked to get his hands or morals dirty. He can just swan around judging Fury and Widow while he remains an emblem for an ideal of American moral integrity that, if it ever existed, is now very much mythological.
  • ‘Fourteen Things Not to Say to an Autistic Adult’, by the Purple Aspie
    Last night somebody shared an article on Facebook. The article was called ‘Things never to say to parents of a child with autism.’ A comment on the article asked why there wasn’t one about things not to say to an autistic adult. I decided to write that article.
  • ‘Anger, Tone Policing, and Some Thoughts on Good Cop, Bad Cop’, by Greta Christina (Greta Christina’s Blog)
    In that hot, flushed moment when we’re doing the Cognitive Dissonance Tango, we respond more positively to the good cop. But that doesn’t mean the bad cop isn’t having an effect.
  • ‘I wondered if I would end up killing myself in jail’, by Charlie Gilmour (The Independent)
    A man had been screaming for help all night, pushing the alarm bell and, when that elicited no response, banging a chair against the door. When, after a significant period of time, the officer on duty came to see what the problem was, the inmate told him he was suffering from severe chest pains and thought he might have had a heart attack. He needed a doctor. The officer’s response was to slide a couple of painkillers under the door and ignore his pleas for the rest of his shift. ‘The most terrifying thing,’ said a friend in the cell opposite his, ‘was when his cries finally stopped. We knew he wasn’t sleeping.’ In the morning, he was dead.
  • ‘Muslim Converts, Atheist Accommodationism, & White Privilege’, by Heina Dadabhoy (Heinous Dealings)
    White privilege is being able to visit Muslim communities as an openly gay person with a same-sex partner and being welcomed into them while queer Muslims and ex-Muslims continue to deal with fear, rejection, and marginalization.

Guten Appetit.

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The making of two ex-Muslim mastheads: how would Roy Lichtenstein paint an Asian woman?

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HeinousDealingsBannerSmallAll three new additions to our site will by now have settled in somewhat; I’m lucky enough to have known two of them, Hiba Krisht and Heina Dadabhoy, quite well before they joined FtB. In the best-part-of-a-year between our hivemind’s decision to invite them and the actual debut of their blogs – it took so long because our site redesign went on forever – Hiba and Heina’s names became inseparable, which was something of a problem when they both commissioned me to create their mastheads (right). Since readers seem to like the banners, I thought perhaps I should write about the time I spent on them.

The common ground is inescapable. Both Heina and Hiba are ex-Muslim – more precisely, atheist – women of colour; both are feminists; both live in the US. They’re both queer, both polyamorous and both twentysomething; both are former hijab-wearers; they even have somewhat similar first names. (Would dubbing them the H-bombs be in bad taste?) When it comes to branding a personal blog, uniqueness is the order of the day – so the challenge of bannering-up both Heinous Dealings and A Veil and a Dark Place was always going to be distinguishing two writers I’d grown used to mentioning side by side.

Thankfully the likenesses are superficial: study their work and it’s clear each is their own quite different blogger.

Heina was a Sunni Muslim, Hiba a Shiite. Hiba is a Lebanese Arab; Heina, ethnically south-east Asian, is a Desi. Heina was born and raised in the US; Hiba is a several-times migrant.

Hiba’s writing tends toward the long-form, often centred on personal narrative. Heina’s is more typically about current events or blogosphere controversies. Heina’s voice is more conversational, often referencing comments or directly addressing readers. Hiba’s is more literary (her posts have been printed as-is in journals). Hiba, an academic and professional translator, relies mainly on turn of phrase for colour. Heina, a cosplayer in her spare time, draws on memes, gifs and pop culture.

Heina’s persona is distinctly ironic, dripping with snark. Hiba’s is known for being gutwrenchingly sincere. Hiba’s apostasy plays against the backdrop of her middle eastern taste in art, food, clothing, even grammar; Heina’s aesthetic – lipstick, heels, polka dots – is hard-femme Americana.

How do you represent these sorts of differences in two 728x120px images?

000Heina’s image could be read as a rejection of her roots – her A-line dresses and nail polish as aspirational, 1950s symbols that they are of idealised suburban whiteness. But an ex-Muslim who blogs on racism isn’t someone running from their background, and what feminist – actually, what woman today - dresses as a fifties housewife except on purpose? It’s a wardrobe filled with the intent to ironise, hijacking iconography meant to exclude women like Heina. She might as well, it struck me when she asked for a blog header, insert herself into Roy Lichtenstein’s paintings of pale, thin blondes – so I decided I should do just that.

Like most pop art and like her, Lichtenstein’s work is tongue-in-cheek. Filled with soap opera heterosexuals and exclamation marks, it’s as much a camp performance of his era’s gender politics as her look is – but that being so, he never to my knowledge painted anyone who looked like her. That raised a problem: with no precedent, how do you paint an Asian woman in Roy Lichtenstein’s style?

Some liberties were taken. The famous Ben-Day dots in his work were originally developed as a means of saving coloured ink while shading, so always appear on a white background there. This works for the pinkish hue of Caucasian faces, but trying to represent Heina’s skin tone that way in early versions left her looking zombie-like, so two different tan shades were required. Nor did Lichtenstein ever, to my knowledge, paint people with curly hair like hers or mine, and the resultant line work uses a technique more mine than his. Still, it seemed to work. (If you’re wondering why Heina’s hair is purple, it’s because its actual colour would have rendered as an amorphous black blob… as well as just because.)

Of course Heina, who broadcasts her opinions, had to have a thought bubble in live transmission – and of course her blurb had to be drawn like Lichtenstein’s narrative boxes. My hope is that the finished banner is as witty, camp, colourful and recognisable as she is, and her readers’ responses suggest it succeeded.

000When it came to Hiba’s blog, the task was the same with one added constraint. First, create something to symbolise A Veil and a Dark Place; second, make it instantly different from I’d done at Heinous Dealings.

Hiba is middle eastern rather than Asian, more literary than Heina and less western in terms of reference points: it made sense immediately that her banner would feature Arabic. The language’s script is exquisitely ornate, resembling embroidered latticework or chain mail when densely spaced, and while initially I wondered if using it for an ex-Muslim blog was ethnocentric, it struck me that doing so might actually combat the conflation of Islam and Arabia: unlike most current or former Muslims Hiba actually is an Arab, and associating an atheist’s blog with that spidery lettering seems like a way of reclaiming it from fundamentalists.

The phrase in the texture of the letters was meant to be the blog name, but annoyingly my laptop managed to unravel it somehow, and I’d likely have to study Arabic myself to rectify this. I’m convinced no colour suits its writing better than inky black, so wanted originally to keep the banner monochrome; for the lower portion of text , I was also tempted for a time to use Trajan Pro, that most Roman of fonts. What stopped me? Well, although both those concepts would differentiate Hiba’s blog from Heina’s, another ex-Muslim got there first.

Maryam Namazie’s banner is a thing of beauty - to imitate it even by accident would do all parties involved a disservice. Moreover, her blogging style and Hiba’s are very different, and it occurred to me her monochrome text suggests the matt black clothing of Islamist theocracies she rails against. Hiba’s subject matter is more personal, and her fondness for middle eastern art made me think the burnt yellow of Lebanese spices would fit. (When in doubt, my mind defaults to food.) For the typeface in the blog name’s second half, I went with Lato.

The pseudo-Arabic letters of ‘a veil’ are my own work, thus unique to Hiba’s blog, and took many hours of tweaking once I’d found actual Arabic characters to base them on. (Making the ‘v’ work was especially taxing.) For a while I messed about with colour fields and added details, but in fact I think the motif is so strong that other details would overpower it, and ‘floating’ on a white background means the banner looks centred above Hiba’s posts. (Like mine, it’s not really.)

Since the new blogs went up, I’ve been commissioned to do similar work for other people. I can only thank both H-bombs for coming to me, and I’m thrilled that on top of being their colleague, I got to support what they do.

Update: Hiba responds here.

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Welcome three new bloggers: Hiba Krisht, Heina Dadabhoy and Aoife O’Riordan

Forgive me – this post is much too late, but if anyone missed it the first time round we’ve an exciting announcement.

Three new writers just joined Freethought Blogs, and they’re three of the very best.

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Hiba Krisht, formerly known as Marwa Berro, can’t have escaped the notice of anyone in atheism this last year. Her post ‘What it is like to be a Muslim woman‘ (here’s an updated version) swept the blogosphere last summer, she’s guest-written for this blog and her ‘Ex-Hijabi Photo Journal‘ tumblr has been all over the press. If you’re interested in antiracist, anti-imperialist critique of Islam, A Veil and a Dark Place is the blog to read.

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Heina Dadabhoy, poached from her role as one of Skepchick‘s best known rabble-rousers, has her own writing space now at Heinous Dealings. (I may have named her blog.) As well as being, like Hiba, an ex-Muslim – currently she’s working on A Skeptic’s Guide to Islam - she writes on feminism, body image, racism and other things. See her ‘Don’t Be Boring‘ comments policy first, and then her gallery of violations.

Aoife O’Riordan, finally, writes a charming blog named Consider the Tea Cosy on ‘feminism, queerness, wheelyshoes, Ireland, what she cooked last week or any combination of the above.’ I’m thrilled as could be to have another colleague this side of the Atlantic (though not of the Manx Sea), let alone one who writes so well - read her her moving, vivid account of her Catholic grandmother’s death.

Curious? Send all three of them some traffic.

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On Honeygate

Religion’s not the sole unrighteousness
In your philosophy, we’ve learned of late:
Caught in the act (high-minded, humourless)
Hightailing hot goods to an airport gate –
A jar, specifically, of sandwich spread –
Reports relay your patented contempt,
Determining the art of protest’s dead.
Did you expect to be declared exempt
At once, on turning up, from rules in place?
We laugh because your notion customs might,
Kafir, favour you simply for your face
Isn’t far wrong. That onlookers make light
Now of your trouble’s just, if jibe-filled. Honey,
Say what you like – the world’ll say it’s funny.