Friday Favorite Pep Talk


If there is no dull and determined effort, there will be no brilliant achievement. – Hsun-tzu

Nine days.

For those of us engaging in NaNoMadNess, that’s it. That’s all we’ve got left. At the end of nine days, we’ve either got 50,000 words or we’re putting our pictures up on FAIL Blog.

Some of you may be panicking about now. Your well of words may have gone dry at this critical moment. You’re staring at the blank pages stretching out before you, you’re looking in despair at the disparity between the words you’ve completed versus the words you have yet to write, and you’re having a Very Bad Moment.

In the immortal words of Douglas Adams, “Don’t Panic.”

We’ve got only nine days, but that includes two weekends. Some of us even have a four-day weekend coming up. Fuck the family. Let some other bugger cook the turkey. We’ll catch up at Christmas. This holiday, we write.

We can do this thing.

Ten thousand word weekends are possible. I’ve done them. Chuck the Inner Editor out the window and just get typing. Run through the tape. Push through the pain. Do that, and you’ll win.

Last year, Neil Gaiman emailed a sorely-needed pep talk to NaNo sufferers. I’m sure he won’t mind if I reproduce it in full here:


Dear NaNoWriMo Author,

By now you’re probably ready to give up. You’re past that first fine furious rapture when every character and idea is new and entertaining. You’re not yet at the momentous downhill slide to the end, when words and images tumble out of your head sometimes faster than you can get them down on paper. You’re in the middle, a little past the half-way point. The glamour has faded, the magic has gone, your back hurts from all the typing, your family, friends and random
email acquaintances have gone from being encouraging or at least accepting to now complaining that they never see you any more—and that even when they do you’re preoccupied and no fun. You don’t know why you started your novel, you no longer remember why you imagined
that anyone would want to read it, and you’re pretty sure that even if you finish it it won’t have been worth the time or energy and every time you stop long enough to compare it to the thing that you had in your head when you began—a glittering, brilliant, wonderful novel,
in which every word spits fire and burns, a book as good or better than the best book you ever read—it falls so painfully short that you’re pretty sure that it would be a mercy simply to delete the whole thing.

Welcome to the club.

That’s how novels get written.

You write. That’s the hard bit that nobody sees. You write on the good days and you write on the lousy days. Like a shark, you have to keep moving forward or you die. Writing may or may not be your salvation; it might or might not be your destiny. But that does not matter. What
matters right now are the words, one after another. Find the next word. Write it down. Repeat. Repeat. Repeat.

A dry-stone wall is a lovely thing when you see it bordering a field in the middle of nowhere but becomes more impressive when you realise that it was built without mortar, that the builder needed to choose each interlocking stone and fit it in. Writing is like building a wall. It’s a continual search for the word that will fit in the text, in your mind, on the page. Plot and character and metaphor and style, all these become secondary to the words. The wall-builder erects her wall one rock at a time until she reaches the far end of the field. If she doesn’t build it it won’t be there. So she looks down at her pile of rocks, picks the one that looks like it will best suit her purpose, and puts it in.

The search for the word gets no easier but nobody else is going to write your novel for you.

The last novel I wrote (it was ANANSI BOYS, in case you were wondering) when I got three-quarters of the way through I called my agent. I told her how stupid I felt writing something no-one would ever want to read, how thin the characters were, how pointless the
plot. I strongly suggested that I was ready to abandon this book and write something else instead, or perhaps I cou ld abandon the book and take up a new life as a landscape gardener, bank-robber, short-order cook or marine biologist. And instead of sympathising or agreeing
with me, or blasting me forward with a wave of enthusiasm—or even arguing with me—she simply said, suspiciously cheerfully, “Oh, you’re at that part of the book, are you?”

I was shocked. “You mean I’ve done this before?”

“You don’t remember?”

“Not really.”

“Oh yes,” she said. “You do this every time you write a novel. But so do all my other clients.”

I didn’t even get to feel unique in my despair.

So I put down the phone and drove down to the coffee house in which I was writing the book, filled my pen and carried on writing.

One word after another.

That’s the only way that novels get written and, short of elves coming in the night and turning your jumbled notes in to Chapter Nine, it’s the only way to do it.

So keep on keeping on. Write another word and then another.

Pretty soon you’ll be on the downward slide, and it’s not impossible that soon you’ll be at the end. Good luck…

Neil Gaiman

You see now why Neil Gaiman has always been my North Star when it comes to writing. And he believes in us. Neil’s never been wrong yet, so we’re likely going to do just fine.

Stop worrying. Take a deep breath. Start typing.

Don’t stop.

You’ll get there.

You must act as if it is impossible to fail. – Ashanti proverb