Mysteries With No Payoff


I was eatin’ a sammich in the living room and the series premiere of Taboo was on. Tom Hardy is in there and he’s usually got an interesting presence. I’m kinda inclined to like him, though I haven’t been given a whole lot of cinematic reason to. So I thought, this show has until the end of this sammich to appeal to me. No dice. I’m done.

I spent a lot of years not watching TV shows, just started doing it again within the last five. I’m starting to see the same tropes and writing techniques play out on the scale of seasons, and to appreciate the things I’ve read other people saying on the internet.

That is to say, fuck Lost. TV shows love setting up a mystery but there are too many examples of them leaving you without an answer, or with an answer that strongly suggests they were making shit up as they went along. I find that so annoying that I have serious misgivings about any TV show that relies heavily on mystery.

So Taboo is building up Hardy’s character with rumors and whispers and mysterious behavior and blah blah. There’s the East India Company as villains – legit historical monsters but he’s very much one of them. Hardy’s boy was in the EIC and bounced around the world getting into backstory hijinx whenever he wasn’t mighty whitey-ing his way into indigenous cultures.

It’s like we’re being expected to root for a trust fund cockhole who spent his young adulthood being an asswipe in faraway places, then came home to act like he’s morally superior to the community that spawned him. Then there’s weird shit like the implication from wasted-as-a-whore Franka Potente that he kills women, to which he’s like “You know it, baby!” Who is supposed to like this? Not me.


Comments

  1. StevoR says

    Lost? JJ Abrams Lost the plot -and has been fucking up movies ever since. Also fuck lens flare bullshit and CGI style over substance.

    (That said, Rogue One was good, Force Awakens was shit though – a crime against old characters who deserved better. My opinion natch. Did like Rey.)