Unlike Grace Dent, I’m not old enough for Rolf to have entertained me as a child. (June 1991. I know.) At eight or nine, I only knew of him from ads for Animal Hospital, which I didn’t watch. I did, however, grow to like him in his Rolf on Art programmes during my teens, and I’ve followed Operation Yewtree enough to know his case is different from the other men’s involved.
Those whose guilt has been ascertained – Jimmy Savile, Max Clifford, Gary Glitter – or were arrested over allegations (Freddie Starr, Jim Davidson, Jimmy Tarbuck) have a certain seediness in common. After meeting any of them one would want to wash one’s hands: if unsavoury reports had come to light ten years ago, I doubt most of us would have been that shocked, and with one or two it seemed only a matter of time. Rolf – even now, calling him by anything but his first name feels wrong – was by contrast the last person you’d fear in a dark alley. With a quiet, distinctly Australian warmth and a unexpectedly thoughtful painting style for someone who made his name through novelty children’s records, he remains the only Yewtree suspect ever to have come across as a nice bloke, and this makes his guilt uniquely disturbing.
I can’t be alone in feeling this. Harris (alright) was obviously seen to be harmless enough that BBC bosses placed him in kids’ TV, and unlike in Savile’s case (whose child sex abuse it appears was extraordinarily prolific), one doesn’t sense their heads were in the sand. So formidable was the man’s natural charm that it seems it constituted his entire defence strategy in court. ‘In his evidence,’ news stories state, ‘Harris reminded the jury of his career, how he had invented the wobble board instrument by accident and popularised the didgeridoo, and talked about his hit records, briefly singing a line from one of them, “Jake the Peg”’ – as if proving himself likeable would be enough to get him off. While assaulting girls between the ages of seven and fifteen, his barrister reportedly argued, he had simply ‘los[t] perspective and rational thought in the face of flattering attention’. High on well earned public adoration, in other words, who could blame him?
What unnerves is that Harris was evidently quite justified in thinking this would work. For many years it clearly did. With the conviction of men like Savile and suspicion of ones like Davidson, a note of smugness is tempting and to deny it would be humbug. Something about them was always a touch pervy, and it’s hard to resist told-you-so-ism. Harris had us fooled, and that’s harrowing – because mock it as we might when relied on in court, the assumption that a nice bloke couldn’t sexually assault children is exactly what enabled him to get away with it repeatedly.
It’s easier to talk about abuse – assault, harassment, rape – in ways that don’t implicate us, to make out predators are just violent strangers, sexual violence is a problem elsewhere in the world and only leering creeps molest young girls. As I write, the press is busy monstering Harris with words of sickness and perversion, tipp-exing out of history a lifetime of popular affection and approval because inevitable evil is less threatening than a perp who doesn’t fit that image. Admitting Rolf was a nice guy means admitting, too, that apparent nice guys do what he did. That’s a difficult red pill to swallow, but on the other hand, how many victims does denying it prevent from being believed?
Make no mistake, you and I are part of this.